nathan fisher

nathan fisher

if we listen to this man another minute we shall have no convictions left

Favorite films

  • A Man Escaped
  • The Young Girls of Rochefort
  • The Lady from Shanghai
  • The Southerner

Recent activity

All
  • Career Girls

    ★★★

  • The 15:17 to Paris

    ★★★★½

  • The Commuter

    ★★½

  • The Prowler

    ★★½

Recent reviews

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The Conformist

The Conformist

1970
★★★ Watched

Deft, elegant, assured, refined, etc. all those things — if a touch overcalculated — not exactly a rare combination for some of these classic Euro brilliances. I admit this is not my favorite way of depicting or thinking through fascism — by way of psychodrama, which is way less subtle here than the deft, elegant, assured, refined style and structure might mislead you to believe — but this is still compelling even if its density is oversold. I much prefer — stylistically, formally, politically — the less decorous and more unbuttoned 1900.

Se7en

Se7en

1995
★★½ Watched

Unfortunate that the most 'memorable' part of this, culturally speaking, occurs during a pretty remarkable third-act drop-off, IMO. Obviously this is one of those nineties rewatches that also acts as a exploratory voyage into the time capsule of my teenage memory and I was pleasantly vibing with Fincher's impressive and idiosyncratic horror noir stylings (the sloth murder is really an all-timer). But I can't be the only one who thinks this grinds to a halt as soon as Spacey shows…

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Oppenheimer

Oppenheimer

2023
½ Watched

Betting the house against Christopher Nolan remains a sure thing. Script is written by ChatGPT after scanning the Wiki page. (At one point, noted genius J. Robert Oppenheimer attributes “property is theft” to Marx, which is particularly funny because it’s the most famous line by one of his intellectual rivals, in combative response to which he wrote an entire book. Not a big deal, but anyway, just to file under: dumb person’s ideas of a smart movie).

Unable to think…

The Favourite

The Favourite

2018
½ Watched 2

feed at the trough of arbitrary directorial impositions and witless “provocations.” who will save us from the interminable boredom of “style”

take a shot every time they say cunt and at least maybe by the end you’ll be dead

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