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      Country MusicLGBT IssuesDolly PartonLGBTQ studies
This text responds to Tehching Hsieh’s "One Year Performance 1980–1981: Time Clock Piece" (1980–1981). Through a reading of Dolly Parton’s contemporaneous antiwork anthem "9 to 5" (1980), I reflect on historical shifts in the ways that... more
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      Dolly PartonPolitics of TimeDurational PerformancePerformance/live Art
Country music is more than Appalachia's soundtrack. It is a record of Appalachia's history and evolution and one of the area's most significant contributions to the United States' popular culture. In this interactive session, teachers... more
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      Country MusicDolly PartonClose Reading
Features interview and performance segments with N. Hubbs, based in part on the essay “‘Jolene,’ Genre, and the Everyday Homoerotics of Country Music” (above).
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      American StudiesPopular CultureCountry MusicAmerican Culture
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      HistoryCultural StudiesArt HistoryArt Theory
Dolly Parton e Kathleen Turner: duas mulheres e dois jeitos de envelhecer se complementam para contar uma história de bruxas Conheço muito bem o nome Dolly Parton, mas pouco do seu trabalho. Lembro vagamente do filme Como eliminar seu... more
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      Country MusicDolly PartonEnvelhecimentoBruxas
Sally Kral, an assistant member of the Cornell University Graduate School's communications and outreach branch, interviewed me for the Graduate Student Spotlight series whose archive may be found on the Cornell Graduate School website and... more
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      Critical TheoryReal EstateAmerican HistoryBlack Studies Or African American Studies
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      PilgrimageCountry MusicTheme ParksDolly Parton
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      Queer StudiesPerforming ArtsPerformance StudiesGender and Sexuality
Organisiert von Karin Harrasser und Drehli Robnik
für Kunstuniversität Linz und IWK/Institut für Wissenschaft & Kunst
12.-14. Mai 2017
Linz, Kunstuniversität, Galerie (Domgasse 1)
Wien, depot (Breite Gasse 3)
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      Film StudiesFilm TheoryComedyGilles Deleuze
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      Country MusicDolly PartonThemed Space