Luiz Nazario
Luiz Nazario is PhD in Social History from the University of São Paulo, with the thesis: The Imaginary Destruction: the Role of the Image in the Preparation of the Holocaust (1994). Full Professor of Film History at the School of Fine Arts of the Federal University of Minas Gerais and Researcher at CNPq. Published 19 books, 26 book chapters, 98 articles in specialized journals and 12 works in events in Brazil and abroad.
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The production of the film in color in the ‘Third Reich’ has obtained through chemical processes developed by the technicians of the IG-Farben, the same industry that provided the Zyklon B gas for the death camps. The improvement of color in the German cinema and the extermination of the Jews in gas chambers ran in parallel, in continuous improvements within a totalitarian system, in which culture and barbarism became inseparable. The Alliance between art and crime could not fail to reflect on his own imaginary produced. Anti-Semitic since the biological underpinnings of their mode of production, the Nazi film has created revealing fantasies of destruction.
The production of the film in color in the ‘Third Reich’ has obtained through chemical processes developed by the technicians of the IG-Farben, the same industry that provided the Zyklon B gas for the death camps. The improvement of color in the German cinema and the extermination of the Jews in gas chambers ran in parallel, in continuous improvements within a totalitarian system, in which culture and barbarism became inseparable. The Alliance between art and crime could not fail to reflect on his own imaginary produced. Anti-Semitic since the biological underpinnings of their mode of production, the Nazi film has created revealing fantasies of destruction.