Neal Mercier

Neal Mercier Patron

Independent filmmaker and avid movie watcher.

Current Favorites Theme: Leafy Greens

Favorite films

  • Alien
  • Boyhood
  • The Matrix
  • The Secret of Kells

Recent activity

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  • Leprechaun

  • When We First Met

  • Say Anything...

  • Ma

Pinned reviews

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  • Flow

    Flow

    Purrfect. Lovingly designed and beautifully animated. The art style reminds me a lot of Firewatch (video game, not a movie – and if you haven't played it, I can't recommend it enough). It might not have any dialogue, but those little "meows" will absolutely tug at your heartstrings. My neighbor's cat couldn't come with me to the theater to see it, but maybe he can check it out once it gets to home video.

  • The Lord of the Rings: The Fellowship of the Ring

    The Lord of the Rings: The Fellowship of the Ring

    "I made a promise, Mr. Frodo. A promise! 'Don't you leave him Samwise Gamgee.' And I don't mean to. I don't mean to."

    I was a little too young to see Fellowship and The Two Towers in theaters back when they were originally released. Luckily I did get to see The Return of the King in '03 during its original run, but I've been waiting for an opportunity to see these films projected on the silver screen for well over…

Recent reviews

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  • The Brutalist

    The Brutalist

    Bring back intermissions!

  • Showgirls

    Showgirls

    Trashy and over-the-top, Showgirls is satirical fun from start to finish.

Popular reviews

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  • Porco Rosso

    Porco Rosso

    "I'd rather be a pig than a fascist."

    For a movie about a flying pig, Porco Rosso is surprisingly one of Hayao Miyazaki's more grounded adventures. The whole movie is heartwarming and a ton of fun, but there are two sequences in particular (a sepia-tinted flashback of love and a somber bedtime story) that I found jaw-dropping in their transcendence. Only Miyazaki could make you care that much about a swine ace pilot.

    Watched with the 2004 English dub.

  • Detroit

    Detroit

    This film revels far too much in the violence of the Algiers Motel incident and somehow manages to make the entire terrible affair look like the fault of a few trigger-happy psychopaths instead of an entire culture of institutionalized racism. I think that this film could have possibly worked if it had been a courtroom drama, but instead it feels like little more than sophisticated torture porn. If I’m being honest, I’m not sure a white director really earned the right to tell this tragic story, even one with as much clout as Kathryn Bigelow.