I see myself in the melancholy of this film
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In the Mood for Love 2000
โIn the mood for loveโ is a poem made of silences, whispers, passions kept under control and which deserve to be expressed, but the two protagonists are victims of a society full of prejudices and judging glances. The entity that binds Chow Mo-Wan and Mrs. Chan might seem to be the relationship between their respective spouses, but this is not the case, what binds them is their same feelings. It is their loneliness, the sense of betrayal and exclusion. Theโฆ
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The Face of Another 1966
I think I can't judge this film with emotional detachment, because within it I found a piece of my history.
The complicity of the two stories told, so distant but so close, complementary, linked by a deep-rooted torment and the desire to be someone else while remaining themselves.
A thread of fiction that continues to exist throughout the film and which, by participating in it, makes us blind, then allows us to see, and then makes us blind again.
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Happy Together 1997
I honestly can't find any defaults in this film.
I loved the style of filming, the change of colors that oscillated from black and white to extremely warm tones, the soundtracks, that waterfall always under my eyes, the acting of the actors and the awareness that Leslie Cheung put a piece of himself into it.
A nostalgic note that is always present and that accompanies us even after watching the film.
A tango to strengthen memories and underline a bondโฆTranslated from by
