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what the devil?

@king-of-colors

charles, he/him | previously atlas-eclipse i change my profile far too frequently [writer, artist, gifmaker, etc]

intro!!

hiii, i'm charles. he/him please. genderqueer, bi, and aroace. i'm a minor! artist/writer (i take requests!)

#king posts for original posts | #my art/gifs/writing for content made by me | #king watches for reactions/thoughts of tv shows/movies | #atlas answers for asks

your local co-dependent gays (or straights..) lover (dead boy detectives, merlin, the x-files, lockwood & co, arcane, heartstopper, good omens)

if you found me through dbda, yes, i stole 'charles' from the one and only charles rowland my beloved. and if you haven't watched dbda, please do! it's a really good show!!

if we're mutuals and we hardly interact, don't worry, i'm probably stalking your blog and think you're really cool!! ^v^

Not sure what this means, I’m just handing it out here for y’all to do with as you see fit

Much has been made, of course, of Charles and Edwin’s red/blue symbolism. Fandom does love a red/blue dynamic, after all.

But the thing is, blue and red symbolize something else, in the show - much more explicitly and with more emphasis, in fact: Heaven and Hell.

Charles and Edwin are the colors of each other’s afterlives.

It’s made pretty explicit, in Edwin’s case, in fact. Edwin is theoretically the blue one, but visually, he’s actually generally gray. The one time he is fully visually blue is in the attic when he’s being lit up by the blue light of Death coming for Charles - he is literally blue because he is the the color of Charles’s afterlife.

If it were just that, it would be pretty clear what’s being indicated, symbolically, here: Edwin is Charles’s Heaven (and psychopomp). Charles turns away from blue-Death-celestial-Heaven towards blue-Edwin-Earthly-Heaven.

But it’s also very true that Charles is strongly associated with red, and red is clearly marked as the color of being taken to Hell, and I’m not sure what that means, to be honest.

All I know is that Charles is Edwin’s fated afterlife and Edwin is Charles’s and that’s a lot.

wip train [triple] - april 9th, 2025

rules: tagger gives a word, then for each letter of that word you share a sentence/excerpt from your wips that starts with that letter.

i have been tagged by @idkhowbutmyparentsfoundmyaccount with word BALLOON, by @ahyperactivehero with word SCRAP and by @king-of-colors with word GRASS.

now, as one does, i am going to search through m wips and see what i can salvage because this has been a surprise attack on my writing!

AK’s Guide to Suits

An introduction to the finer details of menswear, and how to get them right in your… aw, hell, why am I describing it here? Read the intro!

For someone who loves suits, I sure don’t know how to draw em  v __v 

I should do some studies

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skullpeach

YO FRIGGIN DIG IT!!!!

now stop drawing suits wrong

wip train!

Rules: Tagger gives a word, then for each letter of that word you share a sentence/excerpt from your WIPs that starts with that letter.

tagged by @makemeimmortalwithahug for PACE

P - Perhaps they could return at another time.

A - As he looked at Edwin, his world, that was all he wished to do. Just hold him.

C - Charles looked around, dumbfounded. He didn't expect...

E - Even if people couldn't see them, the ghosts didn’t dare risk getting caught.

no pressure tagging @lire-casander @paraphwrites @ahyperactivehero for the word GRASS

Still I can't let you go

"So this is it?"

The words are unfamiliar on his tongue, thick and bitter, dangerously close to gluing his mouth shut if he doesn't let them out. It's strange, to ask this question. He's sure he used this particular phrase many times before, both on cases and in their free time. And yet, when they finally pass his lips, they're clumsy, foreign, as if he's only now learning how to speak. Maybe he is.

Edwin is not looking at him, head turned a little to the side, his eyes a little dazed, staring far into the distance. Charles wonders if their look each other directly in the face ever again. He has the strangest feeling they might not. He can't remember the last time they did.

"I believe so, yes," Edwin finally says, and Charles has to look away. He hates how much it feels like talking to a stranger.

In the silence that falls around them, he tries to run back through his memories, to figure out when things started going wrong. He thinks it might have been around the time that Crystal died, but he's not sure. The time surrounding that day is dark and blurring together, and stretching too far into then-future. Neither of them were ever good at dealing with the difficult feelings, and so the weight of that grief crushed them entirely for a while. He thought they were getting better, though. It seems that they weren't.

"Had a good run, though, right?" he says, trying for some levity in his tone, feathers hitting against brick wall. It falls flat against his ears, more desperate than light, and that much closer to the truth for it.

"That we did," Edwin replies. Charles sees him moving in the corner of his eye, and from the sound of his voice, he thinks the other boy might be smiling a little. He can't be sure, though, because he's not looking at him. It's pathetic.

"Shame to let it go," he chokes out, voice cracking around the sentence. He feels heavy, as if he's back in his corporeal body, gravity pulling him deeper and deeper into the center of the Earth.

Edwin moves, and he can't feel the hands on his shoulders, but he shivers in surprise anyway. He looks up on instinct, and he wishes he didn't. Edwin's eyes are sad, but determined, a combination he's seen before many a time, but never directed at himself so intimately. It's intoxicating in all the possible ways.

"We need to grow up, Charles," Edwin whispers, a plea, "And this is getting us nowhere." And oh doesn't the truth hurt. He barely remembers his actual life, too entwined with Edwin for over a century, and at this point he doesn't remember when he ends and the other boy begins. He never thought it might be a bad thing.

