There’s no point reviewing a film like Caged Fury - wether its audacious, throw everything into the blender outrageousness outclasses its terrible acting, even worse editing and spectacular sized servings of misogyny will entirely depend on the viewer watching it. Furthermore, I imagine there wouldn’t be too many people who would stumble across a women in prison exploitation flick, read the synopsis and then feel they needed a review to decide whether something like that would be their cup of…
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Strange Darling 2023
I got completely sucked into this excellent subversion of the serial killer flick, with two intense lead performances backed up by some fine sleight of hand film making. Would really love to see an entire stand alone movie about Ed Begley Jr and Barbara Hershey’s sasquatch obsessed mountain people. Weirder things have happened.
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Saint Maud 2019
Rose Glass has crafted something quite brilliant with this neo-gothic psychological slow burn, kind of like watching two different films overlaid on one another that, up until the very last brutal second, could both make complete sense on a re-watch. Morfydd Clark and Jennifer Ehle are both magnificent, but it’s Clark that carries the film, and she does so effortlessly, aided by some really haunting cinematography and some dark as fuck set-peices. This is one of the very few sub-genres…
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The Killer 2023
This ain’t the first time we’ve been asked to root for the (serial?) killer in a film, but it’s possibly the first time we’ve been asked by David Fincher, and I had no dramas complying. Fassbender makes The Killer a palatable protagonist with equal parts glib nihlism to mad squabbles (see Killer vs Brute) and maybe, a little something for the heartless bastard in all of us.
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