Simply perfect. There's not a single fleeting moment in this monster of a movie that isn't utterly immacculate. A standard cat-and-mouse storyline that is elevated by Micheal Mann's consummate direction, with an emphasis on the smallest of gestures, like Neil and Vincent's handshake in the final scene, a symbol of solidarity and almost camaraderie — how, despite their obvious opposition, each man can't help but respect the other's expertise. I think the shootout scene might be my favourite action sequence…
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Shiva Baby 2020
Still utterly delightful. Plays like a dreadful horror movie without any actual horror — Seligman's ability to squeeze torture from the most groan-inducing moments is more than enough to induce a sense of discomfort. Every awkward silence and back-handed compliment is used to ramp up the tension to a point of fervour, culminating in something of a cathartic climax. Rachel Sennott's comedic timing is immaculate. Awesome stuff.
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Pride & Prejudice 2005
Masterpiece. Rarely before have I seen such a brilliantly put-together piece of art - it is endearing, heartwarming and exceptionally crafted. The soundtrack, the set design, the acting, the casting; this film deserves boundless praise, not only for telling one of the greatest cinematic love stories ever, but for doing so in such a powerful way.
Joe Wright's direction is marvellous, building tension in a way that never feels overbearing or forced. Kiera Knightly and Matthew MacFayden work so well…
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Parasite 2019
Ugh, just so good. One of those films you can never get bored of. The fact that the movie doesn't have a single dull point throughout its runtime is only testament to that. From cynical conversations to gory bloodbaths, Bong's unmistakable skill shines through every scene. The lighting, the dialogue, the symbolism — for God's sake, even the set design is breathtaking. The way Bong allows comedy and horror to coexist in a single scene, without interrupting each other, is masterful. Wish I could find anything wrong with this, but I honestly can't.
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