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A Complete Unknown 2024
Most of the film's charm (especially that of Edward Norton's kind-eyed Pete Seeger and Elle Fanning's quietly impressive Sylvie) is overshadowed by how much of an unmistakable asshole Bob Dylan turns out to be. There is no attempt at humanising him, contextualising him or allowing his influences to orbit around his genius; he is a sinkhole of a protagonist, a black box who confuses iconoclasm with petulance.
Having said that, I cannot stop thinking about the walking contradiction that is…
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