Ramaz SHENGELIA
DISCOVERY OF UNKNOWN SCRIPT
CHARACTERS IN GEORGIA: THE
BASHPLEMI LAKE TABLET
Michael Shengelia Museum of
History of Georgian Medicine
Georgian National Academy of Sciences
Tbilisi State Medical University, Georgia
r.shengelia@tsmu.edu
Levan GORDEZIANI
Faculty of Humanities of Ivane
Javakhishvili Tbilisi State University
Department of History of Ancient Countries, Georgia
levan.gordeziani@tsu.ge
Abstract: In Georgia, numerous sites date back to the Bronze Age. Nearby
Bashplemi Lake, the site of the discovery of a basalt tablet bearing an inscription
with unknown characters, is the site where the skull of a 1.8-million-year-old
hominin, the first European, was discovered. This tablet, which bears 60 signs,
39 of them different, raises the question of the origin of the Georgian script,
proto-Georgian. While the basalt on which it is based is known to be of local
origin, its meaning is unknown and there remains a long way to go to decipher it. An initial comparative analysis conducted with over 20 languages shows
that the characters, which could belong to an aboriginal Caucasian population,
beside proto-Georgian and Albanian writing signs, bear some similarities with
Semitic, Brahmani, and North Iberian characters.
Nikoloz TUSHABRAMISHVILI
Ilia State University, Department of Arts and Science
Centre for Paleoenvironment Reconstruction
and Archaeological Research, Tbilisi, Georgia
niloloz_tushabramishvili@iliauni.edu.ge
Nodar POPORADZE
Georgian Technical University
Department of Applied Geology, Tbilisi, Georgia
nodar_poporadze@yahoo.com
Othar ZOURABICHVILI
Historical Georgian Association Chatou, France
zourabichvilio@gmail.com
Keywords: Georgia, proto-Georgian, Caucasian, Inscription, Bashplemi.
INTRODUCTION
Late in the autumn of 2021, a tablet was discovered in Dmanisi Municipality
(historical Dbaniskhevi), Georgia, nearby Bashplemi lake. While fishing in
the artificially impounded water body in the interfluve between the right
tributaries of the Mashavera river, some locals came across an engraved tablet. This book-sized tablet bears 60 signs or characters, 39 of which are different from one another. The engravings leave the impression of an unknown
script (Fig. 1).
SITE LOCATION AND SURROUNDINGS
Lake on a volcanic plateau
The archeological and historical site that is a point of our interest includes
an artificial body of water and its vicinity (Fig. 2). It is located on a Dmanisi
volcanic plateau (Fig. 3) between streams called Mamutli and Karaklisi,
Dmanisi Municipality, South Georgia (latitude: 428 629 (41015′32.65″);
longitude: 4 568 005 (44008′46.33″)). Bashplemi Lake is the name given to
the water body by the locals. The artifact was found in late autumn, when
the level of water was the lowest. The lake, surrounded by hills, is located at
1.647 m above sea level and is abundant in fish (Fig. 4).
Road described in historical records
The road to Bashplemi Lake runs along Tbilisi-Sadakhlo main road and
then turns to the right, southwestward. A few kilometers right of the latter village, northward, begins the road leading to the plateau. The first few
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hundred meters are paved with flat stones, followed by a section where the completely damaged pavement disappears.
Thereafter, a well-preserved section of the road begins,
which is a few tens of meters long. It is a heavy road. The
road is an artery described in Georgian historical records1,
which began at Kldekari pass of Trialeti range and connected
Shida Kartli, by means of its western, eastern, and southern
branches to Armenia as well as other southern countries. It
is believed that the road was paved in the medieval period.
Geological structure and tectonics
Geomorphologically, according to the tectonic layout
scheme of the territories of Georgia (Gamkrelidze 2000),
the Bashplemi Lake and its surroundings are located in the
Gektapi subzone of the Lok-Karabakh zone, the folded system of Lesser Caucasus (Anti-Caucasus). The territory is
built of Upper Pliocene – Lower Quaternary (βN23-Q) volcanogenic rocks: continental sub-alkali basalts, andesite porphyres, andesite basalts and andesites.
We examined both a sample taken from the inscribed tablet and rock samples from the lake surroundings. Finally, we
conclude that the samples of the basalt structures around
the Bashplemi Lake and the inscribed tablet are identical:
Visually, as well as in their mineral and chemical composition, they represent intact volcanic rock—basalt.
THE REGION’S HISTORICAL BACKGROUND
Brief history of the region
The first source in which Mashavera gorge and Dbaniskhevi
appear is a list of Georgian clergymen participating in a
Church Council held in 5062.
