Will Fleming Olympic Lifting Book
Will Fleming Olympic Lifting Book
Will Fleming Olympic Lifting Book
Complete Olympic Lifting Program Manual 2013, Athletes Acceleration, Inc./FORCE Fitness PO Box 3178 North Attleboro, MA 02760 877.510.3278 All rights reserved Complete Olympic Lifting Program Manual is published by Athletes Acceleration, Inc. and FORCE Fitness. ALL RIGHTS RESERVED. No part of this publication may be reproduced, stored or transmitted in any form, for any reason or by any means, whether re-drawn, enlarged or otherwise altered including mechanical, photocopy, digital storage & retrieval or otherwise, without the prior permission in writing from both the copyright owner and the publisher. The text, layout and designs presented in this book, as well as the book in its entirety, are protected by the copyright laws of the United States (17 U.S.C. 101 et seq.) and similar laws in other countries. Scanning, uploading and/or distribution of this book, or any designs or photographs contained herein, in whole or part (whether re-drawn, re- photographed or otherwise altered) via the Internet, CD, DVD, E-zine, photocopied hand-outs, or any other means (whether offered for free or for a fee) without the expressed written permission from both the copyright owner and the publisher is illegal and punishable by law. The copyright owner and publisher of this book appreciate your honesty and integrity and ask that you do not participate in or encourage piracy of copyrighted material. Be sure to purchase (or download) only authorized material. Manuscript layout by NiTROhype Creative www.nitrohype.com Cover design by Pixel Mobb All photos courtesy FORCE Fitness, Bloomington, IN PRINTED IN THE UNITED STATES OF AMERICA
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TABLE of CONTENTS
Introduction...........................................7 Power Clean...........................................12 Jerk...................................................42 Snatch..................................................63 Loading the Olympic Lifts........................87 Sample Programs...................................92 About the Author..................................108
My attitude is that if you push me towards something that you think is a weakness, then I will turn that perceived weakness into a strength. -Michael Jordan
INTRO
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Intro
have been completing, competing, and coaching the Olympic lifts for over half of my life. I am 30 and I started lifting seriously 15 years ago. The actual date was November 20th, 1997. I recall it vividly enough to know the exact date. Obviously it was an impactful time in my life. I can recall being a total newbie on the platform just as vividly as I can recall winning a national title in the sport and just as vividly as I can recall the first meet that I ever coached. I remember the athlete that I was before learning Olympic lifting: 5.2 second 40 yd dash, 155 lbs. 165 lb power clean max. I also remember the athlete I became after learning to Olympic lift: 4.5 second 40 yd dash, 215 lbs, 402 lb power clean max. The point is not to brag, but to relate to you that you do not have to spend half of your life in the weight room or on the platform to learn what I have learned. You can take athletes from no knowledge in the sport and the lifts to absolute beasts. The point is that I can relate to the place you or your athletes are in. My half lifetime of experience has been poured into this manual and the accompanying DVD, Complete Olympic Lifting. The Olympic lifts are some of the most explosive and dynamic demonstrations of power in any form of athletics. Contrary to popular opinion, athletes at nearly all levels can be taught the basics, the groundwork for dynamic athletic development, the Olympic lifts, and their derivatives. This manual and DVD represent a proven and efficient approach to do so. Olympic weightlifting, the sport, has been practiced since the first modern Olympic games in 1896. Weightlifting events (with some changes) have been contested at every Olympic Summer Games since 1920. Originally there were only five weight classes in competition; however, todays lifters compete in eight weight classes for men and seven for women.
The Olympic lifts are some of the most explosive and dynamic demonstrations of power in any form of athletics.
The standard competition lifts in todays competitive weightlifting include the clean and jerk and the snatch. Contemporary training includes the clean and its variations (clean pull, hang clean, power clean, etc), the snatch and its variations (hang snatch, muscle snatch, clean grip snatch, snatch pull), and the jerk and its variations (power jerk, split jerk) as well as progressions and regressions of starting positions and ending positions for each movement. The sport of competitive weightlifting has been around for over more than 100 years ,but it is only within the last half century that general athletes have included weightlifting in their training programming. Most sources suggest that collegiate strength coach and competitive Olympic lifter Alvin Roy of Louisiana State University first introduced Olympic weightlifting movements to the Tiger football team in the 1950s. The team went on to win the 1958 NCAA football national championship. Since that time, the popularity of Olympic lifting in the training of athletes has only grown. Today, thousands of high school, college, and professional teams use the Olympic lifts to help their athletes become faster and more explosive on the field and court.
Increasing speed and strength are the fastest ways to get better on the field. By training with loads at high velocities, movements such as the clean, snatch, and the jerk are the best tools to simultaneously train both qualities. Many of the most important tasks in sports rely on well-timed sequential movements. The timing of the power clean mimics many of those movements and shares many qualities in common. This improved timing is a critical tool in improving sports performance.
Get Stronger
I have not encountered many people that are legitimately strong in the power clean that are not also strong squatters, deadlifters, and many times even bench pressers. The power clean is a great total body movement that develops type II muscle fibers throughout the muscular system. If an athlete has the strength to get in great positions for the power clean, they most often have the strength to move serious weight around in the rest of the weight room. The associated hypertrophy of type II muscle fibers leads to increases in maximal strength similar to and even greater than traditional power lifting techniques. Empirically, athletes who train with Olympic lifts produce greater maximal force output than even power lifters who train more frequently and with greater relative loads. The Olympic lifts are a very efficient way to get strong.
Teaching Order
The associated DVD is arranged into the following chapters: Assessment and Pre-Requisite Movements The Clean The Snatch The Jerk
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All athletes should go through the steps outlined in the assessment and the pre-requisite movements. This video chapter will demonstrate which athletes are prepared for Olympic lifting and the movements necessary to move them onto the platform. Start here. Each chapter on a lift (clean, snatch, and jerk) contains a specific sequence to teach the individual lift. For athletes who are prepared to lift, following this order of progressions will prepare them well. The lifts themselves may also be prioritized by which should be taught first and which has the highest priority. The following represents the appropriate order in which the lifts should be taught. Hang Clean Power JerkPower CleanSplit JerkHang SnatchPower SnatchSquat CleanSquat Snatch This order goes by priority and the ease with which a movement may be taught to athletes.
Each chapter on a lift (clean, snatch and jerk) contains a specific sequence to teach the individual lift.
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POWER CLEAN
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Power Clean
raining for power is undoubtedly one of the most important aspects of becoming a better athlete. Athletes who want to get faster, stronger, and bigger need to train to improve power. Fortunately, many programs include the power clean for just that purpose. Rather unfortunately, though, many athletes perform this movement incorrectly, get injured, or never become proficient at the lift and, as a result, fail to reap the benefits. I have taken everything that I know about the power clean and put it to paper (or cyberspace) for your enjoyment and education. This is a step-by-step guide to help you get better, stop missing lifts, and see all the benefits of one of my favorite lifts. Before I get to all the technical stuff, why should you power clean in the first place?
One of the biggest benefits of the clean specifically is that it is the Olympic lift in which most people can usually find the most comfort quickly and, in turn, can use the greatest load quickly.
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large type II fibers. The clean and related movements allow the athlete to load heavier and more quickly, allowing for continued fast twitch motor unit recruitment.
Athletes in programs across the globe typically have a very similar big three lifts. These most often consist of the clean, squat, and bench. Even if an athlete participates in an awesome program that has a big five or a big six, cleaning is likely a part of that system. Speaking this universal language is important for athletes to be successful at all levels.
Flat Feet
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While the athletic benefits of the clean and snatch have been addressed previously, the snatch and the clean should not be completed on the ball of the foot like many other athletic movements. Stability is the name of the game when it comes to the Olympic lifts, and in the case of setting up for the clean, stability comes from being in an optimal balance of weight toward the forefoot and the heel.
This optimal balance position is referred to as the tripod foot position. This means that the athlete should have the weight balanced between three points of contact on each foot. These three points of contact include: The joint at the base of the big toe (first metatarsophalangeal joint) The joint at the base of the little toe (fifth metatarsophalangeal joint) The heel (calcaneus). An optimal interplay between weight at each point in the tripod will keep the athlete balanced throughout the lift. Using this strategy will also allow for corrections to be made in balance throughout the lift. If the athlete is too far forward, then more weight should be distributed to the heels. If the toes come off the ground, then more weight should be distributed to the forefoot. This knowledge can allow the coach and/or athlete to readily see where an improvement can be made to the lift.
The vertical jump is used as the indicator of lower body power during performance testing. The foot position most athletes naturally use when jumping is likely to be the same as should be employed to begin the power clean. With the feet around hip width apart, the athlete will be able to direct force into the ground in the most efficient way possible. Setting up too wide directs much of the force outward rather than toward the ground. An athlete with a hip mobility restriction may need to adjust the stance wider than jump width to achieve a safe position from the ground.
