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    HOA4

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    Bautista Jun
    The document provides a timeline of Philippine architecture from pre-colonial to modern times. It describes some of the earliest structures as cave shelters and tree houses used by indigenous groups. During Spanish colonial rule in the 16th-18th centuries, Catholic churches and Bahay na Bato style homes combining Spanish and Filipino elements were constructed. Islamic architecture from the Muslim south features domes, calligraphy, and geometric designs. Vernacular styles include the Bahay Kubo and structures of ethnic groups like the Ifugao and Badjao.

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    HOA4

    Uploaded by

    Bautista Jun
    46 views7 pages
    The document provides a timeline of Philippine architecture from pre-colonial to modern times. It describes some of the earliest structures as cave shelters and tree houses used by indigenous groups. During Spanish colonial rule in the 16th-18th centuries, Catholic churches and Bahay na Bato style homes combining Spanish and Filipino elements were constructed. Islamic architecture from the Muslim south features domes, calligraphy, and geometric designs. Vernacular styles include the Bahay Kubo and structures of ethnic groups like the Ifugao and Badjao.

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    The document provides a timeline of Philippine architecture from pre-colonial to modern times. It describes some of the earliest structures as cave shelters and tree houses used by indigenous groups. During Spanish colonial rule in the 16th-18th centuries, Catholic churches and Bahay na Bato style homes combining Spanish and Filipino elements were constructed. Islamic architecture from the Muslim south features domes, calligraphy, and geometric designs. Vernacular styles include the Bahay Kubo and structures of ethnic groups like the Ifugao and Badjao.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    46 views7 pages

    HOA4

    Uploaded by

    Bautista Jun
    The document provides a timeline of Philippine architecture from pre-colonial to modern times. It describes some of the earliest structures as cave shelters and tree houses used by indigenous groups. During Spanish colonial rule in the 16th-18th centuries, Catholic churches and Bahay na Bato style homes combining Spanish and Filipino elements were constructed. Islamic architecture from the Muslim south features domes, calligraphy, and geometric designs. Vernacular styles include the Bahay Kubo and structures of ethnic groups like the Ifugao and Badjao.

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    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    of 7

    TIMELINE OF PHILIPPINE ARCHITECTURE

    PRE-COLONIAL PERIOD

    THE ARCHITECTURE OF THE PHILIPPINES REFLECTS


    THE HISTORICAL AND CULTURAL TRADITIONS IN THE
    COUNTRY. MOST PROMINENT HISTORIC STRUCTURES
    IN THE ARCHIPELAGO ARE INFLUENCED
    BY AUSTRONESIAN, CHINESE, SPANISH,
    AND AMERICAN ARCHITECTURES.
    DURING THREE HUNDRED THIRTY YEARS OF SPANISH
    COLONIALIZATION, THE PHILIPPINE ARCHITECTURE
    WAS DOMINATED BY THE SPANISH INFLUENCES.
    VERNACULAR ARCHITECTURE
    THE AUGUSTINIAN FRIARS, ALONG WITH OTHER
    RELIGIOUS ORDERS, BUILT MANY GRAND CHURCHES
    AND CATHEDRALS ALL OVER THE PHILIPPINE ISLANDS.
    DURING THIS PERIOD THE TRADITIONAL
    FILIPINO BAHAY NA BATÓ (FILIPINO FOR "HOUSE OF
    STONE") STYLE FOR THE LARGE HOUSES EMERGED.
    THESE WERE LARGE HOUSES BUILT OF STONE AND
    WOOD COMBINING FILIPINO, SPANISH AND CHINESE
    STYLE ELEMENTS.

