Media Codes and Conventions
Media Codes and Conventions
Media Codes and Conventions
CONVENTIONS
Media and Information Literacy
LET’S HAVE A PRE-TEST!
1. Media is a collective term for all communication
medium such as books, newspapers, radio, television,
film and the Internet.
A. True B. False
C. Maybe D. Neither True or False
2. A media and information literate individual knows
how to exam-ine and take apart the media message so
that its parts are ex-posed to him.
A. True B. False
C. Maybe D. Neither True or False
3. It pertains to the codes, conventions, formats,
symbols and narrative structures that indicate the
meaning of media messages to an audience.
A. Languages B. Media Types
C. Media Languages D. Media Sources
4. These are systems of signs which when put
together create meaning.
A. Languages B. Codes
C. Media Languages D. Conventions
5. It refers to the recipients of information or the
consumers of media.
A. Media audience B. Media producers
C. Media Languages D. Media Sources
ACTIVITY TIME! Identify the following signs and symbols used to convey
information (Example: brand, company, and others). The first one is done for
you as your guide.
The preceding exercise is designed to prime you to the idea
that media codes and conventions serve as the building blocks
of all the media around us.
Media codes generally have an agreed meaning, or connotation, to
their audience. There are three types of media codes: symbolic
codes, technical codes and written codes. Conventions are
expected ways in which codes are organized in a product.
SYMBOLIC CODES
-are social in nature. These codes live outside the media product
themselves, but would be understood in similar ways in the ‘real
life’ of the audience. For instance, if you see somebody receiving a
red rose in a film, you would assume there is a romantic
relationship between the two characters. If you give somebody a
red rose in real life, you might be hoping the same. Symbolic
codes in media include setting, mise en scene, acting and color.
SYMBOLIC CODES
1. Setting
-is the time and place of the narrative. A setting can be as big as
the outback or space, or as small as a specific room. Setting can
even be a created atmosphere or frame of mind.
SYMBOLIC CODES
2. Mise en scene
--is a French term meaning ‘everything within the frame’. In media
terms, it has become to mean the description of all the objects
within a frame of the media product and how they have been
arranged. An analysis of mise en scene includes:
• Set Design
• Costume
• Props
• Staging and Composition
SYMBOLIC CODES
3. Acting
Actors portray characters in media products and contribute to
character development, creating tension or advancing the narrative.
The actor portrays a character through:
• Facial expression
• Body Language
• Vocal qualities
• Movement
• Body contact
SYMBOLIC CODES
4. Color
--has highly cultural and strong connotations.
The different aspects to consider are:
• Dominant color
• Contrasting foils
• Color symbolism
TECHNICAL CODES
--are codes specific to a media form and do not live outside of
them. For instance, our understanding of different camera shots
and their connotations make sense when we look and films and
photographs, but mean nothing to us outside of those forms.
Technical codes in media include Camerawork, Editing, Audio
and Lighting.
TECHNICAL CODES
1. Camera Work
--refers to the process of operating, positioning, and moving the
camera for specific effects. Aspects of camerawork include:
• Positioning
• Movement
• Framing
• Exposure
• Lens choice
TECHNICAL CODES
2. Editing
• Dialogue
• Sound effects
• Music
TECHNICAL CODES
4. Lighting
1. Printed language is a text you can see within the frame and
how it is presented.
• Narrative structures
• Cause and effect
• Character construction
• Point of View
CONVENTIONS
3. Genre Conventions
--point to the common use of tropes, characters, settings or
themes in a particular type of medium. Genre conventions are
closely linked with audience expectations.