This movie is really confused about what it wants to be—objective historical thriller that is pure vibes, criticism of the mass media’s narrativizing of events that exceed the confines of a “riveting” story, or IDF propaganda. As such, I don’t really know what to say about it yet. I will say that I disagree with commenters who call it a criticism of broadcast news because insofar as it does frame itself as such, it only does so in the context…
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Crimes of the Future 2022
I suspect this might be Painkillers under a different title, which was apparently Cronenberg’s take on mutilation-based performance art. This is gonna be dope.
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