Without a doubt a lower-tier Bong effort and the beginning pre-title sequences really had me worried for a bit. But once we have multiple Pattinsons in the fold, and the expository voiceover subsides, Mickey 17 heats up and Bong’s charmingly bizarre sense of humor finally appears. It’s definitely a bit of a mess but I’d much rather have something messy with a distinct personality than something tightly focused but anonymous.
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The Brutalist 2024
That’s a whole lot of movie (complimentary). As epic in scope and runtime it may be, The Brutalist is kind of a two hander. The artist at the mercy of the industrialist. The first half truly sings, laying the foundation of Tóth and Van Buren’s relationship against the sweeping vistas of Doylestown, Pennsylvania?? (Essential PA cinema right here, folks). I found the second half to be clunkier, yet more challenging. A lot is left ambiguous with several threads left hanging…
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Only the Brave 2017
This one had been on my radar for a while, thinking it was just a dudes good at their job action-adjacent kind of thing. I didn’t realize that it was so restrained and character driven and emotionally devastating. Honestly, pretty incredible stuff here. I always wrote Kosinski off, thinking he was carried by Cruise and McQ on Maverick, but I’m really impressed by how he handled this story and honored these men. I wish I had seen this when it came out. I would have ridden for it hard.
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Challengers 2024
Challengers is fantastic for almost all of its runtime. It's super engaging, directed with lots of energy and the score is an all-timer. And then the last 15 minutes come around and this thing becomes transcendent. The score is thumping, the psycho-sexual warfare between these three characters is at a full boil, and Luca pulls out every directing trick in the book. He might even burn through some of second volume, as well. We get character POV shots, racket POV,…
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Furiosa: A Mad Max Saga 2024
The exact opposite of Fury Road in a lot of ways. The story is sprawling, the shots are several seconds long, the pace is luxurious, and the emotions are communicated primarily through Furiosa’s pained and vengeful eyes. Furiosa does not give the same feeling of mainlining nitrous oxide that its predecessor did and it isn’t trying to. It contains fantastic action, sure, but this is an epic, mythic romantic tragedy. This could very easily stand on its own but I…
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