My first Drarry bind(!!), my first non-magical AU, and my first time gifting a bind to another fanbinder. @haxkattpress generously allowed me to use her beautiful typeset back in October, and I decided to gift her and the author a bound copy by way of saying thank you.
I know I'm supposed to talk about my bind, but it was her bind and description of this fic—“...the most creative and meticulously researched fics I have ever had the pleasure of reading"—that hooked me last year. I had never read a Drarry before, but I suddenly wanted to blind bind OORU based solely on the time and effort she dedicated to it.
So thank you, Haxkatt, for your generosity and for finding your way into friendship with me. Cheers to binding slowly, not rushing creativity, and becoming so absorbed with tedious details that the rest of the planet fades away.
And thank you, @citrusses, for writing such a wonderful AU to become immersed in. As soon as I finished binding my copy, I plopped myself on my couch and dove in. I loved it and love your work.
Also, I will never get over reading the physical copy of a fic I bound myself. Holding it in my hands, curled up on my couch, and disappearing into a story someone spent countless hours crafting for free is such a high.
Fanfic writers, I will never get over you.
Since this was a blind bind, I gleaned details from the typeset and the fic description, going for posh academic vibes to match the Oxford setting. I nearly fell out of my chair while sifting through my fabric stash; it matches the chapter headers perfectly. I kept my endbands simple and found beautiful art by Kenneth Crane for my dust jacket, making adjustments in Canva.
In the fic, Draco quotes poetry, so I pulled those for the flaps. Thank you to my dearest @phoenixortheflame for checking over my dust jacket for final tweaks—I've nicknamed her "The Finisher."
Bind details below for each copy—one for Haxkatt, one for citrusses, one for myself—bound for personal use only.
Bind details:
bind style: full cloth bind, flatback(2), rounded&backed(1), sewn endpapers, ramie bands
endpapers: 65lb tan cardstock
fabric: quilt fabric from a quaint little shop in Ball Ground, Georgia, where my mother and grandmother live. Picking through fabric with them (quilt ideas for them, book ideas for me!) during December 2024 is a fond memory. This fabric came from that haul.
book edge decoration: acrylic ink edges(2) and hand-marbled edges(1) from the @renegadeguild California meetup in February
endbands: double faux core, 4mm leather core, Japanese silk thread
typeset: @haxkattpress I love every.single.detail.
dust jacket: designed in Canva; title font, Craw Modern; author font, Zing Rust Script; body & flap font, EB Garamond, The Seasons; art by Kenneth Crane
It was during these binds that I made the decision to keep detailed notes throughout my process. My ENDLESS thanks to @mourningmountainsbindery for sending me your awe-inspiring Google spreadsheet.
What a difference it makes, keeping a record of what you did right and what you'd change going forward. Sometimes you don't know until the bind is done, but now I can look back and learn from my mistakes or replicate my wins.
Now for my favorite part: BTS!
And finally, because no bind is complete without a little pain, I've included a few quotes between myself and @maleekamolscreates when it came to sanding a rounded fore-edge. The time it takes to get it right is a special type of agony.
Especially when you have to do it twice. Which I did, because Round 1 was not perfect and because I love pain.