Archaeological evidence suggests human settlements on
Dmanisi territory since the Early Bronze Age3. Archeological
discoveries have verified the presence of well-developed metallurgy in the Late Bronze Age. In this respect, the existence
of Taguti mount and a village with a similar name seems to
be quite interesting. In proto-Georgian language, the word
tagi means copper slag and has been maintained in contemporary Zan languages.
Christianity spread here in the same period as in other
parts of Georgia. During the sixth to eighth centuries,
Dmanisi was a diocesan with a functional cathedral. The
city of Dmanisi first appears in sources dating to the ninth
century, a period of Arab dominance. However, a new power
appears in the 1080s, the Seljuk Empire. In 1123, David IV
the Builder completely redeems Dmanisi. In 1125, it was subject to complete royal control, which boosted the advancement of the city during the twelfth to thirteenth centuries:
increased trade, the development of crafts and mintage. The
caravan route to Anatolia and Western Asia ran across these
places. It was also called the Camel Road, hinting that the
ultimate destination was in Central Asia, far beyond Western
Asia. It may be considered as a section of the Great Silk Road.
At the end of the fourteenth century, Dmanisi was invaded
by Tamerlan and, by 1486, by Yaqub Khan’s forces. From the
1
2
3
BERDZENISHVILI 2014.
BERDZENISHVILI 2014.
JAPARIDZE 1966.
sixteenth century, the city was on the decline, its economic
and cultural life destroyed. In the late sixteenth century,
Dmanisi was conquered by the Ottoman Empire for a brief
period and, in the early seventeenth century, by Persia. In
the eighteenth century, the city was finally devastated and
emptied. In the nineteenth century, migration processes
began, mostly from the neighboring countries and regions.
History of the archeological excavations
conducted in the region
Excavation works in Dmanisi started in 19364, which
revealed the city gate, some paved streets, a tunnel leading
to the river, and numerous ruins of houses. Abundant local
ceramics dating back to the ninth to eleventh centuries, and
especially the eleventh to thirteenth centuries, coins belonging to the period from the eleventh to thirteenth century
(mostly Georgian), tools, weapons and jewelry made of gold
and silver were also discovered5.
During works conducted to pull a fiber optic cable into
a duct at a location called Nagzauri, between Gantiadi
and Nusi villages, a few kilometers to the north-east from
Bashplemi Lake, an early medieval settlement and a church
complex were found. Approximately 170 artifacts and fragments with carved images of humans, animals, and birds
were also found. Embossed and carved Georgian Asomtavruli
inscriptions are preserved on a stone cross and its fragments
from the same territory6.
In the 1980s, archeologists discovered animal bones,
including remains of extinct rhinoceros—Etruscan rhinoceros7 characteristic of the Early Pleistocene. The first stone
tools were discovered in 1982.
In 1999 and 2001, excavations conducted in Dmanisi
region revealed hominid skulls and jaw bones. Their age was
determined as 1.8 million years8. Later, they were named
Homo Georgicus9. These facts provide evidence of the continuous existence of ancient settlements in the region till
the Late Middle Ages.
Vicinity of Bashplemi Lake
The upper reach of the Mashavera river basin and vicinity
of Bashplemi Lake have never been studied from the viewpoint of archaeology. It is plain at a glance that the territory
is interesting. A close look at the white stones scattered
around the uninhabited area distinguishes geometrical figures such as rectangles, squares, circles, ellipses, semicircles
and sectors. In certain parts of the territory, there are small
mound-like hills with apparent vegetation.
During the very first expedition, surface artifacts such as
fragments of pottery and a stone mortar (Fig. 5) were discovered. The obsidian lamellae with serrated edges and a scraper
with some apparent signs of use were found there too.
Drone research (Fig. 6) revealed that the area of approximately 4 km2 is divided into geometrical shapes contoured
4
5
6
7
8
9
MUSKHELISHVILI 1938.
JAPARIDZE 1966 JAPARIDZE ET ALII 1978.
KAKHIANI ET ALII 2012.
VEKUA 1983.
VEKUA ET ALII 2002; RIGHTMIRE ET ALII 2006.
LORTKIPANIDZE ET ALII 2013.
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by means of white stones brought from somewhere else.
Special, in-depth studies showed entire sets of regular circles that could be burial mounds; the rectangular, semicircular and combined geometric figures could be the remains
of houses, defense structures and places of worship. We find
interesting the rectangle with a circular inset in the upperright corner. It is a replica of the shapes of the Didnauri
Settlement discovered by K. Pitskhelauri in Shiraki, in the
interfluve of the Iori and Alazani rivers, dated back to the
fourteenth to twelfth centuries BC.
