Ph.D. in Film and Television
LA-based media studies lecturer
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Funeral Parade of Roses 1969
I did use the word “mindfuck” to prepare my students for this beautiful and bizarre film. I was a little worried my disc might not work, so I brought next week's movie (Nausicaa) as a backup. What a different screening that would have been.
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West Indies: The Fugitive Slaves of Liberty 1979
In the 1970s, Med Hondo, filmmaker of Mauritanian and Senegalese descent, directed an impressively budgeted, centuries-spanning, satirical, Brechtian musical about slavery, colonialism, neocolonialism, and European nativism.
The movie is even greater and wilder than that description would suggest. I have never seen anything quite like this, and I don't understand why we're not all talking about this. Utterly engaging, made with impeccable craftsmanship. Possibly my favorite discovery through the 2022 Sight & Sound critics' poll. On the Criterion Channel in the U.S., and in desperate need of a quality physical release.
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A Complete Unknown 2024
Most important thing I “learned” from this movie is that Pete Seeger’s wife was Japanese.
Pleasantly surprised. But I went in with dirt-low expectations. As a 60s-80s rock nerd, I tend to hate music biopics, and several people whose taste I respect had little good to say about this. The movie basically feels like a competent adaptation of a Broadway jukebox musical. That might sound like an insult, but it’s not meant to be. (Jersey Boys the musical is a…
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