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A strong core is necessary to maintain the torso position from the ground up through the first and second pull. The only way to ensure that this occurs is to pre-brace the core before the lift begins. Once oriented to the bar, the athlete should establish the brace position while standing. More advanced lifters may release the brace during the lift; however, it is important to establish this contraction before placing the hands on the bar.
Finally, the athlete can begin moving toward the bar. From the standing position, the athlete has three choices to get the hands to the bar; however, only one is correct. The athlete could choose to flex the knees to take the hands lower to the ground, but ankle mobility is a limitation of this approach. The athlete could also choose to flex the spine to make the way to the bar, but this too is incorrect and can lead to serious lumbar spine injury. Lastly, the athlete can hip hinge toward the bar. To make the descent to the bar resting on the floor, the first movement is a RDL or hip hinge movement. This will trigger a hip loaded pattern that allows for a powerful hip extension later in the movement. The athlete should only hinge until the hands are at the level of the kneecaps and should also and remember that if the hips stop moving posteriorly during movement, the movement is no longer considered a hip hinge.
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To finish the descent to the bar, the athlete will need to cease moving the hips back in space. The athlete will now need to move toward the bar by squatting or moving the hips down in space. The athlete will be able to maintain the same relationship to the bar on the X axis but will gain the knee flexion necessary to start the bar off the ground. Depending on the athletes height, the knees may be slightly over the bar but should not glide forward more than a couple inches. Using the cue squat to the bar is a great way to relate this novel position to something that is familiar to most athletes.
Once the hands meet the bar, a neutral spine posture must be assumed. Oftentimes, I see cervical hyperextension which will likely contribute to greater lumbar hyperextension. With greater lumbar hyperextension, the athlete will likely put more strain on the low back. There is much contention to the idea that a neutral neck be used. Many elite weightlifters use a head position that would be considered cervical hyperextension. This technique has even been described in a few published sources that have suggested such posture may help generate greater tension in the spinal erectors that may actually be of benefit the lifter. However, realistically we are not likely coaching elite weightlifters destined for Olympic greatness. In the interest of preventing unnecessary lumbar spine strain, positioning the neck in a neutral is the right call for most athletes.
Using the cue squat to the bar is a great way to relate this novel position to something that is familiar to most athletes.
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On the neutral spine idea, we have to think of ways to brace the core. Typical bracing will do well, but including the cue to lock down the lats can aid in the stiffening of the core and will also allow the athlete to keep the bar close to the body at the moment of lift-off. Keeping the bar close to the body will assist in maintaining a tight lifter-barbell system.
In an effort to maintain a tight lifter-barbell system and keep the bar close to the body, a knuckles back cue will lead to a forward shoulder lean, pronation and extension at the wrists, and internal rotation at the shoulder. The arms will be straight while the bar is on the ground. For some athletes, it is easy to keep the arms straight by thinking of relaxation at the elbows, while for others it is important to cue elbow extension (lock out) when the bar is on the floor.
Performance
The hook grip is actually pretty simple to complete. The athlete grasps the bar overhand like normal and before wrapping the fingers closed, places the thumb inside the grip. Simple. There may be some discomfort in maintaining this grip for novice athletes, but this most often diminishes over time. (Note: The athlete should avoid trimming the thumbnails too short before using the hook grip, as such is typically painful).
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Width
The width of the grip in the power clean should be shoulder width or slightly wider. While many athletes use certain lines on the bar to determine where to place the hands, not all athletes are able to use high-end bars for training. As a result, it is necessary to have a way to make sure athletes are able to grasp any bar with the correct grip. From a standing position, the athlete should be able to grip the bar in a position that allows for the thumbs to be fully extended and to be in contact with the hips/upper thigh. This width is sufficiently wide enough to achieve a strong racked position, allows for the possibility of a jerk later on, and is not dependent on markings or knurlings on the a bar.
Dynamic Start
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The pumping start can begin with one or two pumps but is the more dynamic dynamic start. The athlete will start with hips higher than the bar, quickly drop the hips to the appropriate start position, and execute the lift off. A second pump can occur by bringing the hips up one more time and then down again to the bar (down-up, down-up). The athlete should be careful in this very dynamic start to avoid shifting the weight forward to the toes.
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The initial lift off from the floor should be completed by extending through the knees. Driving the knees back but lifting the torso is the goal of movement. The torso should remain in the same relationship to the ground (approximately 30 degrees above horizontal) throughout the first pull. In this way, the athlete should attempt to translate the torso vertically through space. This will maintain the powerful RDL/hips loaded position above the knee. The knees should continue driving back until almost reaching extension as the bar begins to pass the knee.
A big mistake I see many athletes make often is jerking the bar from the ground. The first pull should not be a violent movement.
Up to this point, we have spoken much about the position and movement of the body in the power clean. However, the bar does make a slight movement off the floor back toward the body to maintain the tight lifter-barbell system.
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A big mistake I see many athletes make often is jerking the bar from the ground. The first pull should not be a violent movement. Instead, it should be smooth and may even appear slow. A goal of the first pull is to set up the second, more violent, pull. A fast first pull will likely inhibit the athletes ability to be efficient in the second pull.
At the Knees
Once the bar is at the knees, several things should be occurring. However, this is a difficult place to coach or cue the athlete because the system is already in motion. It is, however, a great place to break down video and make adjustments to later lifts. The feet should be flat so the athlete can transition correctly for the second pull. The hips should still be higher than the knees and very little hip extension should have occurred up to this point with the majority of movement stemming from knee extension. The torso should still be roughly 30 degrees above horizontal. Additionally, the arms should also remain straight at this point, as an athlete who has flexed the arms will have difficulty completing the second pull.
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Once above the knees, it is important that the athlete does not rush the bar just yet. Rushing the bar at this point will be apparent when the knees begin to migrate anteriorly (slide forward) under the bar immediately after the bar passes the knees. This movement does not close the triangle. The only way to close the triangle is to begin driving the hips forward into hip extension. The speed of the bar has started to increase at this point, but is not at its maximum just yet. The bar will be in a mid-thigh position by this point.
Knees Forward (Scoop/Double Knee Bend) The fact is, in a good power clean, knee flexion will occur to align the body in a position to create vertical movement.
Much is made about knee flexion during the second pull. In fact, numerous articles and opinion pieces have been written about the double knee bend. The fact is, in a good power clean, knee flexion will occur to align the body in a position to create vertical movement. Pure hip extension from the above knee position will create too much horizontal projection and the athlete will jump forward. To counteract this, it is necessary to perform the double knee bend (or scoop, or transition) for vertical projection. It is highly debatable as to whether this fact should be coached, or even mentioned to a novice lifter. This movement is a natural phenomenon that is easily seen in typical jumping mechanics.
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Once the bar has reached a high thigh position and the torso has come to nearly vertical, the hips and knees will both be near full extension. At this point, the athlete should finish
driving the hips and knees into extension. Athletes will often drive up through the toes in this phase and will achieve full extension. This is the highest speed portion of the entire lift. It is worth mentioning one quick note on the finish for the pull. As I have lifted more and more and trained higher level athletes, it has become apparent that plantarflexion of the ankle (sometimes improperly referred to as ankle extension) is not a part of the pull. This is NOT something to be coached. At best, ankle plantarflexion is a result of a powerful second pull or a mechanism of pulling under the bar. At worst, ankle extension makes it difficult for the athlete to get back under the bar as it increases the distance that an athlete must travel to get the heels to the ground and the hips in the right position. When observing elite lifters, such athletes will often demonstrate what amounts to a flat-footed pull. This flat foot position is a trained efficiency. To coach this position encourages the athlete to complete as much of the lift as possible without extending to the toes. Heels, heels, heels, toes! is the common cue used in my gym to coach athletes in the right position and tempo.
After the power spike of the second pull, the bar will have significant momentum and it is important to take advantage of it. Just as a boxer keeps the arms relaxed before throwing a punch, maintaining a relaxed arm is important for maximal speed later. The elbows should remain out and above the bar to guide the bar in a path that is tight to the body.
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The athletes arms have stayed relaxed to a great degree up to this point, but once the athlete hits the high pull position it is time to use the arms forcefully. The action of the arms at this phase is best described as punching the elbows up. The elbow punch will result in a receiving position that is high on the shoulders, meaning that the weight will not be resting on the wrists (generally a weak point) but instead will be in line with the center of gravity. An effort to flip the wrists will usually lead to a low catch on the chest and a need for the athlete to roll the bar up the chest.
This step should occur simultaneously with the elbow punch. The athlete should aim to receive the bar in an athletic position just as if landing from a jump. A cue that is very useful is to instruct the athlete to think toe, heel, hip, meaning toes to the ground, heels follow, and hips go down and away from the bar. The athlete should widen the feet slightly from a hip width/jump width stance to a shoulder width/squat width stance while receiving the bar. The athlete should also have very little forward or backward travel when receiving the bar.
