especially during the prologue, hamaguchi plays with the same ethereal, distanced, and sinister qualities that haunt murakami's work, but the layers slowly peeled back over the course of DRIVE MY CAR reveal things that are much more grounded, and heavy.
murakami can often let his stories get structured to the point of tedium, hollowed-out symbols serving as waypoints in dreamlike journeys; the appeal is almost entirely captured in the itinerary.
conversely, DRIVE MY CAR is absolutely about the destination, and…