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In the Lost Lands 2025
Schlock master Paul W.S. Anderson takes a straight fantasy short story from George R.R. Martin and transforms it into a post-apocalyptic western fable.
Yeah, that makes sense.
Jokes aside, he beefs up the story quite well and slightly tweaks the relationships to form a highly enjoyable romp with solid lead performances. He also uses greenscreen better then most major studio flicks, creating a visually arresting aesthetic, even if the budget is clearly stretched at points.
Not exactly deep or profound but a fun time.
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The Man with the Golden Gun 1974
High energy, at times wantingly ludicrous and with an easy going tone, it is not hard to like this Bond outing.
Christopher Lee was born to play a Bond villain, and is given a plum one at that. The antagonist being a hitman leads to some interesting intrigue and sequences where the film really sings.
Shame it keeps reverting to the same Goldfinger-tinged trappings, involving high stakes plot points that aren't really needed and dampen the brilliant baddie. The attempt…
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Terrifier 2 2022
The original (and the shorts before it) saw the world introduced to what many consider a modern icon of cinema. And with this unhinged follow up, Art the Clown fully earns that title.
This is a rare sequel that improves in every single way on the original. The most notable is the plot: this film actually has one. The narrative is grounded in the struggles of lead Sienna and her brother, yet holds an immensely ambitious scope for the budget…
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Red Dwarf: The Promised Land 2020
In times like these, we need a series like Red Dwarf, a show that is pure escapism. Yet this feature length special is more than just an excuse to not do another for a bit longer, the extended run time gives the characters room to breath and for the writer to show what has kept the series going for that long. Yes, it is silly. The humour comes in all shapes and forms, at a speed that would give most…
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