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The clean from the blocks is a great way to teach any athlete to learn core lifts. This position allows the athlete be placed in proper alignment for starting from any position (mid-thigh, above knee, below knee). This is a great teaching tool for beginners as well as a great way to learn different portions of the lift that may be challenging for some athletes (transition around knee)
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Squat Clean
It takes a special athlete to be able to complete a full squat clean with good form. Many athletes will lack the mobility to attain the proper positions to receive the bar. The worlds most explosive athletes use this technique to complete the clean in competition, so the upside in terms of potential weight used is great. The full clean is an even greater total body exercise because of the need for great leg strength to come up from the full front squat position.
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The bar moving around the knees is a very common problem that can significantly inhibit the athletes ability to make a great second pull, with two likely causes: At the start position the athletes shins are too far forward and over the bar. This will cause the athlete to make a loop anterior to the knees before the second pull.
The athletes torso is too vertical when the bar is at knee level. When pulling from the ground to the knee, the goal is to keep the torso in a constant position relative to the ground (~30 degrees). When the torso becomes too vertical, the athlete is essentially pulling the bar back and the knees have likely become less extended, thereby requiring the bar to go around the knees before the second pull begins.
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This is a very common issue and can be caused by several things: The athlete is pulling with arms flexed. When pulling with the elbows flexed, the athletes ability to punch the elbows around the bar is decreased. The athlete is not completing the second pull. If the athlete does not complete the second pull, the chest will likely remain over the bar and this will not allow enough time to punch the elbows through, thereby causing the bar to be received with the elbows down. The athlete lacks latissimus mobility to receive the bar correctly. Any athlete who lacks the requisite mobility to receive the bar will not be physically able to rotate the elbows around to the correct receiving position. Including more latissimus mobility work and thoracic extension training in the warm-up period will be a good long-term fix for such a problem.
Jumping forward when receiving the bar is a classic sign that of incomplete extension of the hips during the second pull.
Jumping forward when receiving the bar is a classic sign that of incomplete extension of the hips during the second pull. When the hips are not fully extended, the bar will begin to drift forward and the only way that the athlete can complete the lift is to jump forward to the bar. A second likely cause may involve the elbows being positioned behind the bar following completion of the second pull. When this occurs, the bar and lifter system is no longer tight. Instead, a gap is created between the bar and the body. Most often, the athlete instinctively tries to close the gap by jumping forward to the bar.
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Lets first say that some coaches do teach a backward movement at the catch. While rationale may vary, it is likely that such individuals feel that this action promotes full hip extension. Traveling back to receive the bar is likely caused
by directing momentum backward rather than vertically in the completion of the second pull. Alternatively, the coach can cue the athlete to move the head vertically toward the ceiling rather than extending or throwing the head back while completing the pull.
The Athlete Jumps With the Feet Out When Catching the Bar
Ahhh, the starfish. I am not a fan. Athletes who jump the feet out are looking to get to the finish position the fastest way possible. This problem can lead to really awkward and dangerous receiving positions and must be eliminated quickly. The easiest way to do so is to create a visual stimulus that will reinforce correct technique. A Murray Cross (below) can be used to provide immediate feedback regarding appropriate foot placement during reception of the bar.
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Front Squat
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Although the emphasis for this portion of the movement is on the power clean rather than the full clean, the front squat is an absolute must to improve power clean ability. At the moment of impact (the catch), the athlete encounters significant downward force. As a result, standing up under control without getting buried requires a strong front squat.
Athletes who are seemingly able to pull the bar to heights that would allow for a good rack position but still miss the lift at the rack can benefit from front squats and even front squats against bands to enhance strength in the upper ranges of motion at the top of the range of motion.
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RDL
If the front squat helps the ability to receive a power clean, the RDL assists the athletes ability to make an efficient pull on the bar. Greater hamstring and glute strength is critical during the sticking point of the lift around the knee and before the second pull kicks off.
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For athletes who struggle off the floor but not many other places, the clean lift off is a great tool to use. Such athletes should set up in the start position at the floor level and begin to extend the knees until the bar is elevated to knee height.
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The athlete should then pause for a moment before bringing the bar back to the ground under control. This movement will groove the pattern off the floor unlike most any other drill or skill.
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from the hang, however, the descent of the bar back to the start position makes grip too difficult for all but the strongest athletes to maintain. In such cases, straps are acceptable. If the athlete does choose to buy straps, in my opinion, the absolute best in the world are handmade by Rob Roeder (his website is old school but can be found at http://robroeder.bizland.com/ prod08.htm).
Weightlifting Belts
Using a weightlifting belt in the power clean is a mixed bag of benefits and drawbacks to me. I would never recommend a belt to someone who already has poor technique, because more often than not, belts seem to magically endow confidence to go heavier than the athlete is likely prepared to go. If the athlete has great technique and can pull with a neutral spine off the floor, a belt is unnecessary even at higher weights.
Running shoes would be one of my least favorite choices for footwear during a power clean. These shoes typically have a fairly thick, soft, rubbery sole that can allow power to leach out during the pull. The high sole also leads to decreased stability while lifting and assuming a receiving position.
Minimalist shoes have definitely gained popularity recently and some are even being marketed as training shoes. The athlete should definitely take a close look before purchasing any shoe marketed as such because all brands and styles are certainly not created equal. While some are great and provide a solid base of support, others appear to be little more than well-marketed running shoes with the same pitfalls.
There really is nothing better than a weightlifting shoe for performing the power clean. The solid wood sole and wider base helps keep the athlete balanced throughout the lift. There are several well-known brands on the market today (adidas, Nike, Reebok) as well as some lesser-known brands. I have purchased every single kind available (seriously, I have six pairs!) and almost always go with my adidas over all others.
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THE JERK
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The Jerk
he jerk (of clean and jerk fame) is one of the most underutilized lifts available in the Olympic lifting arsenal. At some point, nearly all overhead lifts seem to have become vilified by concerned therapists and physicians. Sadly, the jerk seems to have suffered a serious popularity blow as a result. Using the jerk is a must in any complete program, as the movement balances much of the work performed in the clean and snatch and is an explosive upper body movement.
While the power clean and snatch are hip-dominant movements, the jerk is considered a quad-dominant dominant movement. There is very little hip hinging during performance of the jerk, so any athlete who performs the jerk as a regular part of an explosive lifting program should gain power and explosive ability in quad-dominant dominant movements in order to balance the lower extremity anterior and posterior musculature.
While the power clean and snatch are hip-dominant movements, the jerk is considered a quad-dominant dominant movement.
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Even though much of the movement of the jerk is generated and created by the lower body, holding heavy weighs overhead requires significant strength and stability. By explosively moving the bar overhead, the athlete will need to stabilize and support rather than just push. At the same time, the movement still helps foster increased upper body strength.
Landing in the split position requires great stability in the lead leg, similar to the striking of the foot to the ground while in sprinting. Single leg strength and stability is often the limiting factor for an athlete looking to get faster and stronger in the bilateral stance (as in the squat).
Jerk Technique
The Set Up: Bar Position
The bar position on the athletes body is one of the most important aspects of the jerk. The bar should rest high on the chest and across the front of the athletes upper shoulders. To keep the bar off of the neck, the scapulae should be protracted and elevated.
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The grip position for the jerk can be just as wide as for the clean, but most athletes find it beneficial to utilize a grip slightly wider than a clean grip.
The width of the feet is highly individualized, but should be at or around hip width to shoulder width regardless of the athlete. The athlete should have the toes angled outward up to 30 degrees to facilitate the dip portion of the lift. The most important thing to remember is that the feet must remain flat while the bar is racked at the chest. The feet should remain flat through most of the movement.
The grip position for the jerk can be just as wide as for the clean, but most athletes find it beneficial to utilize a grip slightly wider than a clean grip. As the athlete dips, the bar will flex slightly and gravity will assist downward momentum. A wider grip will increase the base of support through the dip phase and allow for a faster recovery.
The actual arm position for the jerk can vary depending upon the athlete. Some athletes feel most comfortable with the upper arms parallel to the floor in much the same position as the clean catch. However, most athletes will need to adjust the grip so that the forearms and upper arms remain positioned beneath the bar. It should be noted that the weight of the bar will still be resting on the shoulders and chest rather than on the wrists.
Posture should be tight and braced throughout the jerk. The athlete should remember that the lower body is the primary force generator and the core is functioning to stabilize and redirect force. The most typical error demonstrated by novice athletes is a flexed thoracic spine. Athletes should be cued to extend the thoracic spine to keep a neutral position.
Once the athlete is set up in the proper position, the next step is to begin harnessing the power of the stretch shortening cycle to complete the lift. The athlete should dip with the knees out, meaning the hips must be externally rotated and the knees allowed to track out over the toes. The upper body should remain almost completely vertical to reduce forward movement of the bar. This position is in contrast to the hipdominant position of the clean and snatch and is what ultimately makes the jerk my preferred quad-dominant movement of choice. It is critically important that the athlete maintain flat feet throughout the dip portion of the jerk. Commonly, the athlete may shift the weight toward the toes. The depth of the dip before the drive phase should be roughly a quarter squat level, but to specify a certain distance is not appropriate. Most athletes will typically develop a feel for their own preferred or most appropriate depth, and movement through the wrong depth are often revealed when change of direction proves difficult. This minimal depth will allow for the greatest power during the drive and should be executed quickly. The bottom of the dip is the braking portion where downward momentum is stopped. Fundamentally, the goal of the dip should be to complete the movement quickly and on balance.
