Christopher Nolan likes to fuck with his audience, and man did I enjoy it.

About 2/3 into this movie I thought to myself, this is one of the least creative editing in a Nolan film, and then suddenly it came to me: the inter-cutting narratives, the overlapping scores, the repeating events through different perspectives, are all designed to keep us constantly on edge, to make us watch closely---even if we think we've seen it before. In this sense, Dunkirk is…