Film lover.
Kubrick Enthusiast.
Friend.
These views are merely my own. Don't get offended, opinion is the joy on film.
In the winter of 2016, Barry Jenkins released his magnum opus Moonlight. I distinctly remember how I felt throughout that film; an overwhelming sense of emotion and adoration for what was being presented in front of me. Until yesterday, I had never had that experience since (you can imagine my smugness then when Barry Jenkins' name appeared in the credits as a producer).
Cue Charlotte Wells.
Aftersun trusts it's audience not to require overt excitement and/or dramatic plot points. It…
It's been about 8 years since I last watched Kes. In that time, I met my soon to be wife and moved to her home town of Barnsley. I've lived here for 5 years now and consider myself an honoury Yorkshireman. The stories her grandad tells, in his increasingly comforting accent, of his childhood and of working down the pit always bring a smile to my face.
Returning to Kes again now is like a warm embrace and I can't…
I needed to sleep on this before I wrote this review. Firstly a massive thank you to Parkway Cinema in Barnsley for securing the only 70mm film print outside of London. What a great atmosphere it was in there.
Oppenheimer is a sprawling and intense film that caught me off guard in a way I wasn’t expecting. Maybe it was my naïveté but it definitely wasn’t the film I’d prepared myself for. Nolan once again plays with Promethean ideologies, how…
For me this was perfect.
There was so much longing in every frame, every prolonged silence, every wistful gaze. It seems at the moment every year a masterpiece is created by a debut filmmaker that just blows my socks off and leaves me in a puddle of my own tears. Charlotte Wells passes the baton onto Celine Song this year with a film that feels so personal that after a brief google search I feel I need to reach out…