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Everything Everywhere All at Once 2022
It's a cosmic mix: the action of the 90s combined with the exploitation films of the 70s, but with modern touches. It's hyper violent, but it knows what it is. It's a little bit Tarantino, it's definitely a little bit Micheal Mann, it's kind of a cosmic gumbo. It almost moves to the beat of jazz.
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Candyman 1992
Listen, I think we got started off on the wrong foot. Helen Lyle, semiotics graduate student. Uh - Let's talk music. Do you like the Sammy Davis Jr. song, "Candy Man"?
I don't like soft-ass shit.
Oh, you - Oh, oh. Oh. Well, I only bring it up because, uh, it's you. You're the Candyman.
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Star Wars: Episode I – The Phantom Menace 1999
Over the last two years I’ve struggled with divorcing the Star Wars fan base and defining my affection for the series on my own terms. I couldn’t help but notice that most common Last Jedi nitpicks also apply to Phantom Menace:
- Lowbrow jokes (most of Jar Jar's lines)
- Characters get separated (Obi Wan just hangs out on the ship for all of Tatooine)
- A side mission that fails (trip to Coruscant)
- New force thing (Midi-chlorians)
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