Up there with Rupert Pupkin and the dad from This Boy’s Life as one of DeNiro’s most infuriating characters.
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Rear Window 1954
That moment Lisa finally comes around to Jeff’s theories and he’s like “come here” and kisses her perfectly replicates the feeling of when your partner finally gets into to that podcast you’ve been bugging them to check out. It’s the most romantic moment in a Hitchcock movie.
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