Ghosts cry in a strange way -- there's no real tears, just pale paths appearing slowly on their face, like cracks on a porcelain doll. They never stay too long, glimmering and glistening as if they are actual streams of water. It's unfairly beautiful, he thinks as he watches the silver lines appearing and disappearing on Edwin's face. He's crying too, he knows, cheeks tingling under something that isn't there.

"It's not a goodbye," Edwin finally says, one corner of his lips quirking up higher than the other, "Just see you later," he explains, but he doesn't sound too sure. Neither of them can be sure what's going to happen from here, really, being alone for the first time in so many years. He won't move on, that's for sure, and Edwin definitely won't be doing that either. They might bump into each other here and there, right? It's not the end of the road.

Edwin takes a step back, and Charles does the same thing, his body overriding his mind. He takes a shaky, unnecessary break, trying to push back down the non-existent bile. "See you later?" he asks, trying one last time to catch something long gone. Edwin just nods, in that prim and proper way of his that's soon going to be entirely foreign. In some ways, it already is.

Charles turns around, when his whole essence begs him to stay, and starts walking without another word. He doesn't know where he's going, but he can't turn back.

_____________________

The statement that ghosts can't sleep isn't true -- ghosts can sleep, they just choose not to. In part because they don't need it, and partially because although they don't dream, they do have nightmares.

He comes to with a start, sitting up violently. The office is dark and empty, and for a second he thinks that he's alone; but then Edwin phases through the wall, holding some book or other in his hands, entirely engrossed in its contents. The moment Charles lays his eyes on the other boy, everything else disappears. His heart would've slowed down to normal pace, if he had a heart to begin with. Some of his distress must be still showing on his face, though, because Edwin's face morhps into concern as soon as he looks at him.

"Are you alright, Charles?" he asks, shutting the book without checking a page. Save it for Edwin not to care about bookmarks - he'll just start the book again.

"Yeah," Charles breathes our, shaking away the last bits of the nightmare. He doesn't really remember what it was about; he knows it felt lonely. "Just a bad dream I think," he adds as an afterthought, hoping that the context with placate his best mate.

Edwin humms in response, and takes a seat on the couch next to him. "Do you fancy a read?" he inquires, and Charles can't help but cheer up a little. "Yeah, I could use a pick-me-up," he replies, nodding, and Edwin smiles softly, placing the book on his lap.

He doesn't get a chance to open it, though, because Charles leans in and kisses him softly. It's sweet and gentle, and still tastes new. He savours it as long as he can without floating away, and when he leans away, Edwin is staring at him with a dazed smile. He shakes it away, but he's still blushing when he finally opens the book.

"What are we reading?" Charles asks, snuggling into Edwin's side and laying his head on his shoulder. He tries not to laugh as Edwin clears his throat before answering,

"I was thinking Peter Pan."

Just imagining Charles and Edwin having found that original empty place to call their agency. Getting some old furniture and putting the official “Dead Boy Detectives Agency” title on the door.

It’s just a random old room in some random old building, but it’ll do nicely.

Slowly filling the shelves with magic books and objects from cases they’ve solved. Adding some books they just personally like and may read through together every once in a while, a few knickknacks from some fun adventures the boys have gone on together, maybe even just some things they like end up decorating the room too.

After so many years you can’t look anywhere in the room without being reminded of those many years Charles and Edwin have spent together since that very first day. And at some point the old couch and chairs go from some old furniture they’d found to a place where they can sit down and rest, and the scratches in the wood from their antics or a result of being on a case are proof that this place in truly theirs and not just some place they can stay for the time being.

Suddenly, one day, these two boys who never had a real home while they were alive look around at the life they’ve built around them and realize that without even trying to, they’ve made themselves a home.

“Who are you?” the boy sputtered eventually.

“The man who’s gonna marry you,” Charles declared, grinning. “I’m Charles!”

// or, the beginning of a dead boy detectives hadestown au. it is a sad song, but we’re going to sing it again

Words: 1120, Chapters: 1/1, Language: English

Charles got murder by his friends and that probably fucked him up more then we realize.

Like, I know we saw some of it in the Dead Dragons episode, but I think there are more subtler hints to it.

Charles is supposed to be the 'friendly one' or the 'people person' of the two, but in the show, Edwin makes more relationships than Charles.

Edwin makes friends with Niko, Monty, and Crystal. He also has this weird understanding/truce with The Cat King, but Charles only really makes a relationship with Crystal, and that was because she came into his life.

Idk, I think it would be interesting if Charles was the more antisocial one of the two.

Charles is good at people in the same way I'm good at people:

I'm good with STRANGERS. I'm great at being polite and cheerful and friendly and seemingly-open! I'm great at making people feel welcome and comfortable in our brief interactions/first few meetings! I'm FANTASTIC at customer service from both sides of the interaction, and I can often easily make strangers on the street laugh as we pass each other.

I am NOT good at actually making friends/building relationships.

My cheerful, amiable way of speaking to new people is 1/3 of my personality multiplied by 10, and the other two thirds hidden. It's not fake, it's just exaggerated, and used to distract from the more awkward, bitter, tired parts.

I'm genuinely a very golden retriever type person (easygoing, chipper, affectionate, a bit ditzy), but I'm also deeply depressed, prone to impatience, anxious, and constantly exhausted. Strangers don't like that, so I don't show them. But how are strangers supposed to become close friends when you never let them see most of you?

Edwin is bad with strangers and new people and first impressions. But he's actually pretty good at forming real, honest relationships/connections when he finally decides to, because he's much more honest and direct about his boundaries, wants, and immediate feelings. It can make him more abrasive to strangers, but it means when people like him, they actually like HIM, not the masking he's doing by only showing one piece of himself turned up to eleven.

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