Georgian historical tradition (Georgian medieval historical
manuscripts) Georgian literacy was established in the third
century BC, by king Pharnavaz.
There three types of Georgian alphabet that developed
in different historical periods: Asomtavruli, i.e. Mrgvlovani,
Nuskhuri (since the ninth century) and Mkhedruli (since the
eleventh century). The first two types appear in hundreds
of thousands of rather well-studied Georgian manuscripts
and epigraphic monuments, while the last one is an alphabet
used of contemporary Georgian language.
THE CONTEXT OF CAUCASIAN LANGUAGES
ANCIENT SCRIPT STUDIES IN GEORGIA
Sources by Apollonius of Rhodes (Apoll. Rhod. Arg. IV,
277–281), John of Antioch (FHist. Gr.IV. 548), Charax of
Pergamum (FHist. Gr.II. 492–493), Palaephatus (Palaephati.
Περι; απίστων, XXXI.) and others provide data about the
existence of written language in ancient Colchis.
Chrysography, writing in gold, is a term used by Charax
of Pergamum to denote this script. Referring to this fact,
in his Description of the Golden Fleece, St. Eustathius of
Thessalonica (Eust. Dion. Per. 689) says: “The purpose of the
Argonautic expedition was to learn the method of the Golden
Script”. Apparently, the Golden Script was a special, peculiar
art of writing, applied in Colchis.
Notwithstanding numeral ancient sources, Georgian historiography remains traditionally silent about the Colchis
script. The unnatural fact that the Colchis script appears in
none of ancient Georgian sources calls for explanation. The
primary reason why the samples of the script haven’t been
preserved is that, according to all the above-mentioned
authors, Colchis used bio-organic writing materials which
could have hardly been preserved in the climatic conditions
of west Georgia. It is also worth noting that on the territory
of Colchis (west Georgia) hundreds of mounds (probably of
Bronze Age), the so-called “Dikha-gudzubas” are not studied yet.
Historically, only three Caucasian nations had written languages of their own: Georgians, Armenians and Albanians.
Albanian belongs to dead languages. However, the Udians
living in Azerbaijan and Georgia today, regard themselves as
heirs of this ethnic group.
The present paper properly discusses characters and
groups of characters discovered on the territory of present-day Georgia, mostly Late Bronze period and antiquity,
and unified under the name of a Proto-Georgian script by various researchers like10 or under the name – Colchian runes11.
Georgian, Armenian and Albanian scripts in fact appeared
after the spread of Christianity. There is a reasonable doubt
that epigraphs and manuscripts written in the pre-Christian versions of these scripts were destroyed as a result of
Christian domination. In the near vicinity of Nekresi Church,
east Georgia, was discovered a graphitic inscription dated
back by the researchers who found it by the first to the third
century AD, i.e., two centuries earlier the official recognition
of Christianity in eastern Georgia12. In accordance with
The history of studying pre-Christian scripts in Georgia
begins with the archeological studies of the ancient city of
Mtskheta, which was the capital before the fifth century.
In the 1920s–1950s period, 10 ancient epigraphic monuments were discovered there (five Greek, two Hebrew, one
Pahlavi (Middle Persian), and one Aramaic). P. Ingorokva
traces the influence of Georgian language in these samples13.
In addition, one Greek-Aramaic bilingual stele was found
there. A graphitic inscription belonging to the period before
Christianity officially spread to Georgia (cal AD 2–3) was
found in Nekresi Monastery (extreme east of Georgia) and
city ruins.
Over the last two or three decades, attention has been
paid to the so-called cryptographic images discovered in the
territory of Georgia (especially in the mountainous regions).
These images have been intensively gathered and studied14
(Great Catalogue of Petroglyphs of Georgia 2010). Regarding
their fragmented nature, they are unreadable; however, the
question of their origin and graphical similarity to some
other alphabets has also been debated15. It is highly likely
that these stones were reused: The oblong ones, mostly, were
built into the walls of Christian chapels and household units
constructed later, which complicates the research.
The eleventh to ninth century BC image on the altar
discovered on Graklian Hill, Shida Kartli16, seems to be an
inscription. It has not yet been deciphered. It is short and
differs from the alphabets (Fig. 7). The seals discovered in
different regions of Georgia are noteworthy. Characters on
them (mostly intaglio) undoubtedly contain certain information and are part of an ancient alphabet17. In this respect,
the sealing plates discovered in the 1950s in Khovle (9–8
cal BC) (Fig. 8) and Tskhinvali (Fig. 9) are remarkably interesting. The characters on them are rather numerous, more
than 20 on each. The Tskhinvali sealing plate was discovered
by accident and, due to the absence of archeological context,
it is difficult to date. Characters on it seem to be more systematic and, compared with the other seals, it looks more
like a script (Fig. 10). On the seals discovered in Didnauri, in
the burial of twelfth to thirteenth cal BC, we found a character that resembled the Greek A and B linear alphabets, which
commonly denote wine. This seal, we believe, belonged to a
13
APAKIDZE 1963; FÄHNRICH 2013; LORTKIPANIDZE 2002; LICHELI
2001; SHENGELIA 2010; GIGAURI 2010.