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Elite lifters often use the dip and the subsequent oscillation of the bar during change of direction to assist in the execution of the lift. A great technical feel for the lift is necessary to do this, but a $1500 bar doesnt hurt either.
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Once the dip is completed to the quarter squat level, explosive extension of the knee and hip should immediately follow. The torso should remain vertical or even extended in the sagittal plane so that the bar follows a linear vertical path. Athletes who pause at the bottom of the dip before the drive phase compromise energy transfer through the dip. The drive phase should create space between the lifter and the barbell. The goal of this phase for the novice lifter is to create enough drive to move the bar to forehead level.
The Split
The split of the feet is ultimately the portion of the lift that gives most athletes difficulty. There are many successful approaches to the split, but each should ultimately finish in a similar position.
To select the lead foot, the coach can stand behind the athlete and provide a slight push. The foot with which the athlete steps forward to regain balance should serve as the lead foot in the split jerk. For most right-handed athletes, that is the left foot. Alternatively, for most left-handed athletes, that is the right foot. However, there are exceptions to this standard, as I am right-handed but prefer to execute the jerk with my right foot forward. In training athletes, it is important to alternate jerks with each foot forward. Only the competitive Olympic lifter should work primarily with one foot forward of the other.
The Goal
The ultimate goal of the split jerk is to expand the base of support in the sagittal plane in order to hold weight overhead. It really is that simple. It is for this reason that most athletes choose to do a split jerk over a squat jerk or power jerk. An expanded base of support provides more stability overhead.
The Position
There are a number of variations in positions for the split jerk; however, all variations still require the athlete to produce
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a stabilizing force in the sagittal plane to prevent a fall. Despite the number of available variations, the ideal position for most athletes is the 90/90 split squat extended. To assume this position, the athlete begins in a half kneeling stance with both the lead and trail legs flexed at the knee to 90 degrees. This position allows the athlete to maintain flexion in the trail leg, but perhaps more importantly, hold an extremely stable vertical shin position with the lead leg. The toes of the lead foot should point forward while the trail foot should be plantarflexed or even slightly internally rotated. The width of the stance should be consistent with the width of the athletes hips or slightly wider.
This method for teaching the jerk is Figure 3.3: Receiving excellent for some lifters, position as it encourages the athlete to think about driving the lead foot forward and keep both feet low to the ground. The drawback to this method is that some athletes translate this cue to mean that body weight should shift forward. Oftentimes this will result in catching the jerk with some amount of anterior knee glide in the lead leg.
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This is a method that I have been working with more recently. In this cue, the athlete is encouraged to focus on the aggressive drive phase until platform separation occurs. At separation, rather than being cued to drive the lead foot forward, the athlete is instructed to drive the lead
knee up. This method helps position the athlete into a more advantageous receiving position more often than not; however, it can sometimes lead to passivity in the drive portion of the jerk.
Recovering from the split position can cause a number of problems for many athletes. Quite simply, the athlete should recover with the lead foot posterior toward the center first followed by the trail foot anterior toward center second. Moving the rear foot first usually causes an anterior weight shift that will increase the likelihood of a missed lift.
Overhead pressing can be done with a variety of tools before beginning to jerk. Using dumbbells allows the athlete who lacks shoulder mobility to safely and effectively press overhead.
Dip
The dip is the part of the movement in which the athlete will most likely suffer a form break, so it is critically important that this phase is adequately instructed and cued. The athlete should practice the dip with semi-challenging weights and execute the downward movement. The knees should not travel anterior and medial toward the great toes, but lateral towards the fifth toes. The depth of the dip is fairly individualized, as some athletes are more comfortable at slightly greater depths than others.
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Push Press
The next step is to begin using the push press movement to help the athlete feel the change in direction required to execute a solid jerk. By now, the athlete should be comfortable with the dip movement and will need to work on the drive phase. The dip and drive portion of the lift will be exactly the same as if the athlete is going to perform a split jerk; however, rather than leaving the ground and flexing the knees again, the athlete should drive through the toes and press the bar
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out for the remainder of the lift. In essence, this is a dynamic and explosive start to a movement followed by a strength-type finish.
Once the athlete has become comfortable with the technique of the push press, he or she may progress to the behind the neck power jerk. The power jerk will mirror the push press in the dip and drive portion, but the athlete will receive the bar in an athletic position with the feet slightly wider than the drive position. The level of the squat will be greatly dependent on the athletes mobility and comfort level in the overhead position. One of the biggest difficulties with the power jerk position is that there is no adjustment in the sagittal plane to prevent toppling over. For this reason, we often teach this movement from behind the neck. In the behind the neck position, the bar can travel a straight path to overhead and remains over the base of support more easily.
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Footwork Drills
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Footwork drills for the jerk are done to establish a pattern of receiving the bar in the correct position. The athlete should strive for motor mastery with the goal being to land in the split position. To begin, the athlete should set up in the bottom of a 90/90 split squat as the coach marks the position of the feet with chalk or tape. The goal of each rep is to land with the feet in the same position as the chalk marks.
With no weight, the athlete should set up in the dip and drive position. Once the athlete has completed the dip and drive, an explosive split to the marked position using either the jump and split or the foot punch strategy should follow.
Half Jerks
Half jerks require just a barbell to complete and closely mimic the timing of the traditional jerk. The athlete will start in the full 90/90 position extended with the bar overhead. The athlete should then bring the lead foot back 8-12 inches toward the body and bring the bar to forehead level. From
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this closer position, the athlete should then drive the lead foot up and forward and the bar overhead. The big key to this movement is that there is no movement of the hips in the sagittal plane. The hips should only rise and fall without moving forward and back.
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Finally we can begin to piece it all together. With the bar resting high on the back of the shoulders, it is time to venture into using the split jerk. The athlete should dip and drive aggressively, executing the lift with either a punch and split or a foot drive technique. Behind the neck split jerks are a great tool to use when doing jerks as a stand-alone movement.
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Jerk Variations
Power Jerk
The power jerk from the front-racked position is an excellent tool to use while training athletes. It is a great power producing movement and allows the athlete to maintain a familiar athletic base. This is an excellent training tool for general athletes.
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Several of the worlds best Olympic lifters have employed this technique in competition. Typically, those athletes are extremely strong overhead and are capable of moving the barbell much higher than typical athletes during the drive phase.
Squat Jerk
Very few lifters and even fewer athletes in training employ the squat jerk. This style requires great stability overhead, extreme mobility, and allows for very little technical variation. In truth, I am amazed by any lifter that is able to squat jerk any amount of weight!
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To Correct This Mistake: Work on the dip portion of the lift and focus on maintaining a tripod foot position throughout the dip. The athlete should focus on keeping the heels down during the dip phase. In so doing, the athlete will create a more stable platform from which to push and will be more balanced when overhead. Potential Cause: Knees Forward When an athlete allows the knees to travel forward or collapse inward during the dip phase of the lift, a bar forward position overhead will result. When the knees travel forward, a corresponding shift of the hips forward (and center of mass) occurs, altering bar drive forward, as well.
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To Correct This Mistake: The athlete should practice the dip portion of the lift. While doing this, the focus should be on tracking the knees out over the fifth toes rather than over the great toes. This movement helps the athlete to maintain a more vertical torso position and results in the bar staying overhead rather than travelling forward. Potential Cause: Bar Slide The idea of bar slide is that during the drive portion of the lift, the bar begins to slide down the chest of the athlete. This is relatively common among athletes who are new to the jerk.
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The bar sliding down the chest will put the bar forward of the athletes center of mass and the bar will accelerate at a slower rate than the rest of the body. Typically this error will lead to the bar being driven forward. To Correct This Mistake: The best way to correct a mistake like this is to work on keeping the bar high across the shoulders through the dip portion of the lift. If the athlete jerks with elbows up then this should not be a problem; however, if the athlete tends to bring the elbows under the bar in preparation for the movement, it most often means that he or she must work on maintaining constant tension on the bar. The athlete should be cued to elevate the scapulae and attempt to hit the right position every time. Think about the core positioning and the effectiveness of the bracing position that the athlete assumes when preparing for the dip. If the athlete is not strong enough to handle the position, then the weight is too heavy and additional core stability work might be necessary.
Problems With the Feet While Receiving the Bar When receiving the bar the athlete should aim to keep the feet the same width as the hips.
