Gratuitous violence for violence’s sake. I guess it’s supposed to be a commentary on censorship in Serbia or something, but there was a lot of parts that just seemed unnecessary. Artistically, it was mid—the story, the cinematography, they were just vehicles for the violence of this film. I feel like someone sat down and said let’s think of the most fucked up thing possible and then make a really vague story about it. As a fan of disturbing cinema, it’s…
