Mohamed

Mohamed Patron

Favorite films

  • Oslo, August 31st
  • Demonlover
  • 25th Hour
  • The Taste of Tea

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  • Margin Call

  • Hairpin Circus

    ★★★★

  • m.A.A.d

  • Hardcore

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  • Twin Peaks: The Return

    Twin Peaks: The Return

    ★★★★★

    Duality is something in Twin Peaks that Lynch loves to return to over & over, whether it be black/white lodges, real/doppelgängers, light/darkness, good/evil, pasts & futures, dreams/reality, even in how he approaches small-town America in his works, where his affection & mistrust of the people in these surbarban towns are so woundly tied together. Some of these contrasts are more easier to live with others, For Cooper after his comeback in Part 16, there’s a belief in being able to get rid of…

  • Me and You and Everyone We Know

    Me and You and Everyone We Know

    ★★★★½

    lonely people desperately trying to make connections online in the weird ways they only know how. what could be more sincere and empathetic than that.

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  • Margin Call

    Margin Call

    The much better film about the financial crisis as there are no fourth-wall breaks, no cuts to Margot Robbie in a bath but just pure cynicism, apathy & greed dominating the atmosphere as those closer to the top of the ladder wrestle & come to terms with everything is about to fall apart from something that was never in front of them.

    Impending doom from “nothing” but will be felt in every way imaginable.

  • m.A.A.d

    m.A.A.d

    encapsulates so much of a city’s history and present-day through so many avenues I gladly stopped keeping track and let it wash over me. 

    you’d think an album like gkmc couldn’t get more any more evocative until sing about me starts playing and the first couple frames consists of entering a morgue.

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  • A City of Sadness

    A City of Sadness

    ★★★★½

    Taiwanese new wave >>> French new wave cinema

  • A Confucian Confusion

    A Confucian Confusion

    ★★★★★

    "the best way to fight hypocrisy is not by death, but by living honestly!"

    one of my favourite screenplays and endings, ever. really impressed and loved in how yang was able to connect all these characters in this multi-layered narrative in their search and questions for authenticity & honesty and having to self-reflect in the emotions they'd display on their faces or their artistry, hypocrisy, pretentiousness, relationships and their professions. Think it's safe to say with having seen my 6th film of his, that edward yang is clear, as my favourite director. really hope this gets restored in the near future.