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    Painting Part 2

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    paupastrana
    James McNeill Whistler was an American-born, British-based painter and printmaker known for his innovative paintings, etchings, and lithographs. He rejected academic art and helped develop the artistic style known as Aestheticism. Whistler is best known for iconic paintings like "Arrangement in Grey and Black No.1", also known as "Whistler's Mother".

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    Painting Part 2

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    paupastrana
    152 views11 pages
    James McNeill Whistler was an American-born, British-based painter and printmaker known for his innovative paintings, etchings, and lithographs. He rejected academic art and helped develop the artistic style known as Aestheticism. Whistler is best known for iconic paintings like "Arrangement in Grey and Black No.1", also known as "Whistler's Mother".

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    Paintings in Humanities

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    James McNeill Whistler was an American-born, British-based painter and printmaker known for his innovative paintings, etchings, and lithographs. He rejected academic art and helped develop the artistic style known as Aestheticism. Whistler is best known for iconic paintings like "Arrangement in Grey and Black No.1", also known as "Whistler's Mother".

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PPT, PDF, TXT or read online from Scribd
    Download as ppt, pdf, or txt
    152 views11 pages

    Painting Part 2

    Uploaded by

    paupastrana
    James McNeill Whistler was an American-born, British-based painter and printmaker known for his innovative paintings, etchings, and lithographs. He rejected academic art and helped develop the artistic style known as Aestheticism. Whistler is best known for iconic paintings like "Arrangement in Grey and Black No.1", also known as "Whistler's Mother".

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    James McNeill

    Whistler

    D e g as
    Edga
    r
    e h a ir- Arthur
    b i n g th Hughe
    Com hed s
    is april lo
    unfin ve
    • Realism sets as a goal not imitating
    past artistic achievements but the
    truthful and accurate depiction of the
    models that nature and contemporary
    life offer to the artist .
    The artificiality of
    both the Classicism
    and Romanticism in
    the academic art was
    unanimously rejected
    New idea was that
    ordinary people and
    everyday activities
    Arthur Hughes - home from are worthy subjects
    the sea for art.
     The earliest
    instances of Realism
    began to appear in
    the 18th century.
     These Paintings can
    be seen as a
    reaction to the
    excesses of
    Romanticism and
    Edgar Degas – the bellelli family Neoclassicism

    the great Realist era was the middle of the 19th


    century, as artists became disillusioned with the
    artifice of the Salons and the influence of the
    Academies
    The three youngest
    Singleton daughters of George III
    Copley’s portraits
    were innovative
    in that they
    tended to portray
    their subjects
    with artifacts that
    were indicative of
    their lives. His
    intention was to
    project people as
    they were and not
    to interpret them
    in some hallowed
    light.
    The Copley Family
    Goya’s Paintings

     The subversive
    element in his art, as
    well as his bold
    handling of paint
    provided a model for
    the work of later
    generations of
    artists.
     Some of his works
    were shockingly
    realistic depicting
    naked pain and
    suffering with an
    unflinching attitude

    pottery vendor
    Fernand Khnopff
    The Caress

    R e don
    n
    Odilo
    ha
    Budd

    Odilon Redon
    St. Sebastian
     The term Symbolism
    Odilon Redon means the systematic
    Chariot of Apollo use of symbols or
    pictorial conventions to
    express an allegorical
    meaning.
     originated in France,
    and was part of a 19th-
    century movement in
    which art became
    infused with mysticism.
     Symbolism was an art
    movement that began
    in 1885 and reigned
    through to 1910
     Symbolist movement was a
    reaction against the literal
    representation of objects and
    subjects, where instead there
    was an attempt to create
    Odilon Redon more suggestive,
    fallen angel metaphorical and evocative
    works
     Symbolism moved away
    from the naturalism of the
    impressionists and
    demonstrated a preference
    for emotions over intellect.
     Symbolist painter styles
    varied greatly but common
    themes included the mystical
    and the visionary
    Alphonse Mucha
    Summer

    Alphonse Mucha
    Frieze gustav Dance
    The Tree of
    Life, Stoclet
    Art Nouveau has made
    itself know and present
    from 1880’s to 1910’s
    This movement walked
    under the flag of an art
    that would break all
    connections to classical
    times, and bring down
    the barriers between the
    fine arts and applied
    arts.
    Theophile Alexandre Steinlen This approach was
    Clinique Cheron
    considered completely
    new and revolutionary
    Visual standards of the Art Nouveau style are
    flat, decorative patterns, intertwined organic
    forms of stems or flowers

    • Advertising posters
    were welcomed into art,
    and fence has been
    proclaimed a suitable
    exhibition place for this
    new art
    •Typical for this style was
    artistic application of
    modern industrial
    techniques and modern
    materials
    Gustav Klimt
    Baby

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