dazed and confused
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Vertigo 1958
A film about obsession that becomes its own obsession – Hitchcock looping us in a dreamlike trance of longing, deception, and dizzying paranoia. The camera moves like a stalker, Bernard Herrmann’s score swells like a fever dream, Hitchcock traps us in the mind of a man who molds love into possession and grief into control. Kim Novak is less a woman than a projection, flickering between identities not for herself, but for him – whilst Midge, the one woman who…
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Mulholland Drive 2001
I was warned and came prepared, but I still kinda feel like I’ve only watched half of what I was supposed to, to be able to say that I’ve watched this movie?
This calls for one or two (or X amount of times) rewatch sessions!Translated from by