Potential Cause: Narrow base in receiving position. When receiving the bar the athlete should aim to keep the feet the same width as the hips. Some athletes tend to jerk to a narrower position than starting position. This leads to issues with overhead stability in the frontal and sagittal planes. Think of this in this way: the goal is to receive the bar on stable railroad tracks rather than on a balance beam. To Correct This Mistake: The athlete can attempt to jerk with a block between the legs. This block could be anything from a strip of tape to a broomstick, but the goal is to give immediate feedback as to the success of the lift. Using something like a broomstick should only be done when jerking light loads and after the athlete has demonstrated ability to perform the movement without ending up standing on the object. Potential Issue: Short/Long Feet The position of optimal stability overhead is a 90/90 split squat extended. While many competitors have demonstrated
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the ability to put massive weight overhead with shorter or longer foot positions, our goal is to coach the athlete into the 90/90 position. When the athlete misses this position or shows inconsistency, it creates a number of problems that can be difficult to correct. To Correct This Mistake: Mark out the proper position for the athlete to hit at the conclusion of each jerk. This can be done with tape, markers, or paint. The goal of each jerk is then to provide visual evidence of the proper position and the athletes relationship with that correct position. A lot of repetition when learning and preparing to jerk is necessary to make this happen correctly.
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Footwork Combos To really groove the footwork associated with the jerk, footwork combos are a great tool to use. Three to five repetitions should be done with no weight or very little weight in rapid succession with the goal being to land in the correct overhead position with each jerk. Immediately following the last light jerk, the athlete should attempt a jerk with a more challenging weight. Split Stance Pressing The Jerk is the most dynamic lift that we can perform in the weight room but one that also requires great strength and stability. To account for this need, we do plenty of split stance presses with the bar behind or in front of the neck. Look for a neutral posture and pelvis while overhead.
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SNATCH
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The Snatch
Unique Benefits of the Snatch
Grip Strength
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The overhead position is certainly difficult, but the stability required to hold weight overhead can be carried over to the field for any athlete that finds it necessary to push on another object, ball, or person.
he wide grip to the snatch requires a much greater demand than does the clean. This demand creates greater grip strength that can carry over to sports and even other lifts.
Back Strength
Again, the wide position of the hands also puts a greater demand on the back (particularly the upper back) to maintain proper posture. The snatch is all about isometric thoracic spine extension. This is an area in which most athletes can use some serious help.
The overhead position is certainly difficult, but the stability required to hold weight overhead can be carried over to the field for any athlete that finds it necessary to push on another object, ball, or person.
Snatch Technique
Set Up Tight to the Bar
Successful Olympic lifts are the result of a lifter and the barbell moving in one efficient system. The lifter-barbell system, as it is called, must share one center of mass. Ideally, this center of mass lies within the framework of the lifters body. Setting up close to the barbell helps ensure that this will occur regularly.
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Setting up too far from the barbell will move the center of mass forward of the athletes toes and will lead to difficulty in achieving the lift later on. The proper distance away from the bar is different for athletes based on body dimensions but can be summed up closely for most athletes. As discussed previously, when standing over the bar, the athlete should see the shoelaces covered by the bar. This means that from the coachs perspective, the bar should be over the midfoot (a much more solid base than the toes) and will be far enough away from the body to get in the start position.
Flat Feet
While the athletic benefits of the clean and snatch have been extensively discussed previously in this resource, the snatch should also not be completed on the ball of the foot like many other athletic movements (athletic stance). Again utilizing the tripod foot position, the athlete should remain stable and balanced with the weight distributed between the forefoot and the heel.
The short answer as to how wide the feet should be placed when performing the snatch is around jump width; however, the nature of the lift modification can certainly influence this standard. The toes should be pointed out slightly and the athletes feet should be directly below the hips. Foot placement directly below the hips assists in force application of the posterior chain straight into the ground, minimizing leakage of power in other directions. Utilizing these large posterior prime movers ensures maximal power output. In the power snatch and the full snatch, jump width may serve as a reasonable place to start, but trial and error may deem this to be less than optimal for some athletes. The wider grip of the snatch requires a lower starting posture in order to grip the bar. An athlete who lacks hip mobility will often achieve this lower position through compensation by exaggerating lumbar flexion. This can lead to additional spinal stress, fatigue, and risk of injury.
In the power snatch and the full snatch, jump width may serve as a reasonable place to start, but trial and error may deem this to be less than optimal for some athletes.
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A simple correction is to work on hip mobility and raise the start position on blocks for a period of time. For some athletes it may be necessary to make a modification to the start position on a more permanent basis. For such athletes, a starting position slightly wider than jump width is preferred. In this position, the importance of hip mobility in the starting position is decreased and the athlete may assume a solid start position despite a slight energy leak to lateral forces.
It is critical for any coach to appreciate the importance of the tight lifter-barbell system.
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As with previous lifts, the cue to lock the lats down when the hands are on the barbell should be used. Some other strategies include the visualization of pinching a roll of quarters in the armpits or to simply squeeze the arms toward the body. Locking the lats down will help pack the shoulders into a strong position, lend more stability to the back, and facilitate a tight lifter-barbell system. First, packing the shoulders down helps minimize unwanted upper trapezius involvement. Upper trap activity can lead to shoulder fatigue, discomfort, and pain. Overuse of the upper traps will lead to fatigue in the lifts early and can ultimately undermine the effectiveness of the lift due to an inability to forcefully shrug. Locking the lats also lends greater stability to the lower back. The origin of the lats is spread vertically down the lower back. When activating this muscle, it synergistically assists the lumbar extensors in keeping the lumbar spine stable in extension. It is critical for any coach to appreciate the importance of the tight lifter-barbell system. Failure to maintain this relationship is at the root of many problems that athletes have in completing the Olympic lifts. The lats being tight assists in the maintenance of a close relationship within the system and a better execution of the snatch or the clean. It is worth mentioning a final note on this point. The lats should remain tight until the second pull is initiated. Once the arms become involved, it is necessary to forget the idea of latissimus tightness and focus on the fast, relaxed movement of the elbows above the bar. The lats are powerful. If held tight throughout the lift, they will inhibit the motion of the arms up and under the bar. That being said, even in a hang snatch lock the lats in is one of the first cues we use.
Regardless of whether one is starting in the hang snatch position or the floor start (like in the power or full snatch), a hinge is the first part of the movement that should occur. The athlete should start each movement by unlocking the knees then hinging until the hands are at knee level. If moving to a bar on the ground, the hands will be free at this point. If moving to a hang snatch, the bar will be in the athletes hands and tight to the body. Both the hang and power snatch require the exact same hip hinge position when the bar or the body is above the knee.
To continue moving to the bar, the next step is to squat to the bar. The Olympic lifts are a combination of deep hip angles and deep knee angles when the bar is resting on the floor; however, when it is above the knee, the movement is primarily a hip hinge with slight knee movement. To combine the deep knee and hip angles, the athlete can begin by performing a RDL/hinging to knee level then squatting vertically to the bar. When in the RDL position at the knee level, the torso should be roughly 30 degrees above horizontal. Ideally, the athlete will again start at about 30 degrees above horizontal to begin the lift-off from the floor. Squatting involves the vertical displacement of the hips and will facilitate this angle to be maintained throughout the movement.
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If the hips are allowed to move and the torso positioning is not maintained, the athlete will find it difficult to pull from the ground and maintain a tight lifter-barbell system. To summarize, to get to the bar on the ground, the athlete should hinge to knee level and squat to the bar.
Cervical spine hyperextension can lead to corresponding lumbar hyperextension, which can in turn lead to lumbar compromise.
Finding the optimal spinal position in the Olympic lifts is extremely important. While spinal flexion should be avoided throughout the lift, a balance between spinal neutral and slight extension is necessary to move efficiently and strongly in the lifts. Most simply, the athlete should be cued to keep it neutral. Cervical spine hyperextension can lead to corresponding lumbar hyperextension, which can in turn lead to lumbar compromise. This should be avoided at all costs. One school of thought is that it is best to err on the side of safety and simply cue the athlete to keep the neck completely neutral. However, the optimal position is not entirely neutral but rather slight cervical and lumbar extension.Perhaps more specifically, this slight lumbar extension should only occur to the point that there is some activation of the spinal erectors to lend more stiffness in the lift and help to avoid spinal flexion. The athlete should be encouraged to keep the eyes on the horizon, looking forward throughout the lift. Further technique refinements might include keeping the chin in constant relationship with the trunk while avoiding gaze focused on the floor or the ceiling.
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The role of the arms early in the snatch is simply to avoid disturbing the rest of the lift. If the arms are too active, the lift will be negatively impacted. On the other hand, inadequate arm action can also negatively impact the lift by allowing improper bar trajectory. For the snatch (and even the clean), the goal of the hands and arms is to keep the bar tight to the body to not let the trajectory arc away from the body. Accomplishing this task is rather simple. Prior to starting the lift, as the athletes
hands first grasp the bar, the athlete should place the wrists in neutral so that the knuckles are pointing directly toward the ground. Additionally, the shoulders should be internally rotated such that the elbows pointing laterally. From this position, the arms are properly positioned. The role of the arms from this point on is merely to stay out of the way before punching aggressively later in the lift.
