I love a messy, post-Oscar big swing, and this one’s covered in that particular messy flavor. It took me a little bit to warm up to its cartoony tone, lack of subtlety, and heavy use of narration, but by the time Mickey 18 slid out of that tube, I was having a very good time.
While I enjoyed this a whole lot more, I was reminded quickly of the feeling I had leaving Snowpiercer; that I think Bong Joon Ho’s…