I'm glad I got to catching up with Season Seven of The Last Drive-In. This has to have been one of the most extensive Joe Bob Briggs commentaries on the show yet, and it put a lot of this film into perspective.
Basically, Joe Bob explained how Argento created Opera because he had been kicked out of an opera festival. And no, it wasn't because he was trying to put electro-shock mechanisms on audience seats, but rather the committee was…
This review may contain spoilers. I can handle the truth.
So it has finally come to this.
I respect the fact that the creators of this film went back to the original comics by James O'Barr. I can almost accept that they just took the names Eric, and Shelley, and didn't use the last names of the original. Hell, I can even see they attempted to duplicate some of the poetry of the comics in their dialogue. Certainly, the visuals and the mythological elements were fairly cool. The aesthetics of…
This review may contain spoilers. I can handle the truth.
Suitable Flesh is a film adapted from "The Thing On the Doorstep," a fascinating novella by H.P. Lovecraft about body switching that has many different connotations and implications relevant to the present day. And I was curious to see a modern film adaptation- one that not only had Barbara Crampton star in it, or was directed by Joe Lynch, but one written by Dennis Paoli from a draft that he and the late, great Stuart Gordon were working on.
So…
This review may contain spoilers. I can handle the truth.
Aimee Kuge is a producer for Teen Mom, and had been the Second Unit or Assistant Director for The Sheep Remain. I know the most about her through her work on The Last Drive-In and Castle Freak's photography and production respectively. At the time I first got to know her, she had been working on the script of what was her first directed and written film Cannibal Mukbang.
I've been looking forward to watching Cannibal Mukbang for some time, and…
