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Babygirl 2024
It's wild to think that Babygirl and Nosferatu shared the same theatrical release date in the US. I feel like anyone who watched both on the same day would've had a perfect double feature. Where one is drenched in darkness, the other is an intense, sensual dive into human vulnerability and desire. Sex, in a way, is the heart of Babygirl. I have a feeling that sex or maybe just the acceptance of one's own desires, could be the answer…
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House of Sayuri 2024
A very, very strange film. Even now, I can't fully convince myself of the tonality it was trying to maintain. It seems to teeter between being silly and serious, never quite committing to either. I can't even classify this as a horror-comedy. It begins with a genuinely creepy tone, setting up its atmosphere in unsettling ways, and for a while, it works. But once the deaths start happening, the film takes a turn I just couldn't connect with.
Typically, when…
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Game Changer 2025
Just finished watching the 1 AM show of Game Changer and I don't even know where to begin with. I went into the film with no expectations not even the bare minimum. There wasn't any hype for me, not because of Shankar's previous works or because Ram Charan doesn’t excite me, but because nothing about the film ever gave me a reason to care. The promotional material? Dull. The hype? Nonexistent. But I thought, "Maybe the film will have more…
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Pushpa 2 - The Rule 2024
The first part of Pushpa set the stage so perfectly, ending with a thrilling lead into the second film. It gave us a high-stakes setup: a battle of egos and insecurities between Pushpa and Shekhawat. With Pushpa: The Rule, I wanted to see how Sukumar would build on that tension and take Pushpa’s character further. By the time I walked out of the theater, I felt satisfied. Sukumar truly gave Pushpa’s character the depth and complexity the title promised.
The…
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