Starts off classic de Palma, then transforms itself into a wonderful procedural, then devolves into conspiracy paranoia - all the while it is a very good movie, but then the ending comes to shock our very core, just like a primal scream. One of those films where the ending really transforms and elevates the entire film. Love it when de Palma is able to successfully Hitchcock and not just create a forgery.
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Seethamma Vakitlo Sirimalle Chettu 2013
The more I see it, the more I realize that maybe the biggest strength of this movie is that it understands, empathizes and realistically depicts the struggle (Peddodu's character) before it goes on to convey where its heart is at through Relangi mavayya (and even more succinctly and beautifully conveyed through Mari Antaga). After all, what good is your positivity if you don't experience any of the negativity. Still remains a miracle and safe to say a modern classic.
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Khaleja 2010
This is Trivikram's last great film. It has its share of flaws, but honestly they are so easy to ignore. It is ironic how the hero in Telugu films is often treated as a god, but everyone suddenly has reservations when the film outright calls him one. In fact, Trivikram is well aware of this and makes this film the only genre it could be, a comedy. This is an incredibly ambitious and hilarious commercial film. Mahesh, in his most…
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