Snatch Grip
Width
As discussed with previous lifts, one of the biggest problems with most guidelines regarding snatch grip is the dependence on various markings and lines on a bar. These recommendations usually center around where the knurling ends and markings are on the bar. If always training on the same bar, this poses no issue. However, in cases in which one must train with a different bar or in a different gym, the athlete can have difficulty determining where to grip the bar.
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To alleviate this problem, there is a simpler solution to always find a consistent grip width for the snatch. The athlete should stand tall with the arms extended and the bar gripped in the hands. The grip should be widened until the bar is resting across the crease in the hip. To ensure that the athletes grip width is appropriate, one hip should be flexed to 90 degrees. If the athlete cannot flex to 90 degrees, the grip width should be further widened. A wider grip facilitates squatting under the bar in the receiving position and requires less mobility in the thoracic spine than a narrow grip might require.
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One consideration that must be made with the snatch is the difference in tension required when the bar is gripped with a wide grip as opposed to a narrow (clean) grip. The angle with which the hands are placed on the bar requires the athlete to grip the bar even tighter in order to hold it in place in the snatch. More of the gripping load is placed on the first two fingers and is not evenly distributed across all of the digits. Practically, this means that in higher rep sets of the snatch, straps will be necessary to hold onto the bar effectively. Last thing on grip: Hook grip. Do it. NOW.
Dynamic Start
There are actually several ways to complete a dynamic start but each of them aims to develop acceleration of the torso before lifting the barbell from the ground. Unlike previous lifts, for the snatch, the pumping start is the lone preferred dynamic start technique. Pumping Start The athlete should start with hips higher than the bar, quickly drop the hips to the appropriate start position, and execute the lift off. A second pump can occur by bringing the hips up one more time and then down again to the bar (downup, down-up). The athlete should be careful to avoid shifting the weight forward to the toes. The nature of this movement means that when the athlete pumps the hips up, some lumbar flexion may occur. This is acceptable. What is not acceptable is to allow the athlete to maintain lumbar flexion of any sort when the bar is lifted off the ground. The athlete must re-brace the core when initiating the dynamic start.
For most athletes it is best to get to the bar in the correct motion (hips back first then hips down) and feel the correct start position.
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be misleading if the athlete unloads the toe during the lift off. Using drive through the heels is an effort to ensure that the athlete does not get pulled to their toes while lifting off. Knees Back, Translate the Torso The initial lift off from the floor should be accomplished through knee extension. The goal is to drive the knees back while lifting the torso. The torso should remain in the same relationship to the ground (30 degrees above horizontal) throughout the first pull. In this way, the torso should translate vertically through space. This will maintain the powerful RDL/hips loaded position above the knee. The knees should continue driving back until nearing terminal extension as the bar begins to pass the knee. At no time should the shins go beyond vertical. At maximum, the shins should be perpendicular to the platform. Bar Sweeps Back Up to this point, the focus of instruction has been on positioning and movement of the body in the power snatch. However, the bar should move slightly back toward the body to maintain the tight lifter-barbell system. The one exception to this is for athletes who have long legs. In such cases, the knees will be in front of the bar while the bar is at rest on the ground. As a result, it is nearly impossible to move the bar backward
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into the body. The goal remains the same, but the athlete will most likely not be able to reproduce this typical backward trajectory of the bar. Slow Off the Floor As discussed previously, a big mistake many athletes make is to jerk the bar forcefully from the ground. The first pull should not be a violent movement. Instead, it should be a smooth and possibly even slow-appearing motion. A goal of the first pull is to set up the second, more violent, pull and a fast first pull will likely inhibit the athletes ability to be efficient in the second pull. Imagine a car moving past the athlete at 60 miles per hour. If the athlete were to stand to the side and try to shove this car to make it move faster, it would be difficult to deliver force to the back bumper long enough to make the car go any faster. On the other hand, imagine the same car moving past the athlete at 10 miles per hour. As this car rolls by, the athlete would have plenty of time to really put some serious force into the car and make it accelerate. A bar moving quickly as it passes the knees is like the first car. The athlete will have no ability to accelerate it to speed in the second pull.
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At the Knees Once the bar is at the knees, several things should be occurring. This is a difficult portion of the lift to meaningfully coach the athlete because the system is in motion. However, this may be a great place to break down video and make adjustments to later lifts. The feet should be flat so the athlete can transition correctly for the second pull. The hips should still be higher than the knees. Very little hip extension has occurred up to this point with most movement stemming from knee extension. The torso should still be roughly 30 degrees above the horizontal. The arms should also remain straight at this point, as flexed elbows will make it highly difficult to effectively complete the second pull.
Once above the knees, it is important to not rush the bar just yet.
Close the Triangle Once above the knees, it is important to not rush the bar just yet. Rushing the bar at this point becomes apparent when the knees migrate anteriorly under the bar immediately after the bar passes the knees. This movement does not close the triangle. The only way to close the triangle is to begin driving the hips forward into extension. The speed of the bar should increase at this point, but is not at its maximum just yet. The bar will be at or around mid-thigh. Knees Forward (Scoop/Double Knee Bend) Pure hip extension from the above knee position will create too much horizontal projection and the athlete will jump forward. To counteract this, it is necessary to perform the double knee bend (or scoop/transition) for vertical projection. It is highly debatable as to whether this fact should be coached or even mentioned to a novice lifter, as it is typically a natural component of movement that is easily seen in typical jumping mechanics.
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Finish the Hips and Knees Once the bar has reached a high thigh position and the torso has come to nearly vertical, the hips and knees will both be near full extension. At this point, the athlete should finish driving the hips and knees to terminal extension. This is the highest speed portion of the entire lift. Relaxed Arms, Elbows High After the power spike of the second pull, the bar will have significant momentum and it is important to take advantage of it. Just as a boxer keeps the arms relaxed before throwing a punch, maintaining a relaxed arm is important for maximal speed later. The elbows should remain out and above the bar to guide the bar in a path that is tight to the body. Punch the Hands The arms should have remained relatively relaxed up to this point; however, once the athlete hits the high pull position, it is time to use the arms forcefully. The action of the arms at this phase is best described as punching the hands overhead. The resultant hand punch should facilitate a receiving position that is in line with the spine and over the ears.
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When the load is punched overhead, the athlete should actively press up using primarily the upper traps while trying to spread the bar apart. There is nothing passive about holding weights overhead and this is the most active and strong position possible.
When the load is punched overhead, the athlete should actively press up using primarily the upper traps while trying to spread the bar apart. There is nothing passive about holding weights overhead and this is the most active and strong position possible. Rather than worrying much about packed shoulders, the athlete should worry most about not letting the bar land on top of his or her head. Protect the dome. One common mistake is receiving the bar too far back or too far forward. Lifts received forward are typically missed, but it is lifts that are received too far back that are the real problem. When received behind the body, great stress placed on the shoulders. The athlete should be cued to punch up, not back. Hips Back, Feet Flat This step will occur simultaneously to punching the hands. The athlete should aim to receive the load in an athletic position as if landing from a jump. One cue that is very useful is to tell the athlete to think toe, heel, hip. This means toes to the ground, heels follow, and hips go down and away from the bar. The athlete should widen the stance slightly from hip width/jump width to shoulder width/squat width stance to receive the bar. The athlete should also have very little forward or backward travel when receiving the bar. To get a good handle on the width the athlete will display at the feet at landing, it may be helpful to have the athlete perform three consecutive vertical jumps, sticking the last jump. The resultant position of the landing is most likely reflective of the body posture, stance width, and knee positioning that should occur in a good power snatch finish.
Snatch Variations
Hang Snatch The power snatch from the hang position is a great teaching tool to use with athletes and can even be used as a primary way to train athletes with the snatch. The snatch from the hang position will help the athlete develop improved ability to use the stretch shortening cycle.
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The hang snatch can be performed from the above knee position or a mid thigh position (other positions are possible, as well, but these are used most frequently). In each of these positions, the athlete will just need to employ the same strategy of closing the triangle as the bar passes the knees in the power snatch. The accompanying DVD includes examples of the hang snatch from above knee to teach most athletes. This has been a highly effective way to teach thousands of athletes how to Olympic lift properly in the FORCE Fitness facility.
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Snatch from Blocks The snatch from the blocks is a great way to teach athletes to learn the lift. This position allows the athlete the ability to be placed in proper alignment for starting from any position (mid-thigh, above knee, below knee, or mid-shin). This is a great teaching tool for beginners as well as a great way to learn different portions of the lift that are often most challenging (transition around knee, closing the triangle, final hip extension).
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Split Snatch The split snatch should be used as a means of providing variation to the training program and to help the athlete become familiar with absorbing force in a single leg stance. After full extension is reached, the athlete should punch the lead knee up and drive the trail foot back and into the ground. Ideally, the athlete will land with a vertical shin on the lead leg similar to the 90-90 position employed in split squats.
