For the first time I've felt like Nolan has trusted his audience, in cinemas true meaning of show don't tell, he's usually too afraid to let go. To let go and trust his own art, lacking in exposition dumps (sure this movie has some, but not overburdening) but it didn't click until the scene of the thumping shoes post blast sequence that we'd been using suffocating visuals to convey emotion (!) as well as Nolan's most horrifying haunting visual work…
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The Texas Chain Saw Massacre 1974
Uncovering and learning the truth around exposed atrocities can be harrowing. Whether that it’s the contents or butchery of cattle for food consumption or inhumane war crimes in Vietnam broadcast in the media. We’re fed a lie and deceived because we couldn’t handle the truth if we really knew what was going on. The Texas Chainsaw Massacre is relentless and menacing, it makes you feel like you’re constantly being beaten over the head as you uncover the truths around you…
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Under Siege 2: Dark Territory 1995
Seagal is just so chill in every situation, laziest action man ever.
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Killers of the Flower Moon 2023
Scorsese will never pretend to be someone he is not. He is not Osage, so he doesn’t attempt to tell the whole story from their point of view. The Osage community are beautifully shot, full of vibrancy and love but not forgetting the pain they went through together. But what we’ve seen for many years from Scorsese are films that show a systematic power at force, in this case a large white group controlling the system and people for their…
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John Wick: Chapter 2 2017
Buster Keaton is the first image on screen in John Wick 2; a fitting individual thats representing the enigmatic body violence and motion of John Wick and this world. Set against ancient architecture of Rome history comes back to bite the future, our past always haunts us, follows us until its caught up and we have to face it head on. Just like looking at yourself in the mirror, or a wall of moving neon mirrors in this case. It's…
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