    MUSLIM PERIOD
    MUSLIM PERIOD

    ISLAM AS A RELIGION HAS LONG BEEN ESTABLISHED SINCE THE EARLY A.D. 600S. ALONG
    WITH ITS EMERGENCE AROUND THE WORLD, IT ALSO PAVED WAY FOR THE
    DEVELOPMENT OF ITS OWN UNIQUE STLYE OF ART. ISLAMIC ART PLACE EMPHASIS ON
    CREATING AN ARTFORM THAT IS BUILT ON THE BEAUTY AND RESPECT FOR THE
    TEACHINGS OF ISLAM.
    ONE CHARACTERISTIC OF ISLAMIC ART IS THE ABSENCE OF HUMAN FORM.
    THIS TRADITION COMES FROM THE BELIEF THAT ANY FIGURAL REPRESENTATION
    SHOULD NOT BE USED FOR THE PURPOSE OF WORSHIP. THIS IS EVIDENT IN THE
    ARCHITECTURAL DESIGN OF MOSQUES IN MINDANAO WHERE CALLIGRAPHY IS USED AS
    THE MAIN FORM OF EXPRESSION. HOWEVER, IT IS ALWAYS KEPT IN A MINIMUM.
    BURAQ (ISLAMIC MYTHOLOGY)
    FRAMES WITH QUR'AN PASSAGES
    BAGUIO GRAND MOSQUE (AL MAARIF MOSQUE)
    THE SULTAN HAJI HASSANAL BOLKIAH MASJID, ALSO KNOWN AS THE GRAND MOSQUE OF
    COTABATO, IS THE LARGEST MOSQUE IN THE PHILIPPINES. THE MOSQUE IS LOCATED IN
    BARANGAY KALANGANAN IN COTABATO CITY, AND WAS FUNDED BY SULTAN HASSANAL
    BOLKIAH OF BRUNEI DARUSSALAM AT A REPORTED COST OF US$48 MILLION.
    THE SULTAN OF BRUNEI, FUNDED THE CONSTRUCTION OF THIS MOSQUE WITH HIS OWN
    THE ISLAMIC ARCHITECTURES IS COMMONLY KNOWN FOR ITS
    PERSONAL MONEY TO HELP THE EMERGING MUSLIM POPULATION IN THE SOUTHERN
    PHILIPPINES.
     HUGE MOSQUES AND DOMES
     CALLIGRAPHY THE ONLY REMINDERS OF FILIPINO MUSLIM ART INSIDE MOSQUES IS THE TRADITIONAL
    ART FORM KNOWN AS OKKIR.
     GEOMETRIC DESIGNS
     BYZANTINE CENTRAL
    THISPLAN
    ART OR
    FORMARAB PLAN
    IS BELIEVED TO BE OF HINDU AND CHINESE INFLUENCES. OKKIR USES
     HIGH AND MASSIVE WALLS
    GEOMETRIC AND FLORAL ARTWORK. ONE POPULAR MOTIF OF THIS ART FORM IS THE
     SMALL OPENINGS USE
    OR WINDOWS
    OF AN IMAGERY OF A DRAGON OR SERPENT
     ROOFS THAT ARE FLAT, GENTLY PITCHED OR WITH DOMES
     COLUMNS THAT ARE STRUCTURAL AND DECORATIVE
     GEOMETRIC SHAPES OR FIGURATIVE PLANTS IN DECORATIONS
     ORNAMENTS WITH INTRICATE AND REPETITIVE ARABIC WRITINGS.
    THE GRAND MOSQUE, SOUTHEAST ASIA’S SECOND
    LARGEST MOSQUE, WAS BUILT IN COTABATO AS A SORT
    OF RESPECT TO THE REGION’S ISLAMIC ROOTS. THIS
    MASSIVE MOSQUE ON TAMONTAKA BUBONG ROAD IS
    THE PHILIPPINES’ LARGEST OF ITS KIND. THIS EDIFICE IS
    5,000 SQUARE METERS IN SIZE AND SITS ON A 5-
    HECTARE TRACT OF GROUND. THE SULTAN HASSANAL
    BOLKIAH MASJID, POPULARLY KNOWN AS THE GRAND
    MOSQUE OR GOLDEN MOSQUE, HAS GOLD-PLATED
    DOMES WITH OVER 40-METER-HIGH MINARETS.

    INTERESTINGLY, CHRISTIAN ARCHITECT FELINO


    PALAFOX DESIGNED THE PROJECT, WHICH WAS
    FINISHED IN 2011. MANY CHRISTIAN GUARDS ARE
    STATIONED AT THE MOSQUE, DEMONSTRATING THE
    PEACEFUL COEXISTENCE OF THE REGION’S VARIOUS
    FAITHS.

    VERNACULAR ARCHITECTURE
    BADJAO HOUSE BAHAY KUBO

    THE BAHAY KUBO, OR THE TRADITIONAL PHILIPPINE


    VERNACULAR HOUSE, HAS BEEN IMMORTALISED IN
    POPULAR AND ACADEMIC LITERATURE AND ARTS AS
    THE QUINTESSENTIAL REPRESENTATION OF
    PHILIPPINE ARCHITECTURE. ARCHITECTS OF THE
    20TH CENTURY CONTINUALLY USED THE BAHAY
    KUBO AS A SOURCE OF INSPIRATION FOR
    DEVELOPING A SUPPOSED DISTINCT PHILIPPINE
    ARCHITECTURE.