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An easy progression from power snatch to full snatch is to first combine the power snatch with an overhead squat as separate but linked movements.
Squat Snatch It takes a special athlete to be able to complete a clean full (squat) snatch. Many athletes lack the mobility to get in correct position to receive the bar. This is the last progression we will use when incorporating Olympic lifts into an athletes program. The worlds most explosive athletes use this technique to complete the snatch in competition, so the upside in terms of potential performance enhancement is great. The full snatch is an even greater total body exercise because of the need for great leg strength to come up from the full overhead squat position. An easy progression from power snatch to full snatch is to first combine the power snatch with an overhead squat as separate but linked movements. Next, in the power snatch to overhead squat, the athlete should receive the snatch in a half squat or higher position then ride the bar down into the bottom of an overhead squat. Lastly and most challenging is the full snatch in which the athlete aggressively pulls under the bar after completing the second pull. The best lifters in the world are not separated by their ability to pull the bar to higher heights and higher speeds. Instead, the true separation point is the speed with which the athlete can move under the bar. This is an important point to consider when coaching the full snatch and full clean.
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Swinging the bar is a common mistake when snatching. This happens when too much space is created between the body of the lifter and the bar itself. The best bar path in the snatch is one that is tight to the body and efficient.
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The second cause of bar swing is elbow drift behind the bar. When this happens it is nearly impossible for the athlete to keep the bar close.
There are a couple common causes of a bar swing. The first is when the athlete goes to the toes too early in the second pull. Secondly, elbow drift behind the bar at the completion of the second pull can also contribute to bar swing. When the athlete gets to the toes too early in the second pull, the knees and hips must be driven forward to complete the movement rather than the optimal technique of knee extension triggering upward hip movement. This forward movement typically manifests itself in forward bar swing. The second cause of bar swing is elbow drift behind the bar. When this happens it is nearly impossible for the athlete to keep the bar close. Reminding the athlete to keep the elbows above the bar in the snatch until the overhead punch can help minimize or alleviate this error.
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Overhead Squat The overhead squat is an absolute must to improve snatch ability. Athletes who do not possess a comfort level in the overhead position will struggle to handle weights overhead. Work on this comfort and strength level through overhead squats.
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The athlete should be cued to press up hard overhead and try to spread the bar apart. This functions to provide even more stability to this position. This movement will lead to a great amount of strength overhead and in the hole when coming up with greater weights.
Many athletes typically struggle with pulling the weight from the floor and when overhead in the snatch.
Snatch Deadlift Many athletes typically struggle with pulling the weight from the floor and when overhead in the snatch. Most of the skills of the clean translate to the middle of the snatch, but these two portions of the lift are typically most problematic in the snatch. The athlete should work the floor position with the snatch deadlift. Lifting the weight from the floor with either a dynamic start or a static start, the athlete should focus on the angle and position of the torso. In particular, maintaining trunk alignment until the bar passes the knees is critical. Once the bar is above the knees, the athlete should drive the hips forward to complete the movement.
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Weightlifting Belts
Like the clean, wearing a weightlifting belt in the snatch is not absolutely necessary. Unless maxing out, there is greater value in challenging, rather than assisting, the core. The one exception may be when an athlete knows how to effectively breathe into the belt to create even greater stiffness in the core. If an athlete has proper control of the diaphragm and can utilize the belt in this way, it is best to avoid maxes that might need a belt.
Use it. Lots of it. Try to emerge from a cloud of it every time the athlete lifts.
Chalk
Use it. Lots of it. Try to emerge from a cloud of it every time the athlete lifts.
As discussed previously, proper weightlifting shoes are critical to balance and stability. All things considered, minimalist and running shoes most often simply cannot provide the stability preferred when performing any Olympic lift, including the snatch.
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The overhead position is certainly difficult, but the stability required to hold weight overhead can be carried over to the field for any athlete that finds it necessary to push on another object, ball, or person.
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At the age of 15 in my first Olympic lifting experience, I came in with an ugly PR of 165 lbs. in the clean and began using the bodyweight method for the first six weeks of training. When the reins were taken off of me after loading with this method, I PRed with a 185 lbs. max. Six weeks later, I set a new personal record again with a 250 lbs. max. I have never again added 70 lbs. to my power clean 1RM in a 12 week span. Such results were based in loads determined according to my lean body weight.
The work up method is one that I use for any non-novice lifter for whom I do not know a current 1 RM.
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To further illustrate, if the athlete completed the following sets on a snatch workout, he or she may need to add another set below the highest weight in order to complete the correct number of work sets. 40 kg x 3 60 kg x 3 70 kg x 3 80 kg x 3 86% (do not count) 90 kg x 3 92 kg x 3 100% Because only two sets were within ten percent of the best on that day, the athlete would need to complete the following in order to complete the appropriate number of work sets: 85 kg x 3 85 kg x 3
The work up method allows for high intensity training at the best level an athlete can reach on any given day.
The work up method allows for high intensity training at the best level an athlete can reach on any given day. For large groups of athletes with varying levels of confidence and competence in the Olympic lifts this may be the most appropriate method to use. At the collegiate level, I used this method for nearly every repetition I completed. I trained in a group of other throwers and our strength coach rarely prescribed intensities. It was expected that each days workout was to be performed at the highest intensity possible. I used this method on my way to the best lifts I ever completed: a 320 lbs. snatch and a 402 lbs. clean and jerk. Big weights can be had using this method for motivated athletes.
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In a given training period, the goals for the completion of the training cycle should be known. That is, what numbers would the coach and athlete like to hit by the end of the cycle? All load values will be based upon these numbers. The 100% snatch number is the first number to be used. This number is for the full snatch, started from the ground and received in the low squat position. All snatch exercises will be based off of this number, including snatch pulls, power snatches, hang snatches and block snatches. Each will come back to the 100% snatch number. Power snatches from any start position should be about 80% of the full snatch number. Snatch pulls and snatch deadlifts will be performed at somewhere around the 90110% level. Weights at 60-80% of the snatch maximum will be used to enhance speed with higher repetition sets. The 100% clean and jerk will be the second number that must be known, and is typically around 120% of the snatch maximum. Again, clean and jerks, power cleans, power jerks, push presses, split jerks, and clean pulls will be based off of this number. Prilepins table, designed by former Soviet weightlifting coach A.S. Prilepin can be used to closely predict the sets and reps used at any level of intensity.
Prilepins Table
Percent Zone 70-75% 80-85% 90% + Rep range per set 3 to 6 2 to 4 1 to 2 Total reps 18 15 10
Summary
There is a lot of information here that can seem overwhelming. My best advice to the committed coach is to digest it, watch the DVD, and read it again. Above all else, never stop learning, practicing, implementing, and changing. It is unquestionably the pathway to meaningful change and long-term success.
