Why the hell has Mark Eydelshteyn been seemingly absent this entire awards season? He deserves noms (at the very least) across the board and I'm really not sure why he's been so overlooked.
Really enjoyed this overall. It absolutely zips past, with a first half that's pretty much perfect. It certainly sags slightly once Vanya disappears and Madison seems to get a bit lost in her own movie, but it perks up again once he comes back. The power of their pairing I guess.
And the final scene with the wipers going? The very definition of poignant.