    BONTOC HOUSE
    IFUGAO RICE TERRACES, ZONING
    IFUGAO HOUSE
    PRE COLONIAL PERIOD

    CAVES AND ROCK SHELTERS LIKE THE TABON CAVE IN PALAWAN


    SERVED AS SHELTERS FOR THE EARLY FILIPINOS.  LATER ON THE
    INVENTION OF VARIOUS TOOLS ALLOWED FOR THE FABRICATION
    OF TENT-LIKE SHELTERS AND TREE HOUSES.

    THE FOSSIL, COMPOSED OF HUMAN SKULL, JAW BONES AND TEETH,


    A FORM OF DWELLING COMMON TO THE FOUND IN THE CAVE DATE BACK TO ABOUT 22,000 TO 23,000 YEARS
    NEGRITOS, AN ETHNIC GROUP MAKING IT THE MOST IMPORTANT ARCHAEOLOGICAL DISCOVERY IN
    REGARDED AS WANDERERS, HUNTERS, THE COUNTRY.
    AND FARMERS PRACTICING SLASH AND
    BURN AGRICULTURE EVEN DURING THE ANOTHER IMPORTANT DISCOVERY IN THE CAVE COMPLEX IS THE
    HISPANIC PERIOD. THE LEAN-TO IS A WORLD-RENOWN BURIAL JAR, THE MANUNGGUL JAR, FEATURED IN
    SINGLE-PITCHED STRUCTURE OF THE 1,000 PESO BILL. THE JAR IS ALSO A NATIONAL TREASURE.
    GRASS OR THATCH ON WOOD TREE HOUSE IS A SINGLE-ROOMHOUSE THAT ARE EITHER
    BRANCHES FRAMING WITH THE LOWER TABON INTEGRALLYBUILT
    CAVE COMPLEX IS ON138-HECTARES
    HIGH TREES OF
    ORRUGGED
    ABOVE CLIFFS AND
    END RESTING ON THE GROUND AND DEEP SLOPES IN LIPUUN POINT IN QUEZON MUNICIPALITY LOCATED
    ATREESTUMPSERVINGASTHEHOUSE’SMAINSUPPORT.TREEHOUSESAREMA
    THE UPPER END SUPPORTED BY WOOD ABOUT DEOFLIGHTMATERIALS.
    145 KILOMETERS SOUTHWEST OF PUERTO
    A SINGLE-ROOM PRINCESA
    HOUSE CITYMATERIALS
    OF LIGHT
    POSTS. IT IS SAID THAT ARE EITHER INTEGRALLY BUILT ON HIGH TREES OR ABOVE A TREE
    THAT“PINANAHANG”ISFORM OF STUMP SERVING AS THE HOUSE'S MAIN SUPPORT.
    DWELLING COMMON TO
    TREE DWELLERS IN THE PHILIPPINES: - GAD DANG AND KALINGA OF
    THENEGRITOS,ANETHNICGROUPREGAR
    LUZON - MANOBOS
    AS AN AGRICULTURAL AND MANDAYA
    ERA USHERED INTOOF MINDANAO
    THE LIFE OF -THE
    MOROS OF LAKE
    EARLY LANAO
    FILIPINOS,
    DED AS WANDERERS, HUNTERSAND
    - NEGRITOS
    SOWING CROPS FOROF BUKIDNON AND
    SUSTENANCE NORTHCENTRAL
    ENABLED THEM TOMINDANAO
    SET UP -PERMANENT
    BAGOBO OF
    FARMERS PRACTICING THE SLASHAND
    DAVAO
    SHELTERS. - MANDAYA
    HAVING - BILAAN
    DEVELOPED - LLONGOT
    MORE ADVANCED TOOLS, NATIVES WOULD
    BURN AGRICULTURE. THELEAN-
    TOISASINGLE-PITCHED STRUCTURE OF TYPICALLY BUILD HOUSES THAT WERE “PREDOMINANTLY RECTANGULAR IN
    GRASS SHAPE” THAT WERE “BUILT ON STILTS TO ALLOW THE HOUSE TO BE
    ORTHATCHONWOODBRANCHESFRAMIN TRANSPORTED”, AN EXAMPLE OF CLASSICAL ARCHITECTURE IN THE COUNTRY.
    G WITH THE LOWER ENDRESTING ON PERHAPS ONE COULD SAY THAT THESE WERE THE EARLY HOUSE AND LOT FOR
    THE GROUND ANDTHE UPPER END SALE. MOREOVER, NATIVE FILIPINOS WENT ON TO SHAPE EVEN THE LAND
    SUPPORTED BYWOOD POSTS. AROUND THEM AS WELL, LIKE THE IFUGAO CARVING OUT THE RICE TERRACES.
     

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