Dane

Dane

“...an aesthetic defense of the dissociated world in the awareness of death. Roughly like that.”

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  • Gertrud
  • Daughters of the Dust
  • Rock Hudson's Home Movies
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  • The Birdcage

    ★★½

  • The Last Showgirl

    ★★

  • Moonplay

  • From Ground Zero

Recent reviews

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  • The Birdcage

    The Birdcage

    ★★½

    Forgive me for having never bothered to watch this before. Frankly had a lot of trouble getting into it. The movie plays up Lane’s diva histrionics so much for laughs, it sorta papers over how cruel the charade is and how genuinely homophobic the son comes across. The energy doesn’t really flip in that regard until Lane shows up to dinner in drag in the last quarter and exacts a kind of revenge. I see the appeal of the ambient…

  • The Last Showgirl

    The Last Showgirl

    ★★

    “The kicking is so redundant.”

    I think ultimately a quite cruel and pointless movie that imagines at moments it is channeling Barbara Loden or Gena Rowlands via Pamela Anderson but doesn’t challenge any assumptions about the characters and their world. It looks great and was sufficiently strange to hold my attention, but Coppola’s eclectic vision seems often to lack emotional intention and comes off as merely curious and inscrutable.

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  • Poor Things

    Poor Things

    ★★½

    Poor Things doesn’t so much reflect our society’s obsession with sexual propriety as it does have its own fixation on Bella’s sexuality. As an experiment, she gets to experience the world totally new at a rapid pace, free from norms and prejudice. But, while she does develop a social, intellectual and political life, they aren’t taken very seriously. Her debate with Harry Astley and subsequent trip to Alexandria, where she discovers the cruelty of the world, despite the visual pomposity,…

  • Anatomy of a Fall

    Anatomy of a Fall

    ★★½

    I was reminded of Marriage Story the way it’s kinda dumb if taken too seriously but works great as a travesty. The movie never really confronts us with unknowability, though it is loaded with superfluous detail. It’s a torrid relationship drama and legal farce that comfortably invites you to weigh the evidence and pick a side, even though we are told from the outset that doing so will get us nowhere. Some great performances (and great fights) aside, it feels like…

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