11
KVRIVISHVILI 2010.
12
CHILASHVILI 2000.
10
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14
15
16
17
APAKIDZE 1963.
GIGAURI 2010.
SHENGELIA 2010.
LICHELI 2020.
LORTKIPANIDZE 1969; SHANSHASHVILI/SHERAZADISHVILI 2013.
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tax gatherer, based on the small bone seals discovered there
with symbols denoting crops and quantities.
Quite interesting opinions have been offered on the
ornaments of the ancient pottery discovered in Vani (west
Georgia) and Dablagomi. These ornaments are believed to
be informative18, and some scientists19 even regard them
as fragments of the ancient Colchian script, the existence of
which was believed by Greek and Roman authors (Diodorus
of Sicily, Charax of Pergamon etc., CA, v.1). Moreover, these
authors clearly point out to the existence of the Colchian
script in the period when it was unusual to nations.
However, no actual and reliable traces of the Colchian script
have yet been discovered. This is due to inappropriate scales
and depths of archeological excavations on the territory of
historic Colchis, and the possibility that ancient Colchians
mostly used biodegradable materials (wood, leather, etc.) to
write on them. The local humid climate and soil should also
be considered.
In an article T. Parchukidze20 writes about the inscription
(the so-called Rhodope inscription) near Petritsoni Georgian
Monastery (Bachkovo, Bulgaria), which, according to legend,
was deciphered in the twelfth century by Georgian philosopher Ioane Petritsi, to the astonishment of his contemporaries. Some characters in this inscription are somewhat analogous with the Bashplemi inscription (Fig. 11).
In the 2000s, Kvashilava21 tried to decipher the Phaistos
disc (1850–1600 BC). The attempt was followed by his works
on the Greek A linear script22, in which the author regards
Proto-Kartvelian language as the linguistic substrate for these
scripts, raises important questions, and reaches important
conclusions.
THE TABLET FROM A TECHNICAL VIEWPOINT
Artifact authenticity
It is quite natural that while studying any accidentally
discovered artifact, the first question that arises is whether
it may be faked. This problem has numerous aspects; however, the shortest way to resolve the issue is to find a similar
artifact or even a much smaller and insignificant one either
in the same area or in its vicinity. It is understood that our
research is mostly focused on this aspect along with the clarification of the general archeological context.
According to the currently available data, the situation
may be assessed as follows:
1. Signs on the basalt tablet show similarities with several
ancient scripts, and it requires vast knowledge and experience to compile them.
2. People who found the artifact are ordinary peasants,
and it would be illogical to think of them as falsifiers. Their
financial incentive was insignificant.
3. When those people saw the artifact for the first time,
to ‘see the inscription better,’ they scrubbed the surface with
something made of iron (presumably a nail). Fortunately,
the scratches caused no changes. Their depth is 0.36 mm,
18
19
20
21
22
LORTKIPANIDZE 2002; LICHELI 2001.
KVRIVISHVILI 2010.
PARCHUKIDZE 2019.
KVASHILAVA 2010.
KVASHILAVA 2017.
while the depth of carved characters is 1–3 mm. No falsifier
would ever do anything like this and render the authenticity
of an artifact questionable.
4. Microscopic examination revealed that the inscription
technology coincided with the age of epigraphy, although it
is rather developed and refined.
5. The territory adjacent to the lake seems to be quite rich
from the viewpoint of archaeology. Drone photographs and
a survey of the area evidence the fact. Fragments of pottery,
a stone mortar and pieces of obsidian (artifacts) found in the
surface layer, at first glance, bring us closer to the Bronze
Age.
We believe that at this stage, there is no reason to doubt
the authenticity of the artifact.
Technical characteristics of the tablet
Tablet dimensions: 24.1 × 20.1 cm; surface and edges
unprocessed, naturally irregular and waved; thickness: 0.8–
1.8 cm; color: greyish with pale insertions, and the central
part of the reverse is of reddish color; density: 2.6 g/cm3.
The tablet was subject to optical and electronic microscopy
at Georgian Technical University (Prof. N. Jalabadze) and
examined at the Mineralogy Laboratory (Prof. N. Poporadze).
