Even though it's the (fourth?) Nick Cave 'documentary' in less than a decade, I've yet to tire from them— This Much I know To Be True is an experience. It encapsulates this decent into minimalism Cave's had the last four years— almost nothing remains of the punk-rock singer's 80s snark— you know you're watching an artist mature, hearing Cave's voice now long into the wine/scotch/brandy route. Might sound better than ever. Despite my expectations, it's far more joyous than I…
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Babylon 2022
Babylon is powered by a pulse—
There’s a busking duo, somewhere,
I think it’s a subway station in Toronto,
maybe New York,
and they riff off this colossal saxophone heartbeat,
almost like a kick drum, thumping,
and they loop and loop, and it works,
because it’s dynamic, vibrant,
edgy, active, straightforward—
this devouring, unignorable life…
and they only need to hit a few notes
before sweat hits the metro’s tiles—Hurwitz’s hundred-minute score lives off the same pulse,
it’s a…Translated from by
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Ammonite 2020
I want to start this review by saying—
*waves crashing*
*waves*
*more waves*
—and then the candles—
*waves*
*crash crash*
*water with subwoofer*
—until Saoirse does—
*waves CRASH*
*WAVES*
*WAVES CRASH*
—oh would you look at that, they're—
*WAVES WAVES WAVES*
*CRASHING*
—corset—
*rocks*
°SHORELINE SOUNDS*
—and in conclusion, it's kinda lifeless, but the cinematography's nice.Translated from by