Literary Terms

Gesla Marka Juvana za leksikon literarne vede Literatura (2009) s področij: besediloslovje, teorija diskurza, genologija, jezikovne zvrsti in stil; medbesedilnost, dialoškost, intermedialnost in hipertekst; smeri moderne literarne vede (ruski formalizem, praški lingvistični krožek, tartujska semiotična šola, nitranska šola, kognitivizem, kulturni študiji, geokritika); kulturologija; semiotika in semantika.

Entries written by Marko Juvan for the lexicon Literatura (2009) for the following fields: linguistics, discourse theory, genre theory, sociolects and style; intertextuality, dialogism, intermediality and hypertext; currents of modern literary theory (Russian Formalism, Prague linguistic circle, Tartu semiotic school, Nitra school, cognitive science, cultural studies, geocriticism); cultural studies; semiotics and semantics.

Glossary of terms and definitions contains the main conceptual and terminological apparatus concerning the course of training Masters in speciality 206 “Landscape management “and depicts the history of development and modern tendencies in garden and park construction and landscape design. The glossary can be helpful for students and post-graduates of other forestry and biological specialities, researchers and practical workers.

تدور الدراسة حول تحليل آلة اشتقاق المصطلحات في بعض المعاجم "الأدبية" وتنتقد المشتقات كلما بدت غير ذات فعالية أو جدوى. المعاجم المعنية ألفها كل من مجدي وهبه؛ جبور عبد النور؛ محمد فتحي؛ سعيد علوش؛ أنور التونجي؛ محمد عناني. وتغطي الحقبة الممتدة من 1974 إلى 1996. وعلى غرار "تعريب المسطلحات" صفنا جهدا جهة التطبيق على وجه الخصوص.

One of its kinds...an attempt to read the layers, of the psyche, of the Covid 19 Virus....The text is also made available at https://www.infeed.in/my-interview-with-covid-19-by-sandeep-sharma/?fbclid=IwAR2eqsXk_6J6Yxuw2CC0tjdkDzc2U_a0YxqjJ7XDj9oihT0NHuVxgB-5CMw

This paper is concerned with the investigation into English and Arabic poetic/expressive language functions through proposing a new approach to the translation of the genre of poetry, both in theoretical and practical terms. Given the fact that the translation of poetry is known to be an arduous translational task, as authorities and, further, practising translators emphasize, the researcher here argues that dividing poetic texts up into their intralinguistic-extralinguistic components on the levels of genre, meaning and form, in addition to categorizing them are believed to be of great avail when translating poetry lyrically into a target language (TL) as a ‘metanarrative’ (an explanatory product here) reported about a ‘narrative’ in the source language (SL). This, the researcher has argued, can help strike a balance between the poetic language musicality and the levels of ‘meaning’ and ‘genre’, where all are to be approached in terms of the interdisciplinarity that marks translation, generically, as a branch of knowledge, taking into account the present paper provides practical examples of English poetry with their respective Arabic translations, recited/sung by the researcher himself (documented throughout this paper via soft/online audio material), hence the practicality and credibility of the theoretical part of the research. The paper also holds both the text (in writing) and its recitation (in audio) as one indivisible translation unit/entity, yielding, in turn, a two-layer metanarrative translation (as documented via multimedia links). This has been taken as central to the research hypothesis and, then, proved as a paramount researching result of the translational ‘narrative’/‘metanarrative’ relationship within the translation process⸺ to say nothing of a proposed interdisciplinary text-music semiotics perspective.
Keywords: two-layer metanarrative, language musicality, poetic translation

Muqtida Hasan Nida Fazli, known as Nida Fazli (12 October 1938 – 8 February 2016), was a renowned Indian, lyricist and dialogue writer from India. Nida was awarded the fourth highest civilian award Padam Shri (2013) by the Government of India. He was also awarded the highest literary honor of India given by the Government of India---Sahitya Academy Award (1998) for his contribution to Urdu literature. He was more influenced by the writings of Meera, Kabir, TS Eliot, Gogol and Anton Chekhov. His poetry is often laden with sensitivity, challenge and cries of humanity. As of now he is regarded as one of the best Urdu lyricist of the Indian film Industry. On his death he was remembered in the Indian parliament. There is no doubt that the list of his achievements and impact of his works can easily be felt within the common masses and the poets of India. Fazli remained in India, away from his father. His father actually decided to live in Pakistan. When Fazli’s father died he could not attend his last ceremonies. Then Fazli wrote an elegy for his father in Urdu.

Υπό την Αιγίδα της Προεδρίας της Κυπριακής Δημοκρατίας 13o Συνέδριο «Ελληνική Γλώσσα και Ορολογία» Αφιερωμένο στον Ιωάννη Καποδίστρια.

