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Come and See 1985
The third act of this is like Playtime by Tati kinda, with the whirlwind of all the people and their actions, the hazy confusion of it all; am I crazy?
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Harakiri 1962
Really loved the Red Armour metaphor.
In the opening shot, we see it in all its glory, shrouded in a fog of mystique, commanding respect; a symbol of the authority and the samurai code.
In the end, it’s flung out on the floor by “a half starved ronin”, stained by the blood of the poor man as he lets out his oppressed rage, only to be propped up again by lies to perpetuate the same madness that pushed him to the edge.
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