Seth Andal

Seth Andal Patron

Favorite films

  • Inside Llewyn Davis
  • Before Midnight
  • Heat
  • This Is the End

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  • Close Encounters of the Third Kind

    ★★★★

  • Flow

    ★★★★

  • O Brother, Where Art Thou?

    ★★★★½

  • Civil War

    ★★★★★

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  • SLEEVES

    SLEEVES

    My first short film!

    Freshman year high school I remember my friends and I would shoot stupid fight scenes during lunch time. My friend Praket brought toy swords and we’d record each other fighting on the table in the courtyard, running around as if there weren’t students everywhere trying to just enjoy their meal before 5th period Latin. The film was called Super Duper Legends Squad. It was of course never more than a series of random videos on our…

  • Civil War

    Civil War

    ★★★★½

    A soldier brings a gun and bullets to war. We’ve seen this portrayed in films. In Alex Garland’s Civil War there is almost little interest in not only the politics but the warfare itself. The warfare in Garland’s crumbling, near-dystopian America is of whoever’s behind the lens. The photographers are filmed as if they themselves are the soldiers. Hurringly pointing their cameras, risking their lives to collect the shot. The camera their gun, the lens the barrel, the rolls of film…

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  • Close Encounters of the Third Kind

    Close Encounters of the Third Kind

    ★★★★

    I’m behind, clearly. The past few years I’ve discovered some of my now favorite sci-fi films ever. Ridley Scott’s Blade Runner and Alien. Christopher Nolan’s Interstellar. Villeneuve’s Arrival. Garland’s Annihilation. Kubrick’s 2001: A Space Odyssey. Given the optimism and sentiment in Spielberg’s voice, I was surprised with the turns he took with Close Encounters of the Third Kind. This is one of the best sci-fi films. It’s my favorite depiction of UFOs in cinema. There is a lot of damning, self-destructive obsession in…

  • Flow

    Flow

    ★★★★

    What an achievement this is for cinema. It’s a moment that needs to be talked about more. There is a lot of doom and gloom discourse with the rise of AI and the over saturation of IP content filmmaking. Flow is a shining light. The fact that this was made with a free open-source software by a crew of such few people is truly spectacular. It’s the David to the Goliaths of Inside Out 2 and The Wild Robot this year. Congratulations to…

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