Favorite films

Recent reviews

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  Inside 2007

  ★★★★½ Watched 21 Mar 2025

  WELCOME TO HORRORWOOD 2025 (8/100)
  
  A sublime movie, worthy of being measured alongside Martyrs for its level of detail, plot, and ambience.

  À l'intérieur is Alexandre Bastillo and Julien Maury's debut film, both directors known for projects such as Livid or Aux Yeux des Vivants, which align with the same french cinematographic movement as the previously mentioned.

  This film is without a doubt one of those flicks capable of engraving certain scenes in your head that won’t easily disappear from…

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  Livid 2011

  ★★½ Watched 20 Mar 2025

  WELCOME TO HORRORWOOD 2025 (7/100)

  New French Extremity films have always been my favorites, but this specific one left me with a bittersweet feeling, since I expected more from Alexandre Bustillo and Julien Maury, directors of À L’Intérieur.

  The soundtrack is sublime, and the romantic gothic cinematography creates an incredibly beautiful atmosphere, but this seems truncated by the multiple jump scares in it, completely destroying its unique ambiance. I also find the plot a bit too weak for a New…

Popular reviews

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  We Are What We Are 2013

  ★★★ Watched 18 Mar 2025

  WELCOME TO HORRORWOOD 2025 (5/100)

  After watching this, I felt the need to watch the original one. I surprisingly liked it, even though it was pretty slow paced for my taste.

  The beginning was able to hook you into the story, but I found the plot very obvious. I would have been more interested if the secret this family is hiding had been kept better hidden and not revealed so quickly. Although the ending turned out to be very different…

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  Antiviral 2012

  ★★★½ Watched 18 Mar 2025

  WELCOME TO HORRORWOOD (3/100)

  Antiviral presents us with a dystopian universe in which the fanaticism for certain celebrities is capable of challenging ethics and reason. The premise develops in such a raw and complex manner that it captures the viewer’s attention from the very beginning.

  I fell absolutely in love with the cinematography and the chromaticism of the project, which make the film so beautiful in the eyes of the viewer. I’ve never seen something so beautiful and grotesque at…