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Panos Cosmatos’ “Beyond The Black Rainbow” already has a cultish following among film critics. So, it’s only right that we spread the word and help others appreciate this most excellent retro sci-fi horror flick about a mad doctor obsessed with a female psychic patient, who he keeps locked in a brightly-lit room and subjects to endless therapy sessions.
(Review by Martyn Conterio).
Part of an article about films destined for cult status:
illusion.scene360.com/movies/59370/10-films-destined-for-cult-status/
Starring former Man Utd legend Eric Cantona, as a melancholic poet “cursed” with a huge penis, the son of Alain Delon and the iconic Beatrice Dalle, in a truly demented cameo, plus a gorgeous score by electro dancesmiths M83, and “You and the Night” is a keeper. Inspired by 1970s erotic and trash cinema (think: Jean Rollin and Jess Franco), Yann Gonzalez’s debut is both sexy and sleazy.
(Review by Martyn Conterio).
Part of an article about films destined for cult status:
illusion.scene360.com/movies/59370/10-films-destined-for-cult-status/
[...] “Only God Forgives” will be termed incoherent. It’ll be shouted down as pretentious. It’ll be labelled with patronising generosity as an “interesting failure.” “Only God Forgives” is a granite slab of cinematic awesomeness that sidesteps, no, it belts audience expectation right in the kisser. And like “Drive,” it shows a world where evil cannot go unpunished and villains must taste their own wickedness. The plot involves a cop torturing and wiping out criminal scum with steel chopsticks, a sword he produces from his back—mysteriously, without a holster—and even sharper fist-fighting skills. He’s another of Refn’s celestial punishers.
(Review by Martyn Conterio)
This film won The Academy Award (Oscar) for “Best Foreign Language Film” and all sorts of other European film awards, back in 2006 when it was released … and I missed it; until now.
In 1980′s German Democratic Republic (a dictatorship), East German Secret Police a.k.a. Stasi surveillance agent Hauptmann Gerd Wiesler (Muhe) is sent on a mission to keep tabs on potentially-radical playwright Georg Dreymann (Koch) and his live-in lover actress Christa-Maria Sieland (Gedeck).
(Review by Mike Philbin)