Film critic for IndieWire, the BFI, i-D, Sight & Sound, BBC Culture, Bright Wall/Dark Room, Empire, and elsewhere
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Friday Night 2002
thinking about the rolled up sleeves and stale nicotine, the arm hair peeping out at the wrist, the watches, socks, jackets, collars, the hungry desire, the gaze that makes you question everything, the translucent green eyes lowered onto lips, the kisses on the nape and fingertips on the steering wheel, the hot air and dark curls, the cuts, fades, steam, skin, the limbo, the oblivion.
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Adolescence 2025
so non-specific and polite. there is an epidemic of young men murdering young women and... this is what you make? some great acting, an amazing technical achievement, but that script is a real clanger. extremely "TV" show
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The Scary of Sixty-First 2021
A schlocky giallo about the ghost of Jeffrey Epstein, self-involved QAnon-types dehumanising real victims with their bullshit, and the intoxicating, empty power of shared lies. "The important thing is that we're awake." As someone who can't get enough of bastardized pastiche, I am obviously obsessed.
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