(mat)eo - él/he/him - 23 y/o
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I Am Love 2009
Neither its conversations around stale pre-established values of family roles, nor the sexual and social alienation of a woman under bourgeoisie quite land - perhaps due to its stylistic emphasis, relegating further developments in order to visually make the most out of it. As much as I would've loved a stronger film, character and thematic wise, I'm not too bothered about it, as I Am Love soars thanks to its tantalizing aesthetics choices. Bodies, people, clothes, food, landscapes, interiors -…
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Orlando, My Political Biography 2023
Coming fresh from the few books I've read ("Terror anal" + "Yo soy el monstruo que os habla"), Paul's ideas seemed way more incendiary and disruptive than what is presented in here. They seem diluted, a bit lost in its transmutation, passing as an introduction to trans issues and identities for the general public. As much as I enjoyed the polyphony and the ubiquitous (non)representation of Orlando's character (as well as some campy aesthetic choices), its reliance on talking heads…
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Marie Antoinette 2006
The personality of a millennial trapped inside a XVIII century queen and some of her friends. They can certainly say they were born in the wrong generation, because they actually were: their manners, tastes and thoughts resemble more like someone who was born in the mid 90s. Apart from showing that, it exposes the social presion a lot of girls are victims of, and that's another thing why this movie is so atemporal, the themes can match both in that…
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