Holy FUCKING shit.
Finally listening to the actual OST, previously rated it based on the Skye Riley EP (which is also really cool). These two films feature some of the most unsettling, captivating and innovative soundscapes I’ve ever heard, they owe an immense debt to Cristobal Tapia De Veer - an insane talent. Every one of his scores that I’ve heard thus far - while maintaining some signature stylistic elements - has a distinct identity entirely its own. Easily one…
