I really enjoyed this one, despite barely recognizing Seattle. For anyone who’s lived there, it was disorienting the way it kept jumping around from neighborhood to neighborhood like they were teleporting, and it entirely avoids the steep, hilly roads that would have made the chase scenes more interesting but majorly slowed down.
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Conclave 2024
This review may contain spoilers. I can handle the truth.
Fine, but it’s really just The Crying Game in Vatican City. Isabella Rossellini stuns as usual but desperately needed a Miranda Richardson to play against.
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Smile 2 2024
Your favorite pop star’s favorite scary movie, and my favorite bottled water commercial. Made me want a fridge full of nothing but Voss water real bad. When we’re not too busy eyeballing those beautiful sleek cylinders of eco-conscious glass filled with crystal-clear artesian water, Naomi Scott commands the screen, dancing like the flame on a candle, flickering but never faltering, fierce and unbridled as a tigress. She is a pop star, she isn’t merely pantomiming one, and I can’t wait to see what she does next!
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Terrifier 3 2024
When a drunk white girl shouts “you fucking racist!” at Art the Clown, modernity ends and a new age is ushered in, an age of absurdity, where horror no longer simply exposes our primal anxieties but revels in the fragmentation of identity, narrative and even meaning itself, a world where traditional power structures have dissolved into chaos and fear is no longer just an emotion but, more importantly, a performance. Art the Clown IS peak Art now, which is why…
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