Shawn Anderson

Shawn Anderson Pro

Favorite films

  • Brief Encounter
  • Network
  • Groundhog Day
  • Raiders of the Lost Ark

Recent activity

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  • Unexpected

    ★★★½

  • Detachment

    ★★

  • Boiling Point

    ★★★

  • Contagion

    ★★★

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  • Unexpected

    Unexpected

    ★★★½

    Unexpected (2015) – When Empathy Becomes a Full-Time Job
    ★★★½☆ (3.5/5) | Dir. Kris Swanberg | 90 mins | A quiet, well-intentioned indie that trades big drama for small gestures and occasionally confuses emotional restraint with dramatic depth—but earns points for staying human, if not exactly cinematic.

    Parallel Pregnancies, Divergent Realities, and the Indie Savior Complex

    In Unexpected, Kris Swanberg delivers a modest tale of two women—one a Chicago science teacher, the other her student—who both find themselves pregnant. What…

  • Detachment

    Detachment

    ★★

    Detachment (2011) – Bleakness as a Substitute for Substance?
    ★★☆☆☆ (2/5) | Dir. Tony Kaye | 97 mins
    A moody, hyper-stylized meditation on the American education system that mistakes aesthetic misery for moral depth, and cinematic anguish for artistic credibility.

    High School Horror Show Masquerading as Art House Therapy

    Tony Kaye’s Detachment isn’t a film so much as a series of despairing vignettes strung together with the aesthetic sensibility of a perfume ad and the emotional subtlety of a jackhammer.…

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  • Beverly Hills Cop: Axel F

    Beverly Hills Cop: Axel F

    ★★½

    Beverly Hills Cop: Axel F (2024): Nostalgia Wrapped in Mediocrity, Hold the Snow Plow (Unless You Need It to Clear Your Mind)

    After a 30-year hiatus, Eddie Murphy is back as Axel Foley, donning his iconic Detroit Lions jacket, unleashing that famous chuckle, and delivering the fast-talking charm that made him a household name. Unfortunately, Beverly Hills Cop: Axel F is less of a triumphant return and more of a lukewarm rehash, like finding your old mixtape only to realize…

  • High Noon

    High Noon

    ★★★★★

    High Noon (1952) – The Western That Arm-Wrestled Time Into Submission

    ★★★★★ (5/5) | Dir. Fred Zinnemann | 85 mins | A genre-defining masterwork that trades macho posturing for moral philosophy without sacrificing a single gunfight.

    The Sheriff, the Clock, and the Moral Vacuum of Hadleyville

    Fred Zinnemann’s High Noon isn’t just a great Western—it’s the Western. A film so taut, so flawlessly constructed, it might as well be a Swiss watch that chimes for doom instead of the hour.…

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