Avatar

THE GODZILLA POWER HOUR

@hoooooyarrgh / hoooooyarrgh.tumblr.com

🎷🐊
Avatar
Reblogged

Cats Stealing Food in Paintings

Still Life with Cat (1705) by Desportes, It's no use crying over spilt milk (1880) by Frank Paton, Still Life of the Remnants of a Meal with a Lunging Cat (18th Century) by Alexandre-François Desportes, Fish Still Life with Two Cats (1781) by Martin Ferdinand Quadal, Still Life with a Cat and a Mackerel on a Table Top (18th Century) by Giovanni Rivalta, The Collared Thief (1860) by William James Webbe, Cat Stealing a String of Sausages (17th Century) by Abraham van Beyeren, Still Life with a Cat (1760) by Sebastiano Lazzari, Kitchen Still Life with Fish and Cat (ca. 1650) by Sebastian Stoskopff, An Oyster Supper (1882) by Horatio Henry Couldery, Still Life with an Ebony Chest (17th Century) by Frans Snyders, Still Life with a Cat (1724) by Alexandre-Francois Desportes, A Cat Attacking Dead Game (18th Century) by Alexandre-François Desportes, Still Life of Fresh-Water Fish with a Cat (1656) by Pieter Claesz, Still Life with Fruits and Ham with a Cat and a Parrot (18th Century) by Alexandre-Francois Desportes, A Cat Holding a Fish in Its Mouth (18th Century) by Sebastiano Lazzari, Still Life with a Cat and a Hare (18th Century) by Desportes, Still Life with Cat and Rayfish (1728) by Jean-Siméon Chardin, A Cat with Dead Game (1711) by Alexandre-Francois Desportes, Still Life with Cat and Fish (1728) by Jean Baptiste Siméon Chardin
Avatar
Reblogged

The Childhood of St. Cecilia, 1883 by Marie Spartali Stillman (English, 1844-1927)

You know how canaries were historically brought into coal mines, because if the mine was full of carbon monoxide the canary would die first and the miners would be able to escape before they died too?

I just found the greatest thing.

This is a canary resuscitator.

When the miners notice the canary getting sick with carbon monoxide poisoning, they can close that circular hatch so no more gas gets into the canary cage, and open the valve on that oxygen tank to keep the canary breathing. In other words, they made a spacesuit for birds.

By immediately giving the canary access to clean air, the miners can save it from the poison. The bird lives. To be clear, this is not for economic purposes, this was specifically created because the miners felt bad and wanted to save the bird.

Isn’t that just the perfect demonstration of what humans are like? We started sacrificing small creatures to save ourselves, and then felt bad and spent our valuable resources on saving the critters too. Because yeah the canary was the only way to test for CO, but it’s a living creature too, dammit!

Union watches out for its members.

If you're using gen AI because "you want to make art but don't know how/can't learn/it's easier/whatever"

You don't want to make art.

You want someone to make art for you, but you don't want to pay or exchange anything of equal value for it, and also you want it right now, in whatever style you fancy that moment, and in whatever quantity you want. You're greedy and entitled and it is just that simple. You don't want to make anything.

losing my mind at this

like. something not soooo fun was happening in brazil in the late 60s

I can't… Christ. I'm just going to say this: when you're a Brazilian kid learning about tropicália, when you first come into contact with the art, and you listen to the music and learn the history behind it all - all your world is grief and rage. The Brazilian art of that time are well disguised screams of agony, and when you live here and you know the history, you can feel it under your skin. The "fun" and "nonsensical" aspects were a shield against censorship, and they became so strongly related to the military repression and violence of the time that they're almost synonymous with grief for loved ones, lost to the dictatorship without closure. The art wasn't fun because artists' lives were, but because they couldn't survive it being anything else. That's what tropicália was; being forced to grieve with a smile on your face.

Moreover, members of Tropicalia who were not arrested or tortured, voluntarily escaped into exile in order to get away from the strict and repressing authorities. Many continuously went back and forth between different countries and cities. Some were never able to settle down. People like Caetano, Gil, and Torquato Neto, spent time in places like London, New York, or Paris.[14] Some, but not all, were allowed to return to Brazil after years had passed. Others, still could only stay for short periods of time.

Fun time to be an artist in Brazil :)

"For most people, a rat is at best an unwelcome guest, and at worst, the target of immediate extermination. But in a field clinic in Tanzania, rats are colleagues—heroes even.

Far from a trash bin-dwelling NYC street rat, the African giant pouched rat is docile, intelligent, easier to train than some dogs, and for East Africans, the performer of lifesaving tuberculosis diagnoses every day.

400,000 new cases of tuberculosis (TB) were estimated to have been prevented by these rats, whose sense of smell would make a bloodhound take notice. As [TB is] the number-one killer among infectious diseases worldwide, many of those 400,000 can be translated into lives saved.

“Not only are we saving people’s lives, but we’re also changing these perspectives and raising awareness and appreciation for something as lowly as a rat,” said Cindy Fast, a behavioral neuroscientist who coaches the rodents for the nonprofit APOPO.

“Because our rats are our colleagues, and we really do see them as heroes.”

APOPO uses giant pouched rats to sniff out traces of TB in the saliva of patients. In parts of Tanzania, a saliva smear test under a microscope by a human may only be 20-40% effective at detecting TB.

By contrast, a giant pouched rat like Ms. Carolina, a now-retired service rat who worked for APOPO for 7 years, raised the rates of detection on TB samples by 40% in the clinic where she worked.

Pictured: An APOPO employee with one of their trained rats

It would take 4 days for scientists to analyze the number of samples that Carolina could screen in 20 minutes. For that reason, when Carolina retired last November, a party was thrown at the clinic in her honor, and she was given a cake.

TB is sometimes thought of as a thing of the past—a disease for which doctors used to prescribe “dry air,” leading a modern sense of humor to muse at the antiquated, pre-antibiotic medical advice.

But it remains the number-one cause of death globally from a single infectious pathogen, and Tefera Agizew, a physician and APOPO’s head of tuberculosis, told National Geographic that once people see what the nonprofit’s rodents can do to slow the spread, they “fall in love with them.”

3,000 times in her career did Carolina detect one of the six volatile compounds that can be used to identify Mycobacterium tuberculosis, and she got a hero’s send-off to a special compound to live out the rest of her days with her closet friend and sniffer colleague Gilbert, in a shaded enclosure dubbed “Rat Florida.”

“We’ve made special little rat-friendly carrot cakes with little peanuts and things on it that the rat would enjoy,” Fast said. “Then we all stand around and we clap, and we give three cheers, hip hip hooray for the hero, and celebrate together. It’s really a touching moment.”

APOPO has made headlines for its use of these rats in other lifesaving tasks as well: landmine clearance.

One of the world’s great underreported scourges (a lot like TB, coincidentally) is landmine contamination. There are 110 million landmines or unexploded bombs in the ground right now in about 67 countries, covering thousands of square miles in potential danger. Thousands of civilians are killed or injured by these weapons every year.

GNN reported on APOPO’s demining efforts using pouched rats back in 2020. One rat named Magawa alone identified 39 landmines and 28 items of unexploded ordnance across an area the size of 20 football fields.

If at the start of this story you didn’t like rats, maybe Magawa and Carolina will have changed your mind."

-via Good News Network, March 31, 2025

Panel of hell (detail), Hieronymus Bosch The Garden of Earthly Delights, c. 1480-1505 oil on panel, 220 x 390 cm (Prado)
You are using an unsupported browser and things might not work as intended. Please make sure you're using the latest version of Chrome, Firefox, Safari, or Edge.