Το Συνέδριο θα πραγματοποιηθεί διαδικτυακά (http://www.eleto.gr/gr/Conference13.html).
Στο πλαίσιο του Συνεδρίου, το απόγευμα της τελευταίας ημέρας, διεξάγεται μια Ανοικτή Συζήτηση αφιερωμένη σε ένα ειδικό θέμα. Για φέτος, επελέγη το θέμα «Ο επιστημονικός λόγος την περίοδο του Νεοελληνικού Διαφωτισμού».

Σάββατο 13 Νοεμβρίου 2021
Ανοικτή συζήτηση
«Ο επιστημονικός λόγος κατά την περίοδο του Νεοελληνικού Διαφωτισμού»

Συντονιστής:
Θεοδόσης Τάσιος, ομότιμος καθηγητής ΕΜΠ Εισαγωγή

Συνομιλητές και εισηγήσεις:
• Τιτίκα Δημητρούλια, καθηγήτρια Αριστοτελείου Πανεπιστημίου Θεσσαλονίκης,
Συντονίστρια Γαλλοφωνίας, «Μεταφραστικές και ορολογικές πρακτικές με εκπαιδευτική στόχευση στον Διαφωτισμό»
• Αλεξάνδρα Σφοίνη, κύρια ερευνήτρια, Ινστιτούτο Ιστορικών Ερευνών, Εθνικό Ίδρυμα Ερευνών, «Επιστημονική ορολογία και μετάφραση την περίοδο του Νεοελληνικού Διαφωτισμού»
• Άννα Ταμπάκη, ομότιμη καθηγήτρια ΕΚΠΑ, «Δημιουργία κρίσιμων νεολογισμών και κοραϊκή ‘μετακένωση’»
• Τέλης Τύμπας, καθηγητής Ιστορίας της Τεχνολογίας στους Νεότερους Χρόνους, ΕΚΠΑ, «Από τις υλικότητες στις έννοιες της νεωτερικότητας: Η εισαγωγή της ‘επικίνδυνης’ έννοιας ‘τεχνολογία’ στην ελληνική γλώσσα»
• Κώστας Βαλεοντής, φυσικός-ηλεκτρονικός, Πρόεδρος της ΕΛΕΤΟ, «Γλώσσα και ορολογία στο βιβλίο 'Φυσικής απάνθισμα' του Ρήγα Φεραίου»

Máirín Nic Eoin ed.,/eag., (2007) Foclóir Litríochta agus Critice (Dictionary of Literature and Criticism), Baile Átha Cliath: An Gúm

English-Irish & Irish-English dictionary of literary terms

Compiled by Fochoiste Litríochta agus Critice of An Coiste Téarmaíochta:

Fidelma Ní Ghallchobhair, Máirín Nic Eoin, Gearóid Denvir, Máire Ní Annracháin, Antain Mag Shamhráin, Liam Mac Cóil, Proinsias Ó Drisceoil

Terms have been incorporated into:
tearma.ie

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... burgeoned; so, to a lesser extent, have Marxist criticism and psycho-analytic and Freudian criticism. Reader-response and reception theories have developed. Such concepts as narratology and grammatology have become established. Indeed, literary theory has proliferated ...

Lemma oor Imagologie vir die webwerf: Literêre Terme en Teorieë (www.litterm.co.za)

Imagologie (image studies in Engels) het uit die vergelykende literatuurwetenskap ontwikkel, met Frankryk en die Duitse taalgebied wat as die oorspronklike nodus vir imagologiese studies beskou word. Dit het as 'n deskriptiewe projek begin, gefokus op die inventarisasie van die uitbeelding van vreemdelinge en die karakterisering van vreemdelinge in 'n gegewe literêre korpus, en is gekenmerk deur 'n naïewe essensialisme, aangesien die konsep van “nasionale karakter” nie bevraagteken is nie (Leerssen, 2016:14). Dit was veral Hugo Dyserinck wie se werk in die 1960’s daartoe bygedra het dat imagologie ’n integrale deel van die vergelykende literatuurwetenskap geword het (ibid. 16). In die huidige klimaat van intense identiteitspolitiek en groeiende nasionalisme het imagologie onlangs weer die dringendheid herwin wat dit in die jare ná die Tweede Wêreldoorlog gehad het (ibid. 14).

https://www.litterm.co.za/index.php/i/1594-imagologie-2?fbclid=IwAR2tMKlQ5LQtK3zusD5dv48Bk-Dk86vY7cfZkUr5KF8Jv9kLQ3cTNnyz-cs