After seeing 2022’s “Alice, Darling”, Anna Kendrick went from being an actor I generally liked and respected to an actor I held in high esteem. Naturally, her directorial debut intrigued me. But once I saw it and it ended, I was even more impressed than I expected.
“Woman of the Hour” as a whole is just affecting. It switches between Kendrick’s Cheryl Bradshaw’s life in Los Angeles as a struggling actress (which is honestly more interesting and less generic than…