"They say no one wants to hear what a kid wrote last month."
The last time a musician biopic was in serious consideration for the Academy Awards was Baz Luhrmann's Elvis, a chaotic roller-coaster ride of a film that indulged in nearly every single cliche of its genre but has nevertheless continued to live rent free in my brain for almost three years. I went into a similar research frenzy for Bob Dylan that I did for Elvis Presley, and…