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SAMPLE PROGRAMS
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Range of Motion/Activation
Ankle mobility on wall Kneeling rockback Glute bridge with 3 hold Contralateral superman Y, T, I, W shoulder raise on incline bench Groiner Cradle walk Goblet squat with knee pry (vertical torso) Overhead squat with dowel and 3 hold at bottom x 10 ea side x 10 x 10 x 10 ea side x 10 ea x 10 x 10 x 10 x 10
Imitation Complexes
Snatch imitation First set Snatch grip deadlift Snatch pull from below knee Power snatch + overhead squat Full snatch Second set Perfect snatch x 30 x6 x6 x6 x6 Clean imitation First set Clean pull from floor Power clean + front squat Full clean Split jerk Second set Perfect clean & jerk x 30 x6 x6 x6 x6
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Novice Program
Monday
Order & Exercise 1A: Snatch 2A: Snatch pull 3A: Front squat Week 1 3x2 3x3 3x3 Week 2 4x2 4x3 4x3 Week 3 4x3 4x3 Week 4 3x3 3x3 Tempo Exp Exp Mod 1 x 2, 2, 1, 1 4 x 1
Wednesday
Order & Exercise 1A: Clean and jerk 2A: Clean pull 3A: Back squat Week 1 3x2 3x2 3x5 Week 2 4x2 4x2 4x5 Week 3 4x2+1 4x3 5x3 Week 4 Tempo Exp Exp Mod
Friday
Order & Exercise 1A: Power snatch 2A: Power clean and power jerk 3A: Romanian deadlift Week 1 3x2 3x2+1 3x5 Week 2 4x2 4x2+1 4x5 Week 3 4x2 4x2 4x5 Week 4 4x1 4x1 4x5 Tempo Exp Exp Mod
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Block 1
Wednesday
Order & Exercise 1A: Goblet squat 2A: Romanian deadlift 3A: Standing dumbbell press 3B: Goblet farmers walk Week 1 3 x 5-8 3x5 3x5 3 x 40 yds Week 2 3 x 5-8 3x5 3x5 3 x 40 yds Week 3 4 x 5-8 4x5 4x5 3 x 40 yds Tempo Mod Mod Mod Mod
Friday
Order & Exercise 1A: Vertical jump 2A: Hang clean/high pull 3A: Hang snatch/high pull 4A: Farmers walk, unilateral 4B: Turkish get up Week 1 3 x 3 x3 3 3x5 3 x 40 yds 3 x 2 ea Week 2 3x3x3 3x5 3x5 3 x 40 yds 3 x 2 ea Week 3 4x3x3 4x5 4x5 3 x 40 yds 3 x 2 ea Tempo Exp Exp Mod Mod Mod
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Block 2
Wednesday
Order & Exercise 1A: Hang clean pull 2A: Hang clean + push press 3A: Goblet squat 3B: Waiters walk Week 1 3x5 3x3 3x5 3 x 40 yds Week 2 3x5 3x3 3x5 3 x 40 yds Week 3 4x5 4x3 4x5 3 x 40 yds Tempo Exp Exp Mod Mod
Friday
Order & Exercise 1A: Vertical jump 2A: Clean grip deadlift 3A: Power jerk 4A: Farmers walk unilateral 4B: Turkish get up Week 1 3x3x3 3 3x5 3 x 40 yds 3 x 2 ea Week 2 3x3x3 3x5 3x5 3 x 40 yds 3 x 2 ea Week 3 4x3x3 4x5 4x5 3 x 40 yds 3 x 2 ea Tempo Exp Mod Exp Mod Mod
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Week 1
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Week 2
Band around trail hip Keep lats tight Pause at knee level
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Week 3
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Week 4
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Week 5
Band around trail hip Keep lats tight Heavy db or kb Vertical torso
Day 3
Order & Exercise Warm-up: SMR/mobility & snatch initiation 1A Assistive: Snatch from hang above knee 2A Combo: Klokov complex: CG DL + full clean + front squat + push press + jerk 3A Assistive: Flat foot hang snatch pull 4A Lower body: Split squat 4B Corrective: Ankle mobilizations 5A Core: Turkish get up 5B Core: Bilateral heavy farmers walk Technique: Snatch grip deadlift Sets 1-2 3 4 3 4 4 3 3 1 Reps 30-40 2 1 3 5 12 2 ea 40-60 yds 20 Dip and drive up, ride bar Each side Get knees out of the way Notes
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Week 6
Band around trail hip Press shoulders to ears Heavy db or kb Vertical torso
Day 3
Order & Exercise Warm-up: SMR/mobility & snatch initiation 1A Assistive: Power clean from blocks 2A Combo: Klokov complex: CG DL + full clean + front squat + push press + jerk 3A Assistive: Flat foot clean high pull 4A Lower body: Split squat 4B Corrective: Ankle mobilizations 5A Core: Turkish get up 5B Core: Bilateral heavy farmers walk Technique: Snatch grip deadlift Sets 1-2 3 4 3 4 4 3 3 1 Reps 30-40 2 1 3 5 12 2 ea 40-60 yds 20 Dip and drive up, ride bar Each side Dont finish on toes Get knees out of the way Notes
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Week 7
Day 3
Order & Exercise Warm-up: SMR/mobility & snatch initiation 1A Assistive: Snatch from blocks at mid-shins 2A Combo: Klokov complex: CG DL + full clean + front squat + push press + jerk 3A Assistive: Flat foot high pull 4A Lower body: Split squat 4B Corrective: Ankle mobilizations 5A Core: Turkish get up 5B Core: Bilateral heavy farmers walk Sets 1-2 3 4 3 4 4 3-4 3-4 Reps 30-40 2 1 3 5 12 2 ea 40-60 yds Each side Dont finish on toes Get knees out of the way Notes
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Week 8
1 rep ea; pause at bottom 60%; work on speed Band around trail hip
Day 3
Order & Exercise OFF Sets Reps Notes
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Combo Program
Monday
Order & Exercise 1A: Power snatch + OH squat + Snatch w/ pause at bottom 2A: Snatch 3A: Snatch pull 4A: Front squat Week 1 3 x 1 ea x 2 4x2 3x3 3x5 Week 2 3 x 1 ea x 2 4x2 3x3 3x3 Week 3 4 x 1 ea x 2
Tuesday
Order & Exercise 1A: Power clean + front squat + clean + jerk (pause in split position on jerk) 2A: Clean and jerk 3A: Push press 4A: Clean pull Week 1 3 x 1 ea 4x2+1 3x5 3x3 Week 2 3 x 1 ea 4x2+1 3x3 3x3 Week 3 4 x 1 ea 4x2+1 1 x 5, 3, 1 3x3 Week 4 4 x 1 ea 4x1+1 3x5 3x3 Tempo Exp Exp Mod Exp
Thursday
Order & Exercise 1A: Clean grip deadlift + clean grip hang snatch 2A: Power snatch 3A: Snatch balance 3B: Romanian deadlift 4A: Farmers walk unilateral Week 1 3x3 3x3 3x5 3 x 6 ea 3 x 60 yds Week 2 3x3 3x3 3x5 3 x 6 ea 3 x 60 yds Week 3 3x4 3x4 4x5 4 x 6 ea 4 x 60 yds Week 4 4x3 3x4 4x5 4 x 6 ea 4 x 60 yds Tempo Exp Exp Exp Exp Mod
Friday
Order & Exercise Week 1 Week 2 3 x 2 ea 4x2 3x5 3x5 Week 3 4 x 2 ea 4x2 1 x 5, 3, 1 4x5 Week 4 4 x 2 ea 4x1 3x5 4x5 Tempo Exp Mod Mod Mod 1A: Hang clean pull + hang power clean + 3 x 2 ea power jerk 2A: Clean 3A: Back squat 4A: Press 4x2 3x5 3x5
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Tuesday
Order & Exercise 1A: Hang clean 2A: Trap bar deadlift 3A: Chin up 4A: Straight leg Romanian deadlift 4B: Double farmers walk Week 1 3x4 3x8 3x5 3x8 3 x 40 yds Week 2 3x4 3x8 3x5 3x8 3 x 40 yds Week 3 4x4 4x8 4x5 3x8 4 x 40 yds Week 4 4x4 4x8 4x5 3x8 4 40 yds Tempo Exp Mod Mod Mod Mod
Thursday
Order & Exercise 1A: Clean grip snatch 2A: Back squat 3A: Push press 4A: Walking lunge 4B: Farmers walk unilateral Week 1 3x3 3x5 3x5 3 x 40 yds 3 x 40 yds Week 2 3x3 3x5 3x5 3 x 40 yds 3 x 40 yds Week 3 4x3 4x5 4x5 4 x 40 yds 4 x 40 yds Week 4 4x3 4x5 4x5 4 x 40 yds 4 x 40 yds Tempo Exp Exp Mod Mod Mod
Friday
Order & Exercise 1A: Power clean pull 2A: Romanian deadlift 3A: Inverted row 4A: Lateral goblet lunge 4B: Plank (all ways) Week 1 3x3 3x5 3x8 3 x 40 yds 3 x 30 Week 2 3x3 3x5 3x8 3 x 40 yds 3 x 30 Week 3 4x3 4x5 4x8 4 x 40 yds 4 x 30 Week 4 4x3 4x5 4x8 4 x 40 yds 4 x 30 Tempo Exp Mod Mod Mod Mod
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Tuesday
Order & Exercise 1A: Split clean 2A: Power jerk 3A: Chin up 4A: Face pull 4B: Double farmers walk Week 1 3 x 2 ea 3x4 3x5 3x8 3 x 40 yds Week 2 3 x 2 ea 3x4 3x5 3x8 3 x 40 yds Week 3 4 x 2 ea 4x4 4x5 3x8 4 x 40 yds Week 4 4 x 2 ea 4x4 4x5 3x8 4 40 yds Tempo Exp Exp Mod Mod Mod
Thursday
Order & Exercise 1A: Clean grip snatch 2A: Romanian deadlift 3A: Distance jump 4A: Weighted split lunge 4B: Farmers walk unilateral Week 1 3x3 3x5 3x5 3 x 6 ea 3 x 60 yds Week 2 3x3 3x5 3x5 3 x 6 ea 3 x 60 yds Week 3 4x3 4x5 4x5 4 x 6 ea 4 x 60 yds Week 4 4x3 4x5 4x5 4 x 6 ea 4 x 60 yds Tempo Exp 3:0:0:0 Mod Exp Mod
Friday
Order & Exercise 1A: Hang clean pull + hang power clean 2A: Split jerk 3A: Inverted row 4A: Lateral goblet lunge 4B: Plank (all ways) Week 1 3 x 2 ea 3 x 2 ea 3x8 3 x 40 yds 3 x 30 Week 2 3 x 2 ea 3 x 2 ea 3x8 3 x 40 yds 3 x 30 Week 3 4 x 2 ea 4 x 2 ea 4x8 4 x 40 yds 4 x 30 Week 4 4 x 2 ea 4 x 2 ea 4x8 4 x 40 yds 4 x 30 Tempo Exp Mod Mod Mod Mod
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WIL FLEMING
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www.CompleteOlympicLifting.com 109
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