Lesson 1-3
Lesson 1-3
Teachers Name:__________________________
English I - ____________
Date:____________________________________
From a young age, Shandot Beto was known throughout Jupiter as an artist of great talent. Art was his life and
he lived only to create.
When he was just past middle age and still at the height of his artistic powers, a military coup occurred on the
planet. The new emperor soon proved himself to be a ruthless dictator. He had plans to take over the entire
galaxy by the year 4025.
As part of his vision for Jupiter, the emperor tore down hundreds of structures and had them rebuilt at great
expense to celebrate himself. These palaces were to be filled with beautiful frescoes and murals. The emperor
invited three of the greatest artists on the planet to discuss the planned artwork with him. He would then choose
the artists and the plans he liked best.
Of course, Beto was one of the invited artists. He hated the new emperor and all that he represented. But the
buildings were to be beautiful and extraordinary. Beto struggled with his conscience but, in the end, he submitted
a proposal and was selected to paint the palaces. Beto soothed his qualms with the thought that, after all, he was
an artist. What were interplanetary politics to him? When both he and this dictator were dead and gone, Betos art
in these magnificent structures would remain, exquisite and immortal.
He began work on the frescoes immediately. His brain teemed with ideas and he threw himself into the work.
But every day, the emperor or one of his people was there, watching Beto work and redirecting him. Not like
that, they would say. Like this.
When Beto complained of the interference, the emperors eyes narrowed. You work for me, he reminded the
artist. You paint what I want.
Slowly, Betos vision for the frescoes and murals began to be corrupted. He was unable to proceed as he
wished. The emperor and his courtiers had no artistic talent but he could not ignore their demands. In the end,
the frescoes were lackluster and lifeless, the murals uninspired.
The emperor, however, was smug with delight. He thought the art was glorious, and he congratulated Beto.
From that time on, Beto became the emperors pet artist, painting slick court portraits and other works as required
by the emperor.
In galactic year 6012, when the emperor and the artist were long dead, Betos early artwork was discovered and
revered, though the man himself was always spoken of as one who had willingly collaborated with a tyrant.
10
Question #1: What is the central conflict that the main character faces in the story? Use
the text to support your answer.
Question #2: What is the theme of this story? Why do you think that? Use the text to
support your answer.
Point of view refers to the narrators perspective. When a story is written from the first
person point of view, the narrator is a character in the story who tells the story using the
pronoun I. With second-person point of view, the narrator uses the pronoun you to
address the reader directly. With third-person point of view, the narrator is an outsider to
the story who reports the events of the story to the reader. The narrator refers to the
characters either by name or by the pronouns he and she.
DIRECTIONS: Read the two versions of the same scene. Then answer the questions that
follow.
Passage 1
We drove up the driveway and the car ground to a halt. Dad said, So here it is.
Our new house.
I didnt say anything. I just stared and hoped that he could read my face. It was a flat,
squat house with dingy gray walls. Everything about it was ugly. Its windows were gray,
with slatted shades, and its door had a cheap plastic welcome mat. It didnt even have a
proper lawn, just some patchy grass and a few scraggly dandelions. I couldnt imagine
ever calling this place home.
So, what do you think? said Dad. Not bad, huh? Theres lots of space, thats for sure.
Youll have your own bedroom this time.
I just shrugged. I refused to give him the pleasure of eye contact. This time, I resolved,
I wouldnt get my hopes up.
Passage 2
1
When the Saclaloses arrived at the new house, it was late afternoon. Theyd been
driving for five hours, and they were all hot and sticky. When the car crunched to a stop,
they just sat there, drowsy and disoriented.
So here it is, said Peter Saclalos, slapping his hands to his legs. Our new house.
Silence. Amy wearily peeled the stereo headset off her ears and looked around. No
point in getting excited, she whispered to herself. Theyd moved five times in the past
two years. She hated moving, but complaining got her nowhere. She sighed, her face a
mask of boredom.
John got out of the car first. His face was blank. He felt sick to his stomach.
So, what do you think? asked Mr. Saclalos. Not bad, huh? Theres lots of space,
thats for sure. Youll have your own bedroom this time.
Question #1: Compare the two passages. Identify two or three main ways in which the
first passage differs from the second. Consider the ideas emphasized in each passage,
the details included, and the information revealed. Use text evidence to support your
answer.
In a story with third-person omniscient, or all-knowing, point of view, the narrator stands
outside the story and comments on the action. A third-person omniscient narrator
knows everything about the characters and the events of the story, and may reveal
details that the characters themselves dont know.
DIRECTIONS: Read this version of the story about the Saclaloses new house. Thenanswer
the questions on the following page.
The Saclaloses arrived at their new house by late afternoon. Amy and John were hot
and sticky from the five-hour drive. They knew that they would hate this new house the
moment their father told them he bought it. Its going to be ugly, Amy had thought during
the drive, but anything is better than that tiny, one-bedroom apartment back in Charlotte.
It wasnt that they were spoiled or ungrateful. Amy and John were simply frustrated at
all the changes that had ensued since their parents divorce. They had already moved
five times in two years.
Mr. Saclalos wanted what was best for his children. He knew that they were weary of
moving, and all he wanted was to settle down. He was sure this house would signify a
fresh start. But how could he convey his hope to Amy and John? So here it is. Our new
house, he said with a big smile.
John stared grimly at the shabby house. He noticed the peeling paint, the cheap
doormat. His eyes caught sight of a piece of plastic sticking out from the dirt. It was a
childs truck. Somehow, the sight of this truck made him terribly sad. He felt
overwhelmed by a sense of loss.
Youll have your own bedroom this time, Mr. Saclalos said hopefully. But John just
stared at the new house with tired eyes. Mr. Saclalos looked at Amy. The expression on
her face mirrored Johns frustration. She had already decided that she would not be
happy here, and she wondered how long they would stay.
Wearily, the family unpacked their bags and stepped inside. The rooms felt bleak and
empty. Amy and John walked around silently, opening windows, trying to hide their
disappointment. They felt, deep in their hearts, that this house would never feel like
home.
With time, their feelings would change. With time, the kitchen would fill the house with
comforting smells, and the backyard would blossom with flowers, and each room would
be full of memories. The Saclaloses would stay in this house for twenty years, longer
than they had ever stayed in any house before. But that would all come later. For now,
they had only to take their first steps toward the door.
Question #1: At what point in the story do you realize that the narrator knows everything
about the characters and the situation? Be specific.
Question #2: What does the narrator reveal about the characters and the story that that
the characters themselves do not know? Explain and Cite evidence.