In Kill Bill: Vol. 2, I think Tarantino had finally found something that was completely out of his element. In fact, I don't have trouble believing that maybe he realized it too, because the subsequently released Inglourious Basterds was not only free of this but also - in my opinion - damn near flawless. What I'm talking about is real emotion.
Now, typically he seems at home when people are talking. Two people, rarely more, having a conversation. Perhaps an…