It was proved that the tablet was made of vesicular basalt,
which is common in the area.
Inscription techniques
A detailed visual examination revealed notched points in
the depth of the carved characters.
Basalt is a strong and hard-to-cut material. The initial notched contours of the characters were made using a
conic drill and were then connected using some smooth and
round-head tool. A deep, pointed notch made using a conic
drill was left at the bottom of a linear groove (Fig. 12).
THE INSCRIPTION ON THE BASHPLEMI TABLET
Description of the inscription
The characters carved into the tablet can be conventionally divided into seven registers: Register 1 at the top and
Register VII at the bottom (Fig. 13). Part of this tablet has
been broken off, particularly on its left side. It is difficult to
say how large the missing part was; however, as a rule, the
upper first registers of inscriptions, which are shorter and
contain some introductive (title) information, are center
aligned. According to this logic, not much of the text was
lost: the five-member sequence of characters is complete
on both sides. However, on the left side, an artifact can be
seen: an incomplete arc and an inclined horizontal line that
could imply that the register continued slightly further. The
last, Register VII, seems to be a complete one, although it
could be continued to the right. We could talk about a certain degree of damage. No answer to the main question has
yet been found: Was the original tablet given a rectangular
or elliptic shape, or was the inscription made on a stone of
natural shape?
There are 39 characters on the tablet. Some of them are
repeated and in total, there are 60 characters on the stone.
They are distributed through seven lines or registers. We
count them from left to right:
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0 is the number of the extreme-left artifact and it cannot
be compared with any other symbols due to suspected damage of the edge.
The first register includes six characters (numbered from 1
to 6). In the fourth character, vertically aligned three points
must be a dividing mark in a phrase or a numeral.
The second register includes 12 characters (numbered
from 7 to 18). No. 9 is a full stop; Nos. 13 and 14 were
believed to be separate characters but they reappear together
in the fifth register (Nos. 48 and 49). It is a set of characters in which character No. 14 (No. 49), a short vertical line,
might have some auxiliary function; the long vertical line
(No. 39) must be a separate character. At the end of this register, there are three upside-down, angle-shaped characters.
Regarding the graphical differences, we suppose that No. 15
is a separate character, while Nos. 16 and 17 could be components of a single character. However, considering the lowest positional location of this character (No. 17), it could be
an auxiliary to the characters (Nos. 27 and 28) of the third
lower register (e.g., a determinative). The register ends with
a point.
The third register includes 13 characters (numbered from
19 to 31). The three-point character (No. 25) appears here
again. It was difficult to make out the characters in the end
(Nos. 29, 30 and 31), either because they were carved later
or because they simply wore out under physical impact. They
are hardly legible. Additionally, the graphics of character
No. 31 are different. Perhaps No. 30 had to be considered
together with the lower No. 31. These three characters create
a particularly dense cluster.
The fourth register includes 12 characters (numbered
from 32 to 43). The three-point one appears here again (No.
40). The register ends with a hardly visible worn-out character (No. 43).
The fifth register includes 11 characters (numbered from
44 to 54). Nos. 47 and 54 are aligned in the upper part of the
register and are of particular interest.
The sixth register includes only three characters: Nos. 55,
56 and 57.
The seventh register includes three characters: Nos. 58,
59 and 60.
The distribution of characters is as follows:
1. Twenty-one unique characters: 9, 11, 12, 15, 21, 26, 28,
29, 31, 32, 33, 36, 39, 41, 43, 45, 47, 50, 54, 57 and 59.
2. Thirteen characters appear twice: (1–53); (2–22);
(3–42); (6–56); (7–58); (10–38); (13–48); (14–49); (16–17);
(19–27); (20–60); (24–52) and (34–51).
3. Three characters are repeated three times: (4–25–40);
(8–23–37) and (30–35–55).
4. The full stop is the only character repeated four times:
(5–18–44–46).
Directionality of the inscription
The directionality of the inscription is unclear. It is either
left to right or vice versa. It might also be boustrophedon.
If we assume that the first register includes an address or
an addressee and the three-point character marks the end
of the phrase, the writing direction might be right to left to
separate the addressee (deity, king, etc.) from the rest of the
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text; then comes the part written in the same direction, or
boustrophedon. If it were a complete boustrophedon, the
same character in different lines should have different orientations. Characters No. 10 in Register 2, No. 38 in Register
4 and No. 50 in Register 5 might be an example of boustrophedon, but characters No. 13 and 14 in Register 2 as well
as characters No. 48 and 49 in Register 5 do not fit this
assumption.
Typologically, the inscription can be of a combined
nature. Notably, 24 of 700 Egyptian hieroglyphs were symbols of consonants, while on the bases of Babylonian cuneiform characters spread in the north, 29 alphabetic symbols
appeared. Additionally, the inscriptions discovered in Ras
Shamra are written in north Syrian alphabetic cuneiform
characters. An alphabetic list of Ugaritic cuneiforms was
discovered there too. Twenty-five cursive characters (fourteenth century BC) were discovered on Sinai Peninsula, the
transient phase between the hieroglyphs and the Phoenician
alphabet23. We needed this short historical insight to explain
our position and logics at the moment when we were focused
on recognizing the type of Bashplemi inscription, a transient
script. This transience implies the possibility that logograms,
syllabograms, morphemes and alphabetic characters are all
used in a single inscription.
Comparative analysis of the graphical
representation of characters
To examine the characters on the stone discovered at
Bashplemi Lake, we used the comparative method, with due
regard to globally recognized classification and approaches24
25
. Applying modern computer methods adapted to our purposes would also be of interest26.
Generally, the Bashplemi inscription does not repeat
any script known to us; however, most of the symbols used
therein resemble ones found in the alphabets of the Middle
East, as well as those of geographically remote countries
such as India, Egypt and West Iberia. The shape of certain
characters is reminiscent of the Proto-Kartvelian script27
that, according to V. Licheli, appeared in the late fourth century BC on Colchian and Iberian territories28. Similarity with
the seals of the Bronze and Early Iron Ages found in Georgia
is also worth mentioning.
The histogram summarizing graphical similarities
between the Bashplemi inscription and other living and
dead languages (Fig.14) shows that the graphical shapes of
the Bashplemi inscription mostly resemble the characters of
the Proto-Kartvelian script29.
To establish the graphical shapes and meanings of the
scripts used in different epochs and regions, we resorted to
the scientific literature30 31 as well as special resources in
social networks (Tables 1, 2, and 3).
23
24
25
26
27
28
29
30
31
TSERETELI 1955.
DANIELS/BRIGHT 1996.
COULMAS 2003.
GILLAM 2003.
FÄHNRICH 2013.
LICHELI 2020.
FÄHNRICH 2013.
KARAKHANYAN/SAFYAN 1970.
MOVSISYAN 2006.
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The hypothetical assumption that the language of the
inscription belonged to the Aboriginal Caucasian population
may be based on the fact that the tablet is of local mineralogical origin. We believe that the still-undeciphered symbols on the seals discovered on the territory of pre-Christian
Georgia, the so-called Colchian runes, Grakliani Hill characters, and the graphics of Georgian Mrgvlovani/NuskhaKhutsuri alphabet, along with the assumption about the
uninterrupted genetic continuity of the ancient population
till the first millennium BC32, enables us to hypothesize that
the language and graphics of the inscription belong to the
aboriginal population.
Special attention should also be paid to the similarity with
Phoenician and Albanian scripts, although it does not significantly expand the geographical area. We note that Caucasian
Albania, the greater part of which was located on the territory of contemporary and historic Georgia, ethnically, culturally and genetically was extremely close to the Kartvelian
world. Regarding this unity, such similarity does not seem
strange. Relations with Phoenician and other scripts is an
issue for separate research, and it does not seem to be out
of general context: The modern theory about Phoenician,
Greek, Georgian and other Near Eastern alphabets having
common roots33 is quite widespread.
As for the graphical similarity of the script used in
Bashplemi tablet, with North Iberian and Brahmic scripts,
the similarity seems strange at the first glance. With regard
to similarity with North Iberian script, it’s enough to
remember a once popular and, in our opinion, undeservedly
forgotten theory about the similarity of Georgian and Bask
languages34 35. Besides, numerous works dedicated to parallels between Georgian and Indian languages have already
been published by Georgian and foreign authors. Similarities
between Georgian/Kartvelian languages and Sanskrit would
be of interest to researchers of the relationships between
Caucasian-Anatolian and Indian civilizations in the second
millennium. Language and contents of the inscription
Analyzing the Bashplemi Lake inscription in a general linguistic context, several views can be offered: (i) It is still early
to make any specific conclusions about the language of the
inscription. (ii) Irrespective of the similarity of several graphemes with Phoenician and Aramaic, here, the presence of the
Semite language can probably not be considered, provided
that if the vertically located three points (Nos. 4, 24 and 39)
are regarded as the sign dividing phrases, no such things are
used in Semite scripts. However, in Bashplemi characters, we
can easily see the so-called endpoints either at the beginning
or at the end of a shape—round, wide notches that could
simply be related to the method and style of carving—or we
can add a greater and more significant function and identify
them as the well-known method of vowelization. We regard
as very interesting the three-line inscription on the stone
built into a newer wall of the so-called Red Church (eleventh
to thirteenth century) on the left side of Pinezauri River,
near Dmanisi36, in which some letters and straight lines
32
33
34
35
36
KOPTEKIN ET ALII 2023.
GAMKRELIDZE 1989.
VOGT 1955.
DZIDZIGURI 1978.
BERDZENISHVILI 2014, 153.
have the end points, i.e., they repeat the style, or techniques
used with Bashplemi stone (Fig. 15). Red Church is located
a few kilometers from Bashplemi. (iii) Furthermore, we can
observe some similarities with several linear and Ancient
Greek graphemes, although it is difficult to talk about the
use of an Indo-European language. It should be noted that
the characters resembling Indo-European graphemes comprise only 20–22% of the Bashplemi inscription, and in this
respect, as mentioned earlier, they are much fewer than the
other alphabets, particularly the Caucasian scripts.
Contents of the inscription
Considering the many characters in the inscription that,
presumably, represent numerals, it may describe one of
the following: (i) successful conquering wars and the property looted during them; (ii) a construction process and its
results, that is, it can be the so-called ‘construction inscription;’ and (iii) a religious inscription, probably unifying all
the above-mentioned in the form of a dedication to some
deity.
CONCLUSION
A group of scientists was established to study the artifact and assess the environment where it was discovered.
The group, led by Academician Ramaz Shengelia included
Academician Konstantine Pitskhelauri (archaeologist),
Professor Levan Gordeziani (historian), Professor Nikoloz
Tushabramishvili (archaeologist), and Gia Kvashilava (linguist). Professor Vakhtang Licheli (archaeologist) familiarized himself with the materials and opined that the hypothetical pieces of the artifact or other epigraphic specimens
should be intensively sought. His provisional conclusion was
as follows:
1. The graphical shapes of the tablet discovered are samples of a script. The characters on the tablet undoubtedly
represent an alphabet. 39 original characters reappear so as
to give 60 characters altogether;
2. According to mineralogical analysis, the inscription is
made on basalt of local origin. The method of inscribing on
a basalt stone is original to a certain extent. The inscription
was made by means of drills, presumably two different types,
and some abrasive material;
3. Graphic comparison of the characters with tens of
syllabic and alphabetic scripts identified relative, not full,
similarity with each one. Similarities were mostly identified
while comparing the characters from Bashplemi inscription
with Caucasian scripts (Georgian Mrgvlovani, Albanian,
proto-Georgian). As for other scripts, similarities with
Northern, Brahmi and Semitic scripts were revealed which is
a matter of particular interest. The direction of the inscription is horizontal, from-right-to-left or vice versa. According
to the analysis of the sequence of characters, it’s less likely
that it’s a boustrophedon;
4. At this point, it is impossible to date back the tablet;
however, taking into consideration the graphical shapes of
the inscription and the artefacts discovered during shallow
studies of the area where the tablet was found, the inscription may be dated back to the Late Bronze/Early Iron Ages.
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St u d i es
5. Archaeological excavations carried out at this archaeologically abundant location will provide answers to all other
questions.
Deciphering the inscription discovered in historical
Dbaniskhevi can become a remarkably interesting and significant event and this can possibly change the stereotypes
about certain historical phenomena, as well as key aspects
of the origination and development of the scripts globally.
ACKNOWLEDGEMENTS
Access to the artifact and the studies conducted were
associated with certain difficulties. Organizing the investigation expeditions, collecting additional evidence and conducting the necessary research required proper funding. In this
respect, the historical Georgian Community in France, and
its president, personally, Mr. Othar Zourabichvili, have provided invaluable support. Without this support, we would
not have had access to the artifact and the remarkably interesting archeological site.
Initial scientific-expert studies were conducted at
Georgian Technical University and for this, we are very grateful to Academician David Gurgenidze, the Rector, Deputy
Rector in the sphere of science, Professor Zurab Gasitashvili,
Badri Gogia, staff member of the same University, Head of
Microscopy Department, Professor Nikoloz Jalabadze. We
would like to particularly emphasize the contribution of Mr.
David Barbakadze, Head of the Economic Department of
GTU, to the organization of the initial survey and expedition.
We thank Mr. Pridon Lobzhanidze, the artist, restorer,
and IT professional Irakli Khutsishvili for their assistance
in identifying paleographic characters and making graphical
copies.
We thank the staff members of Michael Shengelia
Museum of the History of Georgian Medicine for their
generous support and collaboration: Ekaterine Machitidze,
Tamar Gogolashvili, Levan Jojua, Ivliane Pailodze and
Dimitri Amirejibi.
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Fig. 1. Bashplemi tablet (special illumination).
Fig. 2. Bashplemi Lake location.
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Fig. 3. Map of Bashplemi Lake and its surrounding area.
Fig. 4. Aerial photos of Bashplemi Lake shore.
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Fig. 5. Stone mortar discovered on
the shore of Bashplemi Lake.
Fig. 6. Drone views surroundings
of Bashplemi Lake.
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Fig. 7. Inscription on the altar discovered on Graklian Hill (12 BC).
Fig. 8. Khovle plate and its print (9 BC–8 BC).
Fig. 9. Tskhinvali Plate (supposedly Bronze Age).
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Fig. 10. Shiraki (South-east Georgia) seals (13 BC–11 BC).
Fig. 11. ‘Rhodope’ inscription, near Petritsoni Georgian Monastery (Bachkovo, Bulgaria).
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Fig. 12. Graphic representation of Bashplemi inscription. Circles within character contours represent pointed notches.
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Fig. 13. Graphic representation of Bashplemi inscription characters and their numbering.
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Fig. 14. Comparative analysis of Bashplemi inscription and other scripts. Number of characters on Bashplemi tablet (BT) is regarded
as 100% and percentage of the characters like BT in other scripts is given in the columns of distinct colors. Number of the characters on
Bashplemi tablet is highlighted in blue, those of Semitic languages – in red, scripts of Caucasian languages and those revealed on the same
territory – in yellow and others – in black. It should also be noted that the mirror images were considered to be similar characters.
Fig. 15. Inscription on the stone built in the ‘Red Church’ wall. In the upper line,
the middle letters and horizontal lines have endpoints.
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St u d i es
1
N
Bashflami Phoenici
meaning Greek
plate
an
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
Semitic and Greek scripts
3
4
2
meaning
Sabean
Archaic
Protomeaning (West
meaning
Greek
Sinaitic
Semitic)
H
G
5
6
7
meaning Aramaic meaning Hebrew meaning
E
H
G
B
†
th
E
th
S
D
S
W
M
R
S
H
L
L
N
T
G
J, M
Ph
P
G
F
A
A
L
I
I
Z
G
I
E
W
I
I
U
U
Z
C
H
W
G
Table 1. Semitic and Greek writings: Phoenician, Greek, Archaic Greek, Old Semitic, West Semitic (Sabaean), Proto-Sinaic (Canaanite), Aramaic.
Key to table:
† Separation sign
‡ Unknown script
§ Nuskhuri alphabet
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St u dies
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
Z
E
‡
meaning
Rhodope
14
meaning
Gracliani
13
meaning
ProtoGeorgian
12
meaning
meaning
Colkhis Runes
meaning
Georgian
Mrgolvani
E
Georgian
Broze Age
Seals
Caucasian scripts
10
11
9
meaning
Albanian
N
Bashflami plate
8
‡
‡
†
‡
‡
‡
‡
T
‡
th
‡
i
‡
‡
‡
E
§
i
A
‡
T
‡
‡
‡
‡
G
‡
i
‡
o
N
Q
‡
‡
‡
L
S
‡
‡
‡
‡
‡
‡
‡
D
‡
A
‡
‡
‡
Table 2. Caucasian writings: Georgian Mrgvlovani (Asomtavruli) and Nuskhuri, Albanian alphabet, Armenian alphabet (Erkatagir), pre-Christian
signs found on the territory of modern Armenia, the “Colkhian runes”, seals of the Bronze and Early Iron Ages of Georgia, “Proto-Georgian script”,
The linear signs on the Rhodope Rock, Grakliani Mount signs.
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St u d i es
meaning
1
E
2
G
U
meaning
21
Southern Iberia
20
Northern Iberia
meaning
19
Pahlavi
meaning
European runes
Brahmi
meaning
meaning
Various scripts
17
18
16
Egyptian
Meroitic
Bashfla
mi plate
meaning
N
Pre-Christian
Armenia
15
O
i
3
4
5
j/T
‡
6
7
2000
‡
tha
te/de
8
9
T
10
M
R
11
S
12
E
13
h-
R
P
14
15
i
16
1000
17
T
i
kh
18
600
19
20
ka/ga
R
‡
E
21
kh
22
23
H
24
25
26
27
U
G/H
28
bi
29
30
300
31
100
o
i
i
ba
32
M
33
R
34
35
6
M
‡
36
T
37
T
T
G/W
38
39
Table 3. Various writings: Egyptian: Demotic and Hieratic (Meroitic), South Iberian, North Iberian, Brahmic Script, European Runes